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Covered in Ink: Tattoos, Women and the Politics of the Body
Book
A small dolphin on the ankle, a black line on the lower back, a flower on the hip, or a child's name...
Kale and Coffee: A Renegade's Guide to Health, Happiness and Longevity
Book
After realizing that he may have a hereditary cancer risk, Kevin Gianni was intent on finding the...
Rob Zombie recommended A Clockwork Orange (1971) in Movies (curated)
Robert Eggers recommended Fanny and Alexander (1982) in Movies (curated)
Leanne Crabtree (480 KP) rated Fire Inside (Chaos, #2) in Books
Jan 8, 2021
4.5
I really, really, really liked this book! The only problem I had was it’s length (I seem to have a thing about really long books where I cant read them all at once and have to break them up with other books). There was something about it that just dragged me in and kept me reading. Maybe it was the way Hopper treated Lanie like a lady, simply because she came from a better background than him but still treated everyone fairly. Or his way of talking and thinking because he talked a lot of sense and did a lot of nice things for Lanie.
He was so easy to fall for.
There were two quotes I really liked: “Honey,” I called and his head came up. “You have a monster too.”
“I did. My woman just slayed it.”
And:
He lifted his head and looked down at me. “Have it all now, I made a baby outta love.”
He was killing me.
“Stop making me cry and kiss me.”
Both show Hop’s sweeter side and made me all awwwww…
The only downside for me was that this was my first book by Kristen Ashley, even though I have two other books by her on my Kindle, and I hadn’t read the others to understand the back story of Lanie and her relationship with her previous fiancé Elliott.
Please note: It doesn’t take away from the story at all if you haven’t read it, as it is explained throughout Fire Inside but I personally would have liked to read Lanie’s back story first.
Nevertheless, this was an amazing insight into a motorcycle club and a really nice love story. I love it!
I really, really, really liked this book! The only problem I had was it’s length (I seem to have a thing about really long books where I cant read them all at once and have to break them up with other books). There was something about it that just dragged me in and kept me reading. Maybe it was the way Hopper treated Lanie like a lady, simply because she came from a better background than him but still treated everyone fairly. Or his way of talking and thinking because he talked a lot of sense and did a lot of nice things for Lanie.
He was so easy to fall for.
There were two quotes I really liked: “Honey,” I called and his head came up. “You have a monster too.”
“I did. My woman just slayed it.”
And:
He lifted his head and looked down at me. “Have it all now, I made a baby outta love.”
He was killing me.
“Stop making me cry and kiss me.”
Both show Hop’s sweeter side and made me all awwwww…
The only downside for me was that this was my first book by Kristen Ashley, even though I have two other books by her on my Kindle, and I hadn’t read the others to understand the back story of Lanie and her relationship with her previous fiancé Elliott.
Please note: It doesn’t take away from the story at all if you haven’t read it, as it is explained throughout Fire Inside but I personally would have liked to read Lanie’s back story first.
Nevertheless, this was an amazing insight into a motorcycle club and a really nice love story. I love it!
Leanne Crabtree (480 KP) rated The Hunter (Boston Belles, #1) in Books
Jan 8, 2021
3.5 stars.
I picked this up for 99p back in July since I do enjoy me an L.J. Shen book now and then.
This starts with Hunter waking up to find he's starred in his own porn film after having an orgy with some girls and a random guy ended up filming it when he joined in. Hunter is now in deep sh*t with his family after a scandal too many and he is forced to move in with a room mate of his dad's choosing - Sailor Brennan. Sailor is an Olympic archery hopeful who has done nothing but train to make the team for years up to the point of neglecting everything else. Tasked with setting Hunter on the straight and narrow they lock horns for a long time before one night changes everything between them.
I don't know with this one. I liked a lot about it - the romance and how it blossomed from something a little unwanted (but super hot) to all hearts and flowers and public declarations. Hunter's progression from manwhore extraordinaire to a one woman man was cute reading. It was the other half of it, Hunter's family and all that drama, that just seemed unnecessary and way OTT. I do - in a way -understand why they did what they did but it was odd to say the least. They are a strange family apart from Hunter and Aisling.
I feel I have to mention Cillian. He is an enigma. One minute he's being a complete d*ck, the next he's being a rather decent guy. I'm intrigued to see inside his head and I'm assuming his romance with a certain Boston Belle - Emmabelle - may be the next book in the series since he couldn't seem to stop staring at her/talking crap about her.
I picked this up for 99p back in July since I do enjoy me an L.J. Shen book now and then.
This starts with Hunter waking up to find he's starred in his own porn film after having an orgy with some girls and a random guy ended up filming it when he joined in. Hunter is now in deep sh*t with his family after a scandal too many and he is forced to move in with a room mate of his dad's choosing - Sailor Brennan. Sailor is an Olympic archery hopeful who has done nothing but train to make the team for years up to the point of neglecting everything else. Tasked with setting Hunter on the straight and narrow they lock horns for a long time before one night changes everything between them.
I don't know with this one. I liked a lot about it - the romance and how it blossomed from something a little unwanted (but super hot) to all hearts and flowers and public declarations. Hunter's progression from manwhore extraordinaire to a one woman man was cute reading. It was the other half of it, Hunter's family and all that drama, that just seemed unnecessary and way OTT. I do - in a way -understand why they did what they did but it was odd to say the least. They are a strange family apart from Hunter and Aisling.
I feel I have to mention Cillian. He is an enigma. One minute he's being a complete d*ck, the next he's being a rather decent guy. I'm intrigued to see inside his head and I'm assuming his romance with a certain Boston Belle - Emmabelle - may be the next book in the series since he couldn't seem to stop staring at her/talking crap about her.
LeftSideCut (3778 KP) rated Species: The Awakening (2007) in Movies
Nov 4, 2020
I can quite comfortably say that Species: The Awakening - the fourth and thankfully last entry in the series to date - is one of the worst films I've ever put myself through.
Cheap horror films can occasionally find salvation in having a sort of charm to them, shitty yet endearing if you will, but unfortunately, there's more charm in my left testicle than in Species 4.
When I say cheap, I mean cheap as in they aren't even trying cheap. The whole film is drenched in a weird green lighting which makes it looks like a discount version of CSI. There's not even any practical gore to write home about. Not only is it seldom, but when things get violent, it looks like the blood was added using Microsoft Paint. It's dreadful.
I don't like to bash actors, they are only following directions after all, but Christ, no one on screen seems remotely invested in what they're doing. The dialogue is lazy, and half of the characters are just creeping around pulling "scary" faces whilst wearing "spooky" contact lenses. You know when a load of people on your Facebook friends-list update their profile pictures at Halloween with whatever costume they've put together, and they're pulling a cringey dead eye scary face just to add to the illusion - this film is basically that but for nearly two hours.
Talking about the runtime - fuck me it's gruelling. I'm pretty sure I drifted off at one point, but everything that's happening is so damn boring that by the time the credits roll, it becomes clear that Species: The Awakening is in fact an edurance test, designed to see how much dogshit the audience will take. At least, it feels that way.
It's abysmal, and I'm now in a bad mood, thanks a lot Species.
Cheap horror films can occasionally find salvation in having a sort of charm to them, shitty yet endearing if you will, but unfortunately, there's more charm in my left testicle than in Species 4.
When I say cheap, I mean cheap as in they aren't even trying cheap. The whole film is drenched in a weird green lighting which makes it looks like a discount version of CSI. There's not even any practical gore to write home about. Not only is it seldom, but when things get violent, it looks like the blood was added using Microsoft Paint. It's dreadful.
I don't like to bash actors, they are only following directions after all, but Christ, no one on screen seems remotely invested in what they're doing. The dialogue is lazy, and half of the characters are just creeping around pulling "scary" faces whilst wearing "spooky" contact lenses. You know when a load of people on your Facebook friends-list update their profile pictures at Halloween with whatever costume they've put together, and they're pulling a cringey dead eye scary face just to add to the illusion - this film is basically that but for nearly two hours.
Talking about the runtime - fuck me it's gruelling. I'm pretty sure I drifted off at one point, but everything that's happening is so damn boring that by the time the credits roll, it becomes clear that Species: The Awakening is in fact an edurance test, designed to see how much dogshit the audience will take. At least, it feels that way.
It's abysmal, and I'm now in a bad mood, thanks a lot Species.
Matthew Krueger (10051 KP) rated Horror Express (1972) in Movies
Nov 23, 2020
Christopher Lee (1 more)
Peter Cushing
The Terror Express
Horror Express- is a great movie. The horror, the terror, the gory, the acting, all great.
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.