"My brother had that record and it was one of the first I heard outside of what my parents were listening to and I just couldn’t believe how great it was. If you’ve ever listened to that record, every single song is a smash. It has groove, it has colour, it has melody and there’s so much dimension and depth to it. I don’t recall the last time I listened to it but after talking to you I might just go and do it..."

"I think the period from 1979 to 1982 was the best period for British pop music. And out of all that stuff it's 'Oliver's Army' that I've chosen. It gets more incredible the older I get and the more I understand about it. Visually, when it first came out, Elvis Costello was like a Halloween version of Buddy Holly. It's all distorted - his clothes were too big for him and his glasses were too big for him. He didn't look like a very nice guy - quite frightening - but singing this amazing song. Some songs will move your feet, emotions, and some will move your head - and this has got all of this, all together. I knew all the words. I'd write the words down in my exercise book at school, but I didn't understand any of it. But they're such good words you don't really have to. I love that first line: "Don't start me talking/ I could talk all night". It just brings up that image of youthful idealism - we can sit up all night talking. Before you get into drink, drugs and all that, you just sit up talking because you can. I love that. It could Paris in the late 60s, or London at the end of the century, or Greenwich Village. Musically, I just read about the piano part... Elvis didn't like the song at all and they were going to scrap it, so the piano player suggested, "Why don't we play something like ABBA?" I think it's 'Dancing Queen'. And then they put that on and that was it. But no one wanted to say yes at first as it wasn't a very cool thing to do."

"Mad World’ is a great song and it has some personal significance for me. When I was on American Idol - you know how when you're on these competition shows, and you have these moments? - it was like my big moment. It was the one that people talked about for a while. “I remember the first time I heard the version by Gary Jules, which is in Donnie Darko. That was the version where I was like 'What?' Both versions of ‘Mad World’ are so brilliant and I think the thing about the song itself that's so brilliant is that it's talking about being disillusioned or disenfranchised as a youth, and with society, feeling like an outsider, and feeling like your voice doesn't matter. I would guess that the song is about dark times. “I think that now we're in a time where things like suicide and bullying and identity politics are so in the forefront of the conversation, but I think that when this was written, angst was more of a sort of mysterious thing and I think that's the brilliance of this song. It's talking about something that not everybody talked about at that point."