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David McK (3372 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Dec 18, 2019 (Updated Jun 16, 2020)
"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Sophia (Bookwyrming Thoughts) (530 KP) rated The Raven Boys in Books
Jan 23, 2020
I don't really like <i>The Raven Boys</i>. I don't really see the "why" in the hype, and I feel completely indifferent towards everything Maggie Stiefvater offered in this first book of the series.
Or maybe, just maybe, like some books, Stiefvater just had the unfortunate timing to be listened to when I'm not exactly in the mood to read.
It's also when I pull off a really cheap Sophia move. Behold – the list of whatnots about <i>The Raven Boys</i>, or just a summary of my thoughts in the process of listening to Will Patton reading this.
<ol>
<li>Blue has always been warned that if she kiss her true love, she'll cause her true love to die. Sadistic as it is, I like that concept. I <em>really</em> like that concept.</li>
<li>It's official: I like it when audiobooks have music.</li>
<li>What kind of name is Blue? I'm a little perplexed, but since it's unique, I'll let it go.</li>
<li>Gansey seemed far too absorbed in the ley line for a good part of the book – he's as bad as David, I'll tell you that right now (just without the whole metaphors thing).</li>
<li>In sync with number four, I don't get the entire point of <em>why</em> they're looking for this watchamawho of a Welsh King. I mean, I probably do, but...</li>
<li>Cringe-worthy as it sounded, I secretly liked that whole, "I... I'm... I'm very young." part.</li>
<li>Why are The Raven Boys called "The Raven Boys?" I'm not sure I caught that. Do they have an obsession with ravens? Is it really because of that pet raven Ronan has (I assume)? Who's willing to tell me this?</li>
<li>I don't really understand that cliffhanger. I know <em>who</em> Stiefvater is talking about, but I don't <em>understand</em>.</li>
</ol>
<b>Fun fact:</b> Will Patton reads the audiobooks for the entire series (from what I've seen). YAY! That doesn't mean I like him, but it's consistency. I applaud consistency.
And the final question: Should I continue reading the series? (Lupe: NO. READ SILVER SHADOWS FIRST. >_<)
<a href="https://bookwyrmingthoughts.com/audiobook-review-the-raven-boys-by-maggie-stiefvater/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Or maybe, just maybe, like some books, Stiefvater just had the unfortunate timing to be listened to when I'm not exactly in the mood to read.
It's also when I pull off a really cheap Sophia move. Behold – the list of whatnots about <i>The Raven Boys</i>, or just a summary of my thoughts in the process of listening to Will Patton reading this.
<ol>
<li>Blue has always been warned that if she kiss her true love, she'll cause her true love to die. Sadistic as it is, I like that concept. I <em>really</em> like that concept.</li>
<li>It's official: I like it when audiobooks have music.</li>
<li>What kind of name is Blue? I'm a little perplexed, but since it's unique, I'll let it go.</li>
<li>Gansey seemed far too absorbed in the ley line for a good part of the book – he's as bad as David, I'll tell you that right now (just without the whole metaphors thing).</li>
<li>In sync with number four, I don't get the entire point of <em>why</em> they're looking for this watchamawho of a Welsh King. I mean, I probably do, but...</li>
<li>Cringe-worthy as it sounded, I secretly liked that whole, "I... I'm... I'm very young." part.</li>
<li>Why are The Raven Boys called "The Raven Boys?" I'm not sure I caught that. Do they have an obsession with ravens? Is it really because of that pet raven Ronan has (I assume)? Who's willing to tell me this?</li>
<li>I don't really understand that cliffhanger. I know <em>who</em> Stiefvater is talking about, but I don't <em>understand</em>.</li>
</ol>
<b>Fun fact:</b> Will Patton reads the audiobooks for the entire series (from what I've seen). YAY! That doesn't mean I like him, but it's consistency. I applaud consistency.
And the final question: Should I continue reading the series? (Lupe: NO. READ SILVER SHADOWS FIRST. >_<)
<a href="https://bookwyrmingthoughts.com/audiobook-review-the-raven-boys-by-maggie-stiefvater/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Veronica Pena (690 KP) rated In the Time of the Butterflies in Books
Jan 25, 2020
Oh my goodness, this book. I am simultaneously at a loss for words and still have so much to say. My first inclination after reading this book is disappointment. Not in the writing or the story itself, but in me, actually. I am Dominican. Though I was born in the United States, I speak Spanglish - definitely more English than Spanish - and I've never been to the DR, I still felt this deep disappointment in myself. For not knowing my own history. I'm a first-generation American. My father was born in Santo Domingo and as a product of my circumstances, I don't know enough about my family's native country. And in a large way, that's on me. It's not like I'm incapable of learning, I'm 20 years old and I live in the digital age, for goodness sake. I don't know if I have any sort of excuse, and even if I did, I'm not sure it's a good one. But regardless, the disappointment is there.
This book gave me a connection. A connection to the history, to the language, to the land - one I didn't have before. As I moved through the novel and became familiar with Dedé, Minerva, Patria, and María Teresa, I found bits of myself in each of them. I found myself talking to them as if I knew them or they were my friends, wanting to provide them comfort, advice, a swift kick in the butt when I thought they needed more of a push. I wish I could truly put into words all the things this novel did for me and made me feel. I'm not sure if I'll ever be able to find them.
What I loved most about this story is the truth in it all. Trujillo was a dictator and under his regime, the DR fell apart. I loved that the Mirabal sisters were real and that while their story was one worth telling, the one in this book was fictionalized but still rang true in some aspects. I loved that their story was told from all four of their perspectives, not just Dedé, as the survivor.
I think this novel is one that should be read by many, and I think this story - one of the Mirabal sisters - is one that should be shouted from as many rooftops as possible.
"The function of freedom is to free someone else." - Toni Morrison
This book gave me a connection. A connection to the history, to the language, to the land - one I didn't have before. As I moved through the novel and became familiar with Dedé, Minerva, Patria, and María Teresa, I found bits of myself in each of them. I found myself talking to them as if I knew them or they were my friends, wanting to provide them comfort, advice, a swift kick in the butt when I thought they needed more of a push. I wish I could truly put into words all the things this novel did for me and made me feel. I'm not sure if I'll ever be able to find them.
What I loved most about this story is the truth in it all. Trujillo was a dictator and under his regime, the DR fell apart. I loved that the Mirabal sisters were real and that while their story was one worth telling, the one in this book was fictionalized but still rang true in some aspects. I loved that their story was told from all four of their perspectives, not just Dedé, as the survivor.
I think this novel is one that should be read by many, and I think this story - one of the Mirabal sisters - is one that should be shouted from as many rooftops as possible.
"The function of freedom is to free someone else." - Toni Morrison
Neon's Nerd Nexus (360 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 29, 2020
Hard Cake
The personal history of david copperfield really disappointed me especially after such a cracking trailer and while no means a bad film it just really wasnt a film I enjoyed. What I was expecting was a sharply written, quirky yet dry and playful adaptation of the Charles Dickens novel something similar to a yorgos lanthimos film like the favorite for instance but sadly I found this movie to be extreamly dull, uninteresting and severely lacking overall. I wouldnt say its necessarily bad however it all just felt very flat to me. Characters didnt feel believable, humour seemed forced and while david patel burts at the seemes constantly with energy the film around him didnt seem to follow along the same. Very interesting ideas are present here and the emphases is on life almost being like a stage play with people we meet being the characters in it. See everyone in life is unique and has their own distinctive traits/interesting stories and no matter what happenes in our lives neither one is no less meaningless or important than the other. This does come across brilliantly and shows the bad traits of human nature, see everyone is on the path to happiness its just what they do and who they exploit or how much they choose to lie to get there and achieve sucess is diffrent from person to person. Then on a positive side it also shows how we should all realise where we have come from, to be greatful for what we have, to let our creativity flow and to appreciate these characters that enter our lives and inspire/care for us. So heres where I feel conflicted as much as I like these great ideas I feel they they just aren't integrated well enough with the dull story or the forced comedy and sure the film is well made but to watch its just not exciting or that engaging and the characters all became forgettable once off screen just like when watching a sketch show. Failing to keep my intrest constantly made the runtime feel a drag too and by the time I left I struggled to remember much of what had just happened infront of me wishing I'd of just stayed home and watched Perfume or The Favorite instead in the warm. No doubt some will enjoy this but will they be talking about it in a month? I highly doubt it.
LeftSideCut (3778 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
To put it simply, if you're not too keen on anything related to Jay & Silent Bob or Kevin Smith, then this entry is not going to change your mind!
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
JT (287 KP) rated Rabbit Hole (2010) in Movies
Mar 10, 2020
Anyone with children will surely feel the pain in this film which is disheartening right to the core. It’s emotionally draining with great central performances from Kidman and Eckhart.
Set eight months after the death of their son, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are trying to come to terms with him not being in their lives anymore and both have a different way of dealing with it. Howie prefers to relive the past by watching videos on his phone late at night, while Becca wants to eradicate his memory altogether by giving away his clothes, removing his paintings from the fridge and cleaning his room so that all traces are gone.
The pair try to seek solace in counselling, talking with other couples who regale their grieving process. This doesn’t sit well with Becca but Howie tries to stick with it. He even becomes close, too close in fact, with one of the other wives when he realises that the bond he has with his own wife might be slipping away. Their cause is not helped by the fact that Becca’s slightly rebellious sister falls pregnant or that her Mum, Nat, is still hurting from the death of her own son, a drug user. This only angers Becca more when Nat compares the two.
The cause of the death is slowly discovered when Becca spots the culprit on a school bus and it is revealed that Jason (Miles Teller) was behind the wheel of the car. The pair engage in secret meetings, as if having some kind of affair but simply sit to talk and reflect on each others lives and the accident itself.
Pain never goes away, it’s something that is carried around with you forever, people seem to tread lightly around you, and life will never be the same again. It’s certainly a tear jerker, there are plenty of moments to choose from in this but for me the film is all about the acting of which there is much to enjoy.
Kidman is at her best and Eckhart who was hand picked by Kidman to be her leading man is sublime and yet explosive in a number of highly charged scenes. The ending shot is one of hope, amid the shattered pieces of their lives scattered all over the place you feel that they might have crossed the road to a happier future.
Set eight months after the death of their son, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are trying to come to terms with him not being in their lives anymore and both have a different way of dealing with it. Howie prefers to relive the past by watching videos on his phone late at night, while Becca wants to eradicate his memory altogether by giving away his clothes, removing his paintings from the fridge and cleaning his room so that all traces are gone.
The pair try to seek solace in counselling, talking with other couples who regale their grieving process. This doesn’t sit well with Becca but Howie tries to stick with it. He even becomes close, too close in fact, with one of the other wives when he realises that the bond he has with his own wife might be slipping away. Their cause is not helped by the fact that Becca’s slightly rebellious sister falls pregnant or that her Mum, Nat, is still hurting from the death of her own son, a drug user. This only angers Becca more when Nat compares the two.
The cause of the death is slowly discovered when Becca spots the culprit on a school bus and it is revealed that Jason (Miles Teller) was behind the wheel of the car. The pair engage in secret meetings, as if having some kind of affair but simply sit to talk and reflect on each others lives and the accident itself.
Pain never goes away, it’s something that is carried around with you forever, people seem to tread lightly around you, and life will never be the same again. It’s certainly a tear jerker, there are plenty of moments to choose from in this but for me the film is all about the acting of which there is much to enjoy.
Kidman is at her best and Eckhart who was hand picked by Kidman to be her leading man is sublime and yet explosive in a number of highly charged scenes. The ending shot is one of hope, amid the shattered pieces of their lives scattered all over the place you feel that they might have crossed the road to a happier future.
Gareth von Kallenbach (977 KP) rated Elvis & Nixon (2016) in Movies
Aug 6, 2019
Elvis Presley has always been a mystery to me. I never understood the fascination around him and the length at which his fans adore him. Growing up in the south, his image and legend permeated throughout the culture and made it impossible to criticize him or his music. He was infallible. Nixon, on the other hand, is universally loathed for having a Presidential administration built on division and corruption. Through one bold idea, on the part of Presley, they cross paths. Elvis and Nixon, sounds as though it would be perfect for an 80s sitcom, however, the reality of this interaction is put on display through this film. In total, the film is fun in that it gives a bit of insight as to what their interaction may have been like, given their personalities and styles, however, there is a lack of depth with anyone in the film. Michael Shannon’s (Midnight Special, Man of Steel) portrayal of Elvis comes off as wooden and lacking any personality.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
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