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10monkeys Diver
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Sharpen your addition skills with this fun underwater adventure! Verne the Adventure Monkey has...
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Arabic language learning in an easy way for every age. This first volume is focused on alphabet. You...
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Acanthea Grimscythe (300 KP) rated Jordskott - Season 1 in TV
May 12, 2018
If you’re looking for something in the flavor of Grimm and Supernatural, the Swedish drama Jordskott may be right up your alley. Despite being found on horror streaming service Shudder, the series doesn’t have a whole bunch of the horror elements. What it does have, for the first season at least, is a decent storyline.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
ClareR (5674 KP) rated The Silver Road in Books
Mar 7, 2019
A wonderful debut
This is a novel of love and loss, guilt and grief, and of family in both the good and bad sense of the word. It has been translated so well from the Swedish by Susan Beard that I didn't actually occur to me that it had been translated at all.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.
Bong Mines Entertainment (15 KP) rated Andreas Moss by Andreas Moss in Music
Jun 7, 2019
Andreas Moss is a Swedish-born, Nashville-bred, and Los Angeles-based singer-songwriter. Not too long ago, he released his self-titled 7-track debut EP featuring Yachtmoney and Melanie Pfirrman.
Moss (Jonathan Thulin) has amassed Dove Awards, number-one records, and headlined tours as a Christian recording artist before making the transition to pop music in recent years. After struggling with the acceptance of his sexuality within the church, the sexually fluid singer decided to go his own way. And now, he’s unveiling what he has discovered on his debut project.
“STUCK IN MY FEELINGS”
The Matthew Underwood-directed video shows a couple making love. Also, the following scenes aren’t too cozy, as their communication dwindles.
“KODAK”
Moss sings about a relationship issue. He’s over his head in a relationship with a woman he loves. His adoration for her is tearing him up and he knows it. Also, he references the relationship being kodak or looking picture perfect on the outside. But internally, he’s dead like a corpse.
“KOKAIN”
Moss sings about being addicted to cocaine. Also, he highlights the pain of a woman he hurt while being an addict. She’s had it up to here with his inability to rid himself of an addiction that’s detrimental to their long-term relationship.
“DEAR MISERY”
Moss bares his soul and unveils his departure from being an addict and living in misery. He sings about this touching breakup on a remarkable ballad perfumed with hopefulness.
CONCLUSION
Andrea Moss’s self-titled debut project takes listeners on a relatable journey through love, addiction, and redemption. There’s a myriad of emotions felt
throughout the voyage, but the outcome is attractively wonderful.
https://www.bongminesentertainment.com/andreas-moss-debut-ep/
Moss (Jonathan Thulin) has amassed Dove Awards, number-one records, and headlined tours as a Christian recording artist before making the transition to pop music in recent years. After struggling with the acceptance of his sexuality within the church, the sexually fluid singer decided to go his own way. And now, he’s unveiling what he has discovered on his debut project.
“STUCK IN MY FEELINGS”
The Matthew Underwood-directed video shows a couple making love. Also, the following scenes aren’t too cozy, as their communication dwindles.
“KODAK”
Moss sings about a relationship issue. He’s over his head in a relationship with a woman he loves. His adoration for her is tearing him up and he knows it. Also, he references the relationship being kodak or looking picture perfect on the outside. But internally, he’s dead like a corpse.
“KOKAIN”
Moss sings about being addicted to cocaine. Also, he highlights the pain of a woman he hurt while being an addict. She’s had it up to here with his inability to rid himself of an addiction that’s detrimental to their long-term relationship.
“DEAR MISERY”
Moss bares his soul and unveils his departure from being an addict and living in misery. He sings about this touching breakup on a remarkable ballad perfumed with hopefulness.
CONCLUSION
Andrea Moss’s self-titled debut project takes listeners on a relatable journey through love, addiction, and redemption. There’s a myriad of emotions felt
throughout the voyage, but the outcome is attractively wonderful.
https://www.bongminesentertainment.com/andreas-moss-debut-ep/
LeftSideCut (3778 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
Beautiful, disturbing, utterly bizarre
Whether you like Midsommar or not, you have to admit, it's quite a trip.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
Maths Formulas
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Available in many languages, "Maths Formulas" is a perfect app on App Store that provides all basic...