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Rolling Stone's 500th greatest album of all time
Return of the G was a little more hip hop than I was expecting but decent.
Rosa Parks is a little better, more foot-tappy with an odd little country breakdown. The song, not the historical figure.
Annoying little skits in between songs.
Skew it on the Bar-B has a great beat and a better tempo.
Aquemini is a soulful little groove, with an interesting subtle change in mood halfway through.
Synthesizer starts as a basic hi-hat and snare tune and builds up with many layers of vocals and synth and piano.
I'm going to have to stop track by track reviews now, need to get some work done.
Except: Liberation (feat CeeLo Green) is an absolute treat.
Great album, a few tracks a little more gangsta than I like but some excellent soulful songs.
Rosa Parks is a little better, more foot-tappy with an odd little country breakdown. The song, not the historical figure.
Annoying little skits in between songs.
Skew it on the Bar-B has a great beat and a better tempo.
Aquemini is a soulful little groove, with an interesting subtle change in mood halfway through.
Synthesizer starts as a basic hi-hat and snare tune and builds up with many layers of vocals and synth and piano.
I'm going to have to stop track by track reviews now, need to get some work done.
Except: Liberation (feat CeeLo Green) is an absolute treat.
Great album, a few tracks a little more gangsta than I like but some excellent soulful songs.
Andy Gill recommended The Music of Erik Satie: The Velvet Gentlemen by The Camarta Contemporary Chamber Group in Music (curated)
Sean Lennon recommended An Electric Storm by The White Noise in Music (curated)
Ryan Hill (152 KP) rated Thor: Ragnarok (2017) in Movies
May 11, 2019
The humour
Chris Hemsworth as Thor
Tom Hiddleston as Loki
Mark Ruffalo as Bruce Banner/The Hulk
Taika Waititi as Korg
Cate Blanchett as Hela
Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie
The Action was awesome specifically Hulk vs Thor and the final bridge battle
The synth score
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
Jonathan Donahue recommended Drum by Hugo Largo in Music (curated)
Darren Fisher (2447 KP) rated The Boogey Man (1980) in Movies
Dec 12, 2020 (Updated Dec 13, 2020)
"It begins with a horrifying killing and then starts to get bloody!"
The Boogeyman is an uneven state of affairs.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.
The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.
The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.
Andy Gill recommended Wanderlust by Wild Beasts in Music (curated)
Pete Fowler recommended Silver Apples by Silver Apples in Music (curated)
LeftSideCut (3778 KP) rated Galaxy of Terror (1981) in Movies
Oct 20, 2020
Listen, I enjoy a trashy Roger Corman horror effort as much as the next person, but Galaxy of Terror is a chore to get through.
These films are known for being cheap, but they usually have a sort of charm to them, that I just found lacking here. The main issue is that it's not very cohesive. Various aspects of the narrative are so unexplained and seemingly random, that it's ultimately super boring, and very easy to zone out. I mean, I watched it earlier today and I've already forgotten how it ended...
Even the usually reliable gore is mostly rubbish, with the exception of a couple of half decent practical effects.
The only aspects that I found positive was seeing Sid Haig, Robert Englund, and Grace Zabriskie in early roles and some of the synth music is fun but other than that, it's straight up bollocks.
A lot of films tried to ride the coat tails of Alien following it's release and Galaxy of Terror does nothing more than remind you that you could be watching that instead.
Final note - definitely in the running for Most Misleading Movie Poster Ever.
These films are known for being cheap, but they usually have a sort of charm to them, that I just found lacking here. The main issue is that it's not very cohesive. Various aspects of the narrative are so unexplained and seemingly random, that it's ultimately super boring, and very easy to zone out. I mean, I watched it earlier today and I've already forgotten how it ended...
Even the usually reliable gore is mostly rubbish, with the exception of a couple of half decent practical effects.
The only aspects that I found positive was seeing Sid Haig, Robert Englund, and Grace Zabriskie in early roles and some of the synth music is fun but other than that, it's straight up bollocks.
A lot of films tried to ride the coat tails of Alien following it's release and Galaxy of Terror does nothing more than remind you that you could be watching that instead.
Final note - definitely in the running for Most Misleading Movie Poster Ever.
Bong Mines Entertainment (15 KP) rated Wake Up With You - Single by Pugglefox in Music
Jun 25, 2019
Pugglefox is a trio of funkin’ jazz punks from Pittsburgh, PA. Not too long ago, they released a groovy indie-rock tune, entitled, “Wake Up With You”.
“I love the days when I wake up with you. Nowhere to be, and nothing to do. Wake up and show me the sun in your eyes. Oh, what a beautiful surprise. Come take a break, you’ve been working hard. I read the face on my birthday card. Kiss me in pink sheets and pain floats away. I’ll buy you flowers today. Let’s go, woo!” – lyrics
‘Wake Up With You’ tells an interesting tale of a young guy who cherishes the sensual moments shared with his significant other.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with indie-rock and alternatives elements.
“‘Wake Up With You’ is about the sacred moments shared with a lover in the early mornings when all other life commitments sink away. A feeling that gets harder and harder to achieve in the fast-paced, modern world.” – Pugglefox
Pugglefox consists of Evan Isaac (keys, guitar, vocals, synth, percussion), Jordan Kaye (bass, background vocals), and Mike Mills (drums, congas).
“I love the days when I wake up with you. Nowhere to be, and nothing to do. Wake up and show me the sun in your eyes. Oh, what a beautiful surprise. Come take a break, you’ve been working hard. I read the face on my birthday card. Kiss me in pink sheets and pain floats away. I’ll buy you flowers today. Let’s go, woo!” – lyrics
‘Wake Up With You’ tells an interesting tale of a young guy who cherishes the sensual moments shared with his significant other.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with indie-rock and alternatives elements.
“‘Wake Up With You’ is about the sacred moments shared with a lover in the early mornings when all other life commitments sink away. A feeling that gets harder and harder to achieve in the fast-paced, modern world.” – Pugglefox
Pugglefox consists of Evan Isaac (keys, guitar, vocals, synth, percussion), Jordan Kaye (bass, background vocals), and Mike Mills (drums, congas).