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Elli H Burton (1288 KP) rated The Silence of the Lambs (1991) in Movies
Nov 7, 2019
The acting is 100% (2 more)
The story is fantastic
The way it is shot is genuinely awesome.
Have the lambs stopped screaming?
Okay so this is one of my favourite films because it just ticks every box.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
Phil Leader (619 KP) rated Heart of Darkness in Books
Nov 14, 2019
This book is undoubtedly most famous today for being the story behind the film Apocalypse Now and really comparisons between the two are inevitable.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.
Nick Beaty (70 KP) rated The Irishman (2019) in Movies
Jan 26, 2020 (Updated Jan 26, 2020)
De Niro is the best he has been in a long time...
First off any movie that has Robert De Niro, Al Pacino, Joe Pesci and Martin Scorsese connected to it has me from the get go.
De Niro is the best he has been in a long time as mob hitman Frank Sheeran, Joe Pesci is excellent in a much more reserved role as Russell Bufalino and Al Pacino is superb as the loud and brash Jimmy Hoffa. All the buzz is around the three lead actors, as all have been nominated for Oscars. Although for me Stephen Graham more than holds his own alongside these legends, as the cocky and destructive 'Tony Pro'. Some of the best scenes are with him and Pacino not seeing eye to eye on various occasions.
Personally I felt it wasn't as Scorsese as I expected, it didn't have the same narrative or feel as say Goodfellas or Casino, I'm not saying that is a bad thing as it's still a very good movie, it's just not on their level in my opinion.
There has been a lot of talk about the 3 hour 29 minutes running time. I personally don't understand all the fuss, as there have been many classic, award winning movies even longer than this. Gone with the Wind took home the Oscar in 1940 and ran a whopping 3h 58m. Ben Hur won best picture in 1960 at 3h 32m and more recently Titanic in 1998 was slightly less at 3h 14m.
I also feel the need to mention a couple of scenes that felt very reminiscent of one of my favourite movies Pulp Fiction. The opening sequence when the words 'I heard you paint houses' flash on the screen felt very Tarantino and the whole car scene with Jesse Plemons & Louis Cancelmi talking about the fish, was very Jule's & Vincent like. I'm not sure if that is just me or whether other people agree.
Overall I get that it is a long movie and people have very busy lives but if you get the chance you really should watch it, just to see these big screen legends at work and doing what they do best.
De Niro is the best he has been in a long time as mob hitman Frank Sheeran, Joe Pesci is excellent in a much more reserved role as Russell Bufalino and Al Pacino is superb as the loud and brash Jimmy Hoffa. All the buzz is around the three lead actors, as all have been nominated for Oscars. Although for me Stephen Graham more than holds his own alongside these legends, as the cocky and destructive 'Tony Pro'. Some of the best scenes are with him and Pacino not seeing eye to eye on various occasions.
Personally I felt it wasn't as Scorsese as I expected, it didn't have the same narrative or feel as say Goodfellas or Casino, I'm not saying that is a bad thing as it's still a very good movie, it's just not on their level in my opinion.
There has been a lot of talk about the 3 hour 29 minutes running time. I personally don't understand all the fuss, as there have been many classic, award winning movies even longer than this. Gone with the Wind took home the Oscar in 1940 and ran a whopping 3h 58m. Ben Hur won best picture in 1960 at 3h 32m and more recently Titanic in 1998 was slightly less at 3h 14m.
I also feel the need to mention a couple of scenes that felt very reminiscent of one of my favourite movies Pulp Fiction. The opening sequence when the words 'I heard you paint houses' flash on the screen felt very Tarantino and the whole car scene with Jesse Plemons & Louis Cancelmi talking about the fish, was very Jule's & Vincent like. I'm not sure if that is just me or whether other people agree.
Overall I get that it is a long movie and people have very busy lives but if you get the chance you really should watch it, just to see these big screen legends at work and doing what they do best.
Merissa (12351 KP) rated Sufferborn in Books
Jan 27, 2020
Sufferborn is the story of elves and humans, how they live, and what happens when their worlds overlap. We start off in the past where Orinleah has just given birth and Daghahen is found by his brother. We learn Orinleah gives the boy a name that is banned from most of the tribes, Dorhen, meaning 'stranger'. Apparently, it means his life will not be long but be very arduous. Why she names him this isn't exactly clear as she seems so happy about it.
The pacing of this book is overall very slow. There are moments when it picks up but then it slows down again. This is good in the majority of the cases as there is always a lot going on, so it gives you time to grasp the situation as well as learning more about the characters. I would say that personally I would have found chapter headings to be helpful, just so I could find out who was talking and when, but that's probably just me.
And there are a LOT of characters too! The main ones end up being Daghahen, Dorhen, and Kalea, but trust me when I say there is a whole caboodle of characters there that will draw your attention. In fact, even in the last few chapters, you are introduced to new characters to take into book two with you.
With the slow pace and the amount of characters, it comes as no surprise this is a long book, typical of Fantasy. I wouldn't call it a Fantasy Romance as I felt the romance between Dorhen and Kalea actually wasn't that important. I mean, obviously it is or Kalea wouldn't have gone looking for him, but on the whole, there is so much more to the story than "just" romance. I would call it Dark Fantasy as there is plenty of violence and the threat of rape and/or rape scenes.
It ends on a cliffhanger so fair warning and I haven't found anything online to say when the next book is available. If Dark Fantasy ticks your box then I would recommend it.
The pacing of this book is overall very slow. There are moments when it picks up but then it slows down again. This is good in the majority of the cases as there is always a lot going on, so it gives you time to grasp the situation as well as learning more about the characters. I would say that personally I would have found chapter headings to be helpful, just so I could find out who was talking and when, but that's probably just me.
And there are a LOT of characters too! The main ones end up being Daghahen, Dorhen, and Kalea, but trust me when I say there is a whole caboodle of characters there that will draw your attention. In fact, even in the last few chapters, you are introduced to new characters to take into book two with you.
With the slow pace and the amount of characters, it comes as no surprise this is a long book, typical of Fantasy. I wouldn't call it a Fantasy Romance as I felt the romance between Dorhen and Kalea actually wasn't that important. I mean, obviously it is or Kalea wouldn't have gone looking for him, but on the whole, there is so much more to the story than "just" romance. I would call it Dark Fantasy as there is plenty of violence and the threat of rape and/or rape scenes.
It ends on a cliffhanger so fair warning and I haven't found anything online to say when the next book is available. If Dark Fantasy ticks your box then I would recommend it.
Merissa (12351 KP) rated Silver Moon (The Silver #7) in Books
Mar 19, 2020
Silver Moon is the final book in the Silver series, and let me tell you, this book has ripped my heart out, thrown it on the floor, stamped all over it, picked it back up again, only to do it all again, before finally leaving me needing a new series!!!
Things come to a head for Jaze and his pack and he has to make decisions no young adult should have to. I really won't say too much as I don't want to give out any spoilers. All I will say is be careful! Your heart will racing, your mouth dry, as you try to figure out just how he gets out of certain situations. And also, for the last quarter of the book (at least) I was sobbing as I read. Not just crying, oh no. We're talking great big f'ugly crying!!!
There's so much I want to say but I can't without giving away spoilers! I want to talk about certain characters and what they went through and how it made me feel. I want to talk about that spectacular ending that just about killed me. I want to talk about the aftermath which made me cry again. But I can't.
What I will say is this series is simply outstanding. I have loved all of the books in this series for one reason or another. They all fit together perfectly. The writing is unsurpassed. The pacing is smooth. The characters are all lifelike and behave just as you think they should, before they turn around and surprise the living daylights out of you.
This book killed me. I love and hate it so it will be kept and re-read, again and again. So sad to see this series end but it does lead me nicely onto the next series, which now I just HAVE to read.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Things come to a head for Jaze and his pack and he has to make decisions no young adult should have to. I really won't say too much as I don't want to give out any spoilers. All I will say is be careful! Your heart will racing, your mouth dry, as you try to figure out just how he gets out of certain situations. And also, for the last quarter of the book (at least) I was sobbing as I read. Not just crying, oh no. We're talking great big f'ugly crying!!!
There's so much I want to say but I can't without giving away spoilers! I want to talk about certain characters and what they went through and how it made me feel. I want to talk about that spectacular ending that just about killed me. I want to talk about the aftermath which made me cry again. But I can't.
What I will say is this series is simply outstanding. I have loved all of the books in this series for one reason or another. They all fit together perfectly. The writing is unsurpassed. The pacing is smooth. The characters are all lifelike and behave just as you think they should, before they turn around and surprise the living daylights out of you.
This book killed me. I love and hate it so it will be kept and re-read, again and again. So sad to see this series end but it does lead me nicely onto the next series, which now I just HAVE to read.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kim Pook (101 KP) rated The Lion King (2019) in Movies
Aug 1, 2019
Nothing will beat the original
Contains spoilers, click to show
As a lover of the original movie i was dubious about watching this one. I eventually gave in and watched it at our local independant cinema.
As soon as the first 'Naaaaa' started i felt chills as it sounded very much like the original, the whole circle of life opening scene was actually spectacular and mesmerising to watch and i thought "wow this is gonna be fantastic", but then the movie properly started............
We see a longer than neccesary scene of a mouse making his way towards scar before he captures it, again visual effects was superb but as soon as the talking started i cringed, it was spoken with no real emotion and no expression, it seemed all one tone.
Mufasas death scene was over quicker than it started. In the original there's more build up to simba realising he's dead and in all honesty i cry like a baby every single time, but in the new one nothing! They could have at least given simba some tears or lowered his ears or something but nope.
The hyenas didn't have much humour and are much darker in this than the original, they don't have the same connection with scar.
Admittedly once timon and pumbaa came on the scene i started to enjoy it, their humour is spot on and i laughed every time they were on screen. Though i was disappointed they didn't do the hula song.
The fight scene at the end was amazing to watch, it went on a lot longer than the original but it was good it showed more of a fight rather being over in a flash.
I enjoyed the songs in the movie although i did think beyonce way over sung in can you feel the love tonight, it started off lovely but there are some songs you shouldn't wail.
All in all it wasn't great but it wasn't terrible either. Would i watch it again? Not on purpose no, but maybe if it came on tv and there was nothing else on. I'll stick to the original.
As soon as the first 'Naaaaa' started i felt chills as it sounded very much like the original, the whole circle of life opening scene was actually spectacular and mesmerising to watch and i thought "wow this is gonna be fantastic", but then the movie properly started............
We see a longer than neccesary scene of a mouse making his way towards scar before he captures it, again visual effects was superb but as soon as the talking started i cringed, it was spoken with no real emotion and no expression, it seemed all one tone.
Mufasas death scene was over quicker than it started. In the original there's more build up to simba realising he's dead and in all honesty i cry like a baby every single time, but in the new one nothing! They could have at least given simba some tears or lowered his ears or something but nope.
The hyenas didn't have much humour and are much darker in this than the original, they don't have the same connection with scar.
Admittedly once timon and pumbaa came on the scene i started to enjoy it, their humour is spot on and i laughed every time they were on screen. Though i was disappointed they didn't do the hula song.
The fight scene at the end was amazing to watch, it went on a lot longer than the original but it was good it showed more of a fight rather being over in a flash.
I enjoyed the songs in the movie although i did think beyonce way over sung in can you feel the love tonight, it started off lovely but there are some songs you shouldn't wail.
All in all it wasn't great but it wasn't terrible either. Would i watch it again? Not on purpose no, but maybe if it came on tv and there was nothing else on. I'll stick to the original.
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