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    Animoog

    Animoog

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    Animoog, powered by the new Anisotropic Synth Engine (ASE), is Moog Music's first professional...

    50in1 Piano HD

    50in1 Piano HD

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    Learn to play the piano, create your own songs and even sing to your compositions! 50in1 Piano HD...

    KORG iMS-20

    KORG iMS-20

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    iMS-20 is an analog synth studio; a complete recreation of the Korg MS-20 synth, an analog...

    Animoog for iPhone

    Animoog for iPhone

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    ** HARDWARE REQUIREMENTS ** Must have iPhone 4S, iPod Touch 5th gen. or later to run Animoog for...

Thor: Ragnarok (2017)
Thor: Ragnarok (2017)
2017 | Action, Adventure, Fantasy
The humour Chris Hemsworth as Thor Tom Hiddleston as Loki Mark Ruffalo as Bruce Banner/The Hulk Taika Waititi as Korg Cate Blanchett as Hela Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie The Action was awesome specifically Hulk vs Thor and the final bridge battle The synth score
Humour overshadows emotional beats Not enough Karl urban (0 more)
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?

There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.

Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.

Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
  
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Jonathan Donahue recommended Drum by Hugo Largo in Music (curated)

 
Drum by Hugo Largo
Drum by Hugo Largo
(0 Ratings)
Album Favorite

"A little known '80s band from New York City. They were pretty much unknown to anyone outside of there, too. They used just two basses, a violin and a synth. No drums. They used a little bit of drumming on this album but live they had none at all. That was something which was quite central to The Light In You, where nearly all the songs have two basses going all the time. We grew up with Hugo Largo, we recorded with them and they actually got us our first recording studio gig back in '87. Another band heavily influential to Mercury Rev, very early on. I put it up there with some of the most beautiful, hypnotic music that a number of bands would point to these days. I think Brian Eno released this and had Drum been released or even re-released today, it probably would have had a much larger audience; if Drum was released today it would be album of the year, no question."

Source
  
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Darren Fisher (2447 KP) rated The Boogey Man (1980) in Movies

Dec 12, 2020 (Updated Dec 13, 2020)  
The Boogey Man (1980)
The Boogey Man (1980)
1980 | Horror
5
5.0 (1 Ratings)
Movie Rating
"It begins with a horrifying killing and then starts to get bloody!"
The Boogeyman is an uneven state of affairs.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.

The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.