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Up is a beautifully crafted film that is full of child’s play and adult in jokes. The magicians at Pixar have again triumphed and added another winning film to a growing list of previous hits.
Carl Fredrickson (Edward Asner) is a 70s something old man who has spent his life in love with Ellie, an aspiring day dreaming adventurer he met when he was a small boy. The pair marry and seem to live happily ever after. When Ellie dies (shown in a tear jerking montage) Carl loses the biggest piece of his life yet but must battle on and keep a promise he made to her years before – to reach a set of falls deep in the South-American jungle.
The opening is extremely moving. It shows Ellie and Carl growing up together and facing life’s troubled times and happiest moments. Even for the most hardened film critic Pixar knows how to tap into our emotions. As with any Pixar film it’s the characters that make it. Up is no different. Russell (Jordan Nagai) is an over enthusiastic wilderness scout who teams up with Carl on his adventure. Russell also harbours a secret in his life which is not that dissimilar to Carl’s. Dug (Bob Peterson) is a loveable but slightly dimwitted talking dog, and as for Kevin, his (or should I say her) inclusion is the icing on the cake.
The moment Carl unleashes the balloons from his house in a explosion of colour you know that you’re in for the ride of your life. What follows is a true adventure story. The humour flows right from the beginning and the quirky simplicity of the jokes are brilliant. There are more tear jerking moments and of course a happy ending. Up may surely be Pixar’s finest work yet!
Carl Fredrickson (Edward Asner) is a 70s something old man who has spent his life in love with Ellie, an aspiring day dreaming adventurer he met when he was a small boy. The pair marry and seem to live happily ever after. When Ellie dies (shown in a tear jerking montage) Carl loses the biggest piece of his life yet but must battle on and keep a promise he made to her years before – to reach a set of falls deep in the South-American jungle.
The opening is extremely moving. It shows Ellie and Carl growing up together and facing life’s troubled times and happiest moments. Even for the most hardened film critic Pixar knows how to tap into our emotions. As with any Pixar film it’s the characters that make it. Up is no different. Russell (Jordan Nagai) is an over enthusiastic wilderness scout who teams up with Carl on his adventure. Russell also harbours a secret in his life which is not that dissimilar to Carl’s. Dug (Bob Peterson) is a loveable but slightly dimwitted talking dog, and as for Kevin, his (or should I say her) inclusion is the icing on the cake.
The moment Carl unleashes the balloons from his house in a explosion of colour you know that you’re in for the ride of your life. What follows is a true adventure story. The humour flows right from the beginning and the quirky simplicity of the jokes are brilliant. There are more tear jerking moments and of course a happy ending. Up may surely be Pixar’s finest work yet!
JT (287 KP) rated Beverly Hills Cop (1984) in Movies
Mar 10, 2020
Strange to think that if things had been different Sly Stallone could have taken the role of Axel Foley in Beverly Hills Cop, thankfully he didn’t! As much as I am a fan of Stallone he wouldn’t have had the charisma to pull off this role with the wise-cracking appeal that Eddie Murphy had.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Merissa (11958 KP) rated Descending Into Darkness (Descending #1) in Books
Mar 16, 2020
DESCENDING INTO DARKNESS is the first book in the Descending series. We start off with Jess being kidnapped following her shift as a waitress and taken to a stronghold. There she is told she isn't a prisoner but is, instead, a Seelie princess whose powers haven't yet awakened. At the same time, her sister, Alyss, is kidnapped by the UnSeelie Court and taken there although they are reunited very quickly.
This is a fast-paced novel with plenty of action and a dash of mystery. Being the first book, there is world-building to help the reader understand what's going on, as well as learning more about the characters that are introduced. Fallon tells Jess that he is her mate very quickly and, just like everything else, Jess accepts that and moves on. Whilst I don't like unnecessary histrionics, I do feel Jess accepted everything just a little too easily. After all, she's gone from a waitress who works the late shift to a Princess of the Seelie Court and has the ability to save not one but two races from slavery and/or extinction and she takes it all in her stride.
There is a good storyline here that I would like to read more about and the cliffhanger ending will leave the reader wanting more. The only thing I would say (and it may have been the copy I received to review) but it wasn't always clear who was talking. It seemed to change from one paragraph to another with nothing to indicate a change of point of view.
A good first book and I look forward to reading more in this series. Recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
This is a fast-paced novel with plenty of action and a dash of mystery. Being the first book, there is world-building to help the reader understand what's going on, as well as learning more about the characters that are introduced. Fallon tells Jess that he is her mate very quickly and, just like everything else, Jess accepts that and moves on. Whilst I don't like unnecessary histrionics, I do feel Jess accepted everything just a little too easily. After all, she's gone from a waitress who works the late shift to a Princess of the Seelie Court and has the ability to save not one but two races from slavery and/or extinction and she takes it all in her stride.
There is a good storyline here that I would like to read more about and the cliffhanger ending will leave the reader wanting more. The only thing I would say (and it may have been the copy I received to review) but it wasn't always clear who was talking. It seemed to change from one paragraph to another with nothing to indicate a change of point of view.
A good first book and I look forward to reading more in this series. Recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Phillip McSween (751 KP) rated Alpha (2018) in Movies
Apr 7, 2020
My Unpopular Opinion
Set in prehistoric times, a young man has to survive on his own after getting injured during a hunt. In the process of trying to stay alive, he ends up befriending a lone wolf. I was hoping to like this movie a lot more, but it seemed to drag in too many spots for me.
Acting: 10
Beginning: 10
Characters: 3
Keda (Kodi Smit-McPhee) wasn’t really cutting it for me as far as characters go. When you’re talking about one person to carry a movie, I was hoping for someone with a bit more charisma. The wolf was a cute addition, but the combo wasn’t quite enough to make me care more about the story.
Cinematography/Visuals: 8
Conflict: 4
There wasn’t a whole lot of action going on, at least not enough to keep me entertained. Yes, it’s a story around survival and that concept itself should be riveting enough, but, sadly, it wasn’t. There was too much of nothing happening for too long of stretches. I kept waiting for things to develop and, by the time I started to feel fireworks, it ended being a small fizzle.
Entertainment Value: 8
Memorability: 3
Pace: 3
Pretty slow as far as survival movies go. I kept waiting for it to pick up and, while it had a few shining moments here and there, it was pretty tame for the most part. Y’all, I tried, I really did. Just wasn’t working for me.
Plot: 6
Resolution: 8
Overall: 63
Don’t take my opinion as God when it comes to Alpha. There are plenty out there that adore this movie. Unfortunately, I wasn’t one of them. It’s way too slow and uninteresting for me to recommend.
Acting: 10
Beginning: 10
Characters: 3
Keda (Kodi Smit-McPhee) wasn’t really cutting it for me as far as characters go. When you’re talking about one person to carry a movie, I was hoping for someone with a bit more charisma. The wolf was a cute addition, but the combo wasn’t quite enough to make me care more about the story.
Cinematography/Visuals: 8
Conflict: 4
There wasn’t a whole lot of action going on, at least not enough to keep me entertained. Yes, it’s a story around survival and that concept itself should be riveting enough, but, sadly, it wasn’t. There was too much of nothing happening for too long of stretches. I kept waiting for things to develop and, by the time I started to feel fireworks, it ended being a small fizzle.
Entertainment Value: 8
Memorability: 3
Pace: 3
Pretty slow as far as survival movies go. I kept waiting for it to pick up and, while it had a few shining moments here and there, it was pretty tame for the most part. Y’all, I tried, I really did. Just wasn’t working for me.
Plot: 6
Resolution: 8
Overall: 63
Don’t take my opinion as God when it comes to Alpha. There are plenty out there that adore this movie. Unfortunately, I wasn’t one of them. It’s way too slow and uninteresting for me to recommend.
LeftSideCut (3778 KP) rated Scream (1996) in Movies
Apr 22, 2020 (Updated May 9, 2020)
1996 was a time where slasher horror had become boring. The quality of countless sequels for certain franchises had dipped dramatically, and Wes Craven intended to give the whole thing a jump start with Scream. It's safe to say that he succeeded in that respect.
I was 8 years old when Scream release, and I remember the buzz around it. Other kids in my school would talk about how their older siblings had managed to rent a copy, and just how shocking it was, and in the years since it released, Scream has gone from that excitable buzz to a bonafide genre classic.
Obviously, the screenplays self awareness was a game changer. Characters constantly talking about horror movie 'rules' whilst doing the exact opposite, dialogue about upcoming sequels etc. Even the antagonist Ghostface has a slightly goofy look, and it's this tongue in cheek approach that was immediately imitated by others, although never quite as well.
That's not to say that Scream doesn't have it's fair share of horror. It's a bloody film for sure, and even though it's scares aren't major by today's standards, it's easy to see why it gained the clout it did.
The cast is headed up by Neve Campbell, as extremely likable final girl Sidney Prescott. Sidney is fleshed out enough for the viewer to really get inside, and isn't just there for eye candy. She is joined by the likes of Courtney Cox, David Arquette, Rose McGowan, Jamie Kennedy and Drew Barrymore in an all round decent cast.
Honestly though, I can't heap enough praise at Matthew Lillard for his absolute batshit crazy performance. Guy deserves more recognition for that commitment.
Scream isn't the best horror movie I've ever seen, but as I said above, it's a genre classic, and certainly changed the face of horror. A definite win for Wes Craven.
I was 8 years old when Scream release, and I remember the buzz around it. Other kids in my school would talk about how their older siblings had managed to rent a copy, and just how shocking it was, and in the years since it released, Scream has gone from that excitable buzz to a bonafide genre classic.
Obviously, the screenplays self awareness was a game changer. Characters constantly talking about horror movie 'rules' whilst doing the exact opposite, dialogue about upcoming sequels etc. Even the antagonist Ghostface has a slightly goofy look, and it's this tongue in cheek approach that was immediately imitated by others, although never quite as well.
That's not to say that Scream doesn't have it's fair share of horror. It's a bloody film for sure, and even though it's scares aren't major by today's standards, it's easy to see why it gained the clout it did.
The cast is headed up by Neve Campbell, as extremely likable final girl Sidney Prescott. Sidney is fleshed out enough for the viewer to really get inside, and isn't just there for eye candy. She is joined by the likes of Courtney Cox, David Arquette, Rose McGowan, Jamie Kennedy and Drew Barrymore in an all round decent cast.
Honestly though, I can't heap enough praise at Matthew Lillard for his absolute batshit crazy performance. Guy deserves more recognition for that commitment.
Scream isn't the best horror movie I've ever seen, but as I said above, it's a genre classic, and certainly changed the face of horror. A definite win for Wes Craven.
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