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Mark @ Carstairs Considers (2340 KP) rated April Fool Dead in Books
Feb 13, 2025
This Killer Isn’t Fooling Around
Annie Darling is looking forward to hosting a book signing for the island’s resident mystery writer, Emma Clyde, on April first. She’s even come up with the perfect promotion for it, leaving fliers all over the island with the clues to identify famous mystery books for a prize at the signing. However, someone has mimicked her fliers, but instead of talking about fictional murder these new fliers are accusing residents of the island of real crimes. Just as Annie thinks her job restoring her name is over, someone dies. Is this murder connected to the fliers?
I love it when authors get creative with their plots, and we’ve got a winner here. I especially appreciated how everything came together. The characters remain a little thin, but they are strong enough to pull us into the story. There are a couple who show up from the previous book, so be aware of minor spoilers. The laughs are plentiful again, especially thanks to Annie’s mother-in-law. Do keep in mind that this book was originally released in 2002 as a couple of elements are dated, but nothing major. Overall, you’d be a fool to pass on this book.
I love it when authors get creative with their plots, and we’ve got a winner here. I especially appreciated how everything came together. The characters remain a little thin, but they are strong enough to pull us into the story. There are a couple who show up from the previous book, so be aware of minor spoilers. The laughs are plentiful again, especially thanks to Annie’s mother-in-law. Do keep in mind that this book was originally released in 2002 as a couple of elements are dated, but nothing major. Overall, you’d be a fool to pass on this book.
Sassy Brit (97 KP) rated Stray Magic in Books
Jun 5, 2019
Stray Magic is a fun, spirited second chance story that comes with a supernatural twist – in the shape of a two-foot tall, wish-granting leprechaun called Vincent.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.
Becs (244 KP) rated The Silent Patient in Books
Jun 6, 2019
Twisty and captivating!
My rating: ☆☆☆☆
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
Phillip McSween (751 KP) rated Being There (1979) in Movies
Mar 26, 2018
Decent
A gardener with no professional skills has to strike out on his own when the owner of his estate dies.
Acting: 10
Beginning: 4
Being There gets off to an extremely slow start and I think it has more to do with expectations than anything. I don't know what exactly I was looking for, but it seemed as if the film started out laying the groundwork for what was to come, but it was trying to feel its way into the story. If your film is going to be over two hours long, it should be because there is a lot of meat in the film, not because its got a slow start latched on to it.
Characters: 10
Cinematography/Visuals: 0
For the life of me, I can't remember not one memorable shot in this film. Not a single solitary one. Believe me, I sat on this for quite a few minutes trying to remember something, anything that stood out for me. Nothing. For main character Chance (Peter Sellers) to have been a gardener, we never got to see him working his craft in one of the rich, extravagant gardens. Nothing doing.
Conflict: 4
There's not a lot of friction in the conflict, but it is fun to watch as things unfold. You know it's only a matter of time before someone uncovers the truth of what's going on with Chance, but every scene that passes where he comes out unscathed is absolutely confounding. There are never any real stakes, however, hence the lower score.
Genre: 8
When it comes to dramas, I consider Being There, highly original. It feels like Forrest Gump mixed in with a ton of political satire. It stares the norm in the face and completely breaks the mold.
Memorability: 6
While the visuals were absolutely forgettable, the film did have some solid memorable moments that stood out. In one particular scene, Chance is having a dinner conversation with Benjamin Rand (Melvyn Douglas) about the "room upstairs". Ben thinks they're talking about heaven when Chance is literally talking about the room upstairs.
Pace: 8
Once the film can get out of its own way in the beginning, it definitely managed to hold my attention with a solid pace. I was so entertained by Chance that things never really got slow again for me. His actions and presence alone kept me engaged.
Plot: 9
Resolution: 10
Overall: 69
I was rooting for Being There to be better but there were just a handful of pitfalls that kept it well short of getting an all-time rating. With solid characters that were highly entertaining, I wish it would have gotten out of the gates stronger, among other things. For me, the film is a skippable one.
Acting: 10
Beginning: 4
Being There gets off to an extremely slow start and I think it has more to do with expectations than anything. I don't know what exactly I was looking for, but it seemed as if the film started out laying the groundwork for what was to come, but it was trying to feel its way into the story. If your film is going to be over two hours long, it should be because there is a lot of meat in the film, not because its got a slow start latched on to it.
Characters: 10
Cinematography/Visuals: 0
For the life of me, I can't remember not one memorable shot in this film. Not a single solitary one. Believe me, I sat on this for quite a few minutes trying to remember something, anything that stood out for me. Nothing. For main character Chance (Peter Sellers) to have been a gardener, we never got to see him working his craft in one of the rich, extravagant gardens. Nothing doing.
Conflict: 4
There's not a lot of friction in the conflict, but it is fun to watch as things unfold. You know it's only a matter of time before someone uncovers the truth of what's going on with Chance, but every scene that passes where he comes out unscathed is absolutely confounding. There are never any real stakes, however, hence the lower score.
Genre: 8
When it comes to dramas, I consider Being There, highly original. It feels like Forrest Gump mixed in with a ton of political satire. It stares the norm in the face and completely breaks the mold.
Memorability: 6
While the visuals were absolutely forgettable, the film did have some solid memorable moments that stood out. In one particular scene, Chance is having a dinner conversation with Benjamin Rand (Melvyn Douglas) about the "room upstairs". Ben thinks they're talking about heaven when Chance is literally talking about the room upstairs.
Pace: 8
Once the film can get out of its own way in the beginning, it definitely managed to hold my attention with a solid pace. I was so entertained by Chance that things never really got slow again for me. His actions and presence alone kept me engaged.
Plot: 9
Resolution: 10
Overall: 69
I was rooting for Being There to be better but there were just a handful of pitfalls that kept it well short of getting an all-time rating. With solid characters that were highly entertaining, I wish it would have gotten out of the gates stronger, among other things. For me, the film is a skippable one.
Caffeinated Fae (464 KP) rated Get a Life, Chloe Brown (The Brown Sisters #1) in Books
Feb 24, 2020
Enemies to Lovers (4 more)
Sunshine Character with a Grumpy Character
Invisible Illness Representation
Amazing Characters
Great Banter
Best Romance of 2019
I read this book a few months ago, thanks to Libro.fm's influencer program. I saw quite a few of my favorite blogs reviewing/talking about this book, so I knew I had to read it. I've waited a while to write this book review simply because I loved it so much. Get A Life, Chloe Brown is one of those books that will stay with you for a while after. I struggled to write this book review because nothing will do justice to how much I loved this book. I seriously want to shove it into everyone's hands and tell them to read it.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
Conversation Therapy Lite - Questions for Expressive Language, Pragmatics, & Cognition
Medical and Education
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Conversation Therapy gets people talking! Now you can try this professional speech therapy app to...
Emma @ The Movies (1786 KP) rated Ant-Man and the Wasp (2018) in Movies
Sep 25, 2019
Yes Infinity War was good... but for me, Ant-Man And The Wasp was better. Yes IW was epic and devastating, but out of the two I didn't have any quibbles about this one. The CGI was what really did it for me. In IW Thanos' minions looked terrible, even when you take into consideration that they're aliens. But seeing the CGI in the flashback scenes in this one I was impressed at how real it all looked.
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
Yalla-Group Voice Chat Rooms
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1.0
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تطبيق يلا هو مجموعة التحدث الصوتية الحية و الترفيه...
Safari Tales - literacy skills from creative play
Education and Games
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A multi-award-winning 3D adventure packed full of fun-filled locations to explore, mini games,...
Phillip McSween (751 KP) rated Spellbound (1945) in Movies
Jun 13, 2022
Not the First Hitchcock You Should Watch
When Dr. Anthony Edwardes arrives at a mental hospital in Vermont to replace existing hospital director, Dr. Constance Peterson quickly recognizes him as an impostor. The impostor not only comes clean but also fears he may have killed the real Edwards. It is up to the impostor and Constance to find out the truth of what really happened.
Acting: 10
Gregory Peck is one of the shining actors of the 1940’s and his performance as the impostor doesn’t disappoint. His ability to draw in emotion always manages to root my attention into a scene. Ingrid Bergman was also sensational as Dr. Peterson. The chemistry between the two actors carried the majority of the scenes.
Beginning: 3
Characters: 10
The characters give you just enough throughout the story to move things along. While I did hold out hope that some of the characters would be fleshed out slightly better, I didn’t mind working with what the story gave me. I can’t give away too much without fear of spoilers, but i will say that some of the backstories took an interesting turn.
Cinematography/Visuals: 10
Another man that doesn’t disappoint when it comes to cinematography: Alfred Hitchcock. Mans is in his bag with some really creative shots that probably surprised a 1945 audience. From dream sequences to flashbacks, Hitchcocks devotion to his craft is on full display. Definitely a strong suit of this film.
Conflict: 4
Entertainment Value: 7
At one point in my notes I wrote, “The premise is great. I think it’s the execution that is a little off.” You can see glimpses of where Spellbound wanted to take off, but it’s usually shortlived. I hung in there for the creativity of the premise, but that can only get you so far. Too many lulls and letdowns spoiled the overall experience.
Memorability: 4
Pace: 2
The talking. All the damn talking all the time. Good…Lord. The film is STUFFED with dialogue, 111 minutes of talka-talka-talka. The lack of action begins in the first twenty minutes and becomes and ongoing theme, unfortunately. “Show don’t tell” did not apply here.
Plot: 9
Resolution: 10
Despite my disappointment with how slowly things moved, the film was wrapped up nicely. It actually made me even more upset with the movie as a whole because the ending was great potential for what ALL of Spellbound should have been. This film could have done a ton of things better. The ending, though? Solid.
Overall: 69
Not my favorite Hitchcock, Spellbound misses the mark in a number of different departments. I don’t know, it left a bad taste in my mouth and left me unfulfilled. If you’re looking to work through Hitchcock’s filmography, maybe save this one for later on down the road.
Acting: 10
Gregory Peck is one of the shining actors of the 1940’s and his performance as the impostor doesn’t disappoint. His ability to draw in emotion always manages to root my attention into a scene. Ingrid Bergman was also sensational as Dr. Peterson. The chemistry between the two actors carried the majority of the scenes.
Beginning: 3
Characters: 10
The characters give you just enough throughout the story to move things along. While I did hold out hope that some of the characters would be fleshed out slightly better, I didn’t mind working with what the story gave me. I can’t give away too much without fear of spoilers, but i will say that some of the backstories took an interesting turn.
Cinematography/Visuals: 10
Another man that doesn’t disappoint when it comes to cinematography: Alfred Hitchcock. Mans is in his bag with some really creative shots that probably surprised a 1945 audience. From dream sequences to flashbacks, Hitchcocks devotion to his craft is on full display. Definitely a strong suit of this film.
Conflict: 4
Entertainment Value: 7
At one point in my notes I wrote, “The premise is great. I think it’s the execution that is a little off.” You can see glimpses of where Spellbound wanted to take off, but it’s usually shortlived. I hung in there for the creativity of the premise, but that can only get you so far. Too many lulls and letdowns spoiled the overall experience.
Memorability: 4
Pace: 2
The talking. All the damn talking all the time. Good…Lord. The film is STUFFED with dialogue, 111 minutes of talka-talka-talka. The lack of action begins in the first twenty minutes and becomes and ongoing theme, unfortunately. “Show don’t tell” did not apply here.
Plot: 9
Resolution: 10
Despite my disappointment with how slowly things moved, the film was wrapped up nicely. It actually made me even more upset with the movie as a whole because the ending was great potential for what ALL of Spellbound should have been. This film could have done a ton of things better. The ending, though? Solid.
Overall: 69
Not my favorite Hitchcock, Spellbound misses the mark in a number of different departments. I don’t know, it left a bad taste in my mouth and left me unfulfilled. If you’re looking to work through Hitchcock’s filmography, maybe save this one for later on down the road.