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LeftSideCut (3778 KP) rated Horror Noire: A History of Black Horror (2019) in Movies
Sep 21, 2020
I found Horror Noire, a documentary that focuses on the role and impact of black creators and actors within horror cinema, to be an incredibly insightful watch.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
Ivana A. | Diary of Difference (1171 KP) rated Queenie Malone's Paradise Hotel in Books
Oct 5, 2020
Queenie Malone’s Paradise Hotel is a book that not all kinds of readers will relate to. You either love it or hate it. And me, well, I really wish I loved it.
The book flows in two parallel timelines: Tilda in the present and little Tilly in her childhood. Tilda has a broken relationship with her mother, who killed her dad. After her mum dies, Tilda goes to a place called Queenie Malone’s Paradise Hotel, to find the truth of what happened in the past.
The writing style of when Tilda is little was hard for me to connect to. If felt as if the grown up version was talking in both timelines. The book is very slow, with no major plot twist, which made it boring. We had the whole ending dumped in the last chapters, with no anticipation. She is a girl that clearly has a troubled past, and she has with her a sense of mystery, as she is able to see what other people can’t. She is very attached to her father, even though he was absent most of her life, and she spent her childhood and teenage years holding a grudge against her mother.
And yet, I didn’t care about her.
In fact, I didn’t care about anyone in this book, and by the end, I just wished for the story to finish. I am sad that I couldn’t relate to this book, and I wish I liked it. But I didn’t. Moving on. A shame though, it has such a beautiful cover.If the synopsis seems interesting to you,
I would still encourage you to give it a go and let me know what you thought. You opinion is also valid.
The book flows in two parallel timelines: Tilda in the present and little Tilly in her childhood. Tilda has a broken relationship with her mother, who killed her dad. After her mum dies, Tilda goes to a place called Queenie Malone’s Paradise Hotel, to find the truth of what happened in the past.
The writing style of when Tilda is little was hard for me to connect to. If felt as if the grown up version was talking in both timelines. The book is very slow, with no major plot twist, which made it boring. We had the whole ending dumped in the last chapters, with no anticipation. She is a girl that clearly has a troubled past, and she has with her a sense of mystery, as she is able to see what other people can’t. She is very attached to her father, even though he was absent most of her life, and she spent her childhood and teenage years holding a grudge against her mother.
And yet, I didn’t care about her.
In fact, I didn’t care about anyone in this book, and by the end, I just wished for the story to finish. I am sad that I couldn’t relate to this book, and I wish I liked it. But I didn’t. Moving on. A shame though, it has such a beautiful cover.If the synopsis seems interesting to you,
I would still encourage you to give it a go and let me know what you thought. You opinion is also valid.
LoganCrews (2861 KP) rated Enter the Dragon (1973) in Movies
Dec 16, 2020
"𝘔𝘢𝘯, 𝘺𝘰𝘶 𝘤𝘰𝘮𝘦 𝘳𝘪𝘨𝘩𝘵 𝘰𝘶𝘵 𝘰𝘧 𝘢 𝘤𝘰𝘮𝘪𝘤 𝘣𝘰𝘰𝘬."
Exquisite, worth every ounce of its reputation. Sensational use of music, dazzling acting, timeless fight sequences, savory aesthetic, very funny, and just an inherently juicy premise at the helm - I've always loved the idea of this gaudy remote island reserved exclusively for corrupt martial arts tournaments (plus drug/human trafficking and casual murder of course) that people can just casually go to lol. Not only a masterclass in personality but highly acute in its intelligence - crafts smart dialogue and extra fun characters to make this more than just the surface-level experience that it still could have been successful at. Bruce Lee really was the definition of raw star power, giving a performance which I can only describe as a live endorphin meets calculated hitman meets wrecking ball - leading both the ripper action bits as well as the cool, collected talking bits with seismic gravitas. The part where he stomps that guy to death as we watch his facial expression go from pure adrenaline takeover to euphoric satisfaction to regret then finally to painful acceptance all in a matter of like ten seconds is nothing short of astonishing. Plus it's all just so damn cool, I love this whole experience - the primal anticipation, the hearty sense of grooviness, the way the camera takes on the POV of the fighters as we can see how their conditions differ then zooms back in on the wildly emotive faces... pure cinema. The scene where Lee mows through an entire compound full of guards as he keeps switching progressively better weapons with the last one he retrieves from the previous wave of baddies? Oh hell yeah, say no more.
Exquisite, worth every ounce of its reputation. Sensational use of music, dazzling acting, timeless fight sequences, savory aesthetic, very funny, and just an inherently juicy premise at the helm - I've always loved the idea of this gaudy remote island reserved exclusively for corrupt martial arts tournaments (plus drug/human trafficking and casual murder of course) that people can just casually go to lol. Not only a masterclass in personality but highly acute in its intelligence - crafts smart dialogue and extra fun characters to make this more than just the surface-level experience that it still could have been successful at. Bruce Lee really was the definition of raw star power, giving a performance which I can only describe as a live endorphin meets calculated hitman meets wrecking ball - leading both the ripper action bits as well as the cool, collected talking bits with seismic gravitas. The part where he stomps that guy to death as we watch his facial expression go from pure adrenaline takeover to euphoric satisfaction to regret then finally to painful acceptance all in a matter of like ten seconds is nothing short of astonishing. Plus it's all just so damn cool, I love this whole experience - the primal anticipation, the hearty sense of grooviness, the way the camera takes on the POV of the fighters as we can see how their conditions differ then zooms back in on the wildly emotive faces... pure cinema. The scene where Lee mows through an entire compound full of guards as he keeps switching progressively better weapons with the last one he retrieves from the previous wave of baddies? Oh hell yeah, say no more.
Eleanor Luhar (47 KP) rated The Legacy in Books
Jun 24, 2019
When I first read Malley's The Declaration series this third novel hasn't yet been released. And then I kind of forgot about the series until the end of last year.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
Emma @ The Movies (1786 KP) rated Dunkirk (2017) in Movies
Sep 25, 2019
Dunkirk really wasn't one that I was sure I wanted to watch. After watching it... I'm sure that I didn't want to watch it. It was interesting, in that it was a story from history that I didn't know, but I really didn't enjoy the film itself.
At the beginning I found the three story lines to be confusing, and almost everyone I've spoken to has said the same thing that I had thought during the film... "Was Cillian Murphy playing two people?"
Looking online I've seen some are quibbling about the effects being too loud and that there was very little dialogue from the troops... to be honest I didn't notice the sound "issue" while I watched as it seemed about right for the situation they were in. I did pause for thought about no one talking, but that again didn't seem that out of place in the context of the scenes.
While the timeline issues with the three strands did eventually sort themselves out I had already been put off. I really didn't feel this can be dubbed as the summer blockbuster that it was being pegged as.
That being said, I do think it will do well as we don't see many high profile films like this. And you know what... I was ready to sigh and say "yet another singer who should stick to what they're good at"... but Harry Styles wasn't bad, but I wouldn't like to comment on whether that was because there were barely any lines or not.
I think this one will have to be chalked up as "not for me", as I said it wasn't one I'd really wanted to watch in the first place.
At the beginning I found the three story lines to be confusing, and almost everyone I've spoken to has said the same thing that I had thought during the film... "Was Cillian Murphy playing two people?"
Looking online I've seen some are quibbling about the effects being too loud and that there was very little dialogue from the troops... to be honest I didn't notice the sound "issue" while I watched as it seemed about right for the situation they were in. I did pause for thought about no one talking, but that again didn't seem that out of place in the context of the scenes.
While the timeline issues with the three strands did eventually sort themselves out I had already been put off. I really didn't feel this can be dubbed as the summer blockbuster that it was being pegged as.
That being said, I do think it will do well as we don't see many high profile films like this. And you know what... I was ready to sigh and say "yet another singer who should stick to what they're good at"... but Harry Styles wasn't bad, but I wouldn't like to comment on whether that was because there were barely any lines or not.
I think this one will have to be chalked up as "not for me", as I said it wasn't one I'd really wanted to watch in the first place.
Emma @ The Movies (1786 KP) rated Goosebumps 2: Haunted Halloween (2018) in Movies
Sep 25, 2019
There's a fun bunch of actors in the cast of this one. I was a little disappointed that Jack Black wasn't doing the whole film, but his little piece in it is entertaining. There's also a fun little cameo by R.L. Stine in there too. It was a little off putting seeing Chris Parnell, it hurt my brain a bit. Walter was a great character but all I could hear were Jerry and Cyril Figgis.
I always feel like I'm getting old when I watch a kids film and think, "that's quite scary for little 'uns". But there are a few good moment that give you a little jump.It's exactly what you'd expect from the film, fun spooky stuff. Nothing more, nothing less.
My favourite part of the whole movie is the last red gummy bear... keep and eye out for it.
Sorry this is such a short review, but honestly there isn't much to say about it. That's not a bad thing. The acting was good for this sort of film, it's a fun story line, the effects are quite good (thankfully no baby Jack Black like his last film) and you come away feeling like you've been entertained.
What you should do
A good halloween movie to see as a family, it's worth seeing but you could probably wait until it's out for home viewing.
Movie thing you wish you could take home
I'd say a talking gummy bear, but they're a little homicidal, and if they weren't I'd probably be in danger of eating the squishy little thing anyway. If it were possibly to get something from the film that wasn't actively trying to kill me then I'd probably books that bring things to life.
I always feel like I'm getting old when I watch a kids film and think, "that's quite scary for little 'uns". But there are a few good moment that give you a little jump.It's exactly what you'd expect from the film, fun spooky stuff. Nothing more, nothing less.
My favourite part of the whole movie is the last red gummy bear... keep and eye out for it.
Sorry this is such a short review, but honestly there isn't much to say about it. That's not a bad thing. The acting was good for this sort of film, it's a fun story line, the effects are quite good (thankfully no baby Jack Black like his last film) and you come away feeling like you've been entertained.
What you should do
A good halloween movie to see as a family, it's worth seeing but you could probably wait until it's out for home viewing.
Movie thing you wish you could take home
I'd say a talking gummy bear, but they're a little homicidal, and if they weren't I'd probably be in danger of eating the squishy little thing anyway. If it were possibly to get something from the film that wasn't actively trying to kill me then I'd probably books that bring things to life.
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Matthew Krueger (10051 KP) Sep 21, 2020