"This song is very blue, it makes me cry a lot. The bass line is very heavy. It's like facing yourself, facing your problems and your issues: Who are you? What are you looking for? What would you like to achieve? This is song is very important to me. I still listen to it, when I'm not feeling good. 'Wari' means 'money'. When you make money, you can really forget your past. You can forget your mum, you can forget your father. You can become someone else. The lyrics are very deep. It's advising you: money is good but never forget where you come from, never forget your soul, never forget your spirit, your family. Be yourself.
 Women are used to talking about society, children, our husbands, emancipation, money. They teach you to be humble, to go back to your roots. Never be somebody else, fight to be yourself. It's a good message for what we're doing, always being in a different hotel, taking the plane everyday. I needed those women."

"Since I love Quentin Tarantino, I went with Jackie Brown – that’s my favorite Quentin Tarantino film. I could go on and on about why Tarantino is a master of dialogue and writing — I mean I love The Hateful Eight; I think that’s sort of genius of him as a director — but Jackie Brown is such a perfectly contained piece. It’s exciting but also has these perfectly human moments where characters are talking about growing older, and they ally themselves in this plot not because of… I mean there is gain financially and there is gain for personal reasons, but there is also this sort of camaraderie that’s born. It’s also incredibly clever and funny. I just love that. I love the soundtrack as well. You can’t love a Tarantino film and not love the soundtrack. I’m not gonna lie, I’ve strutted down New York City streets to Quentin Tarantino soundtracks! That’s for real. But I mean Jackie Brown is amazing, centered, and [has] these unexpected characters. Samuel Jackson gives the performance of a lifetime."

"Okay, we’ve gotten to number one for me. I know you’re not going in order. Field of Dreams, Kevin Costner — my favorite movie. I’ve watched it, again, about 15 or 20 times. The final shot, also perfect, maybe even better than Once. The helicopter up in the sky with them throwing the baseball. To me, it’s perfect. It is a perfect movie, and it also contains the single best moment of love on screen of all time — I’m getting emotional talking about it — which is when he says, “Am I crazy to build a baseball field in the backyard? Do you think I’m crazy?” And his wife says, “Yeah, but I also think that if you really, really think that you should do it, then you should do it.” It’s like if you really, really want to do it, you should do it. But then ultimately, the end is the best father-son — “Dad, do you want to have a catch?” I hardly can talk about it. Kind of the reason I became a screenwriter. I love it that much."