Jesters_folly (230 KP) rated Unhinged (2020) in Movies
Jul 31, 2020
Russell Crowe plays a man who has had enough, imagine if a film like 'Falling Down' had continued (or had a sequel) where the main character had gone completely off the rails and you'd have Crowe's character. After being honked by Rachel at a set of traffic lights the Man decides to teach her what a bad day is really like. After terrorising Rachel as she drives around the Man moves on to attacking and killing her friends and family, blaming Rachel for her actions.
There is a lot driving in Unhinged, Rachel spends most of the time in her car either avoiding the man or trying to plan what to next and the man switches between chasing Rachel or terrorising her family.
The moral of the film is that road rage is everywhere, be polite to people because you don't know who you're talking to and that you can use 'Fortnight' tactics in real life.
Once it gets going, Unhinged doesn't give up, there's violence, torture and threat interspersed with car chases that also contain threat.
Unhinged also tries to comment on society, as the man kills one of Rachel's friends, people look on, film the event or walk away but no one tries to help, some people do call the police but no one tries to stop the man.
Unhinged is fast paced, and violent, I found it a bit predictable but still enjoyable.
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Lyndsey Gollogly (2893 KP) rated The Arrival (BirthRight Trilogy #1) in Books
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Kindle
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Once read a review will be written via Smashbomb and link posted in comments
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So I almost gave up on this book 3 times but I thought no give it a chance. It was incredibly hard to read for the first 10 chapters and you never knew what character was talking as it jumped from one to the other with any indication. This drove me crazy!!! But you can feel the authors passion in this book so I thought it deserved a good chance. As you can see it took me a few nights to read. However after saying all the negative there are some major positives!!
The characters are likeable the story line is very good and shows so much promise! Towards the end you become slightly hooked so much so the bloody thing ends on a cliffhanger that had me shouting nooooooo! I do recommend to any readers please stick with it!
So not the cheeriest subject, but the way it was written - and the narration by Imogen Church - was what made me empathise with Ally. And the situations Ally found herself in were so relatable. I felt really mean laughing at her and Jeremy going out for their first few runs, but they were hilarious (and I’ve been there too!).
I even found myself talking to Ally (should I own up to this, and the fact that I was wearing headphones at the time?!), and was helpfully reminded by the 17 year old, that telling a fictitious character not to email her ex-girlfriend was pretty pointless. I stand by what I said though!
I loved this book, and it brightened my day for a week of dog walks and (the dreaded) dinner preparation!
Recommended!
Many thanks to Quercus for my original e-copy (even though I listened to it on Audible!).
LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.