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In a world where everything can be bought and sold, even pregnancy has a value in The Farm by Joanne Ramos. Make no mistake: this isn’t dystopian fiction. In fact it’s probably closer to what is actually happening than we could imagine.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
HerCrazyReviews (247 KP) rated Super Size Me (2004) in Movies
Sep 8, 2019 (Updated Sep 8, 2019)
Fast Food May Be Bad But Most Points Made In This Documentary Are Worse
We had to watch this film in school when I was younger and I remember agreeing with most of his points. After re-watching this though, I agree with a few of his statements but what mainly puts me off is how he conducted his thirty day challenge. He went from exercising every day (more then the average person) and eating extremely healthy to not exercising at all and ordering RIDICULOUS sized portions. After ordering these portions instead of saving some for later (you know, like most people do) he decided that he had to eat it all which caused him to constantly throw up. He did this over and over! His doctor also recommended to drink water instead of constantly drinking pop. Even told him that this would help him out a lot but he still didn’t listen. Like, DUDE, listen to your freaking doctors. Instead, he decided not to put his health in peril. I don’t get why he wouldn’t because obviously McDonalds serves water and not everyone gets pop.
This could have been a great documentary talking about how bad fast food is. Which I mean, most people already know about, but he still could have made serious points. And I will admit there were point in here that were good. Such as the Super Size portions are not necessary and when he interviewed that doctor whose family founded an ice cream business. When the doctor was describing the connection between his family’s severe health problems and their eating habits I felt like that was an excellent point! Other then that though most points aren’t proven in the best way possible. Plus, he was adding in bits that didn’t even connect to the fact that fast food is bad. For example, when he showed a child a card with Jesus on it and was surprised that the kid didn’t know Jesus but knew Ronald McDonald. Dude, there is more then one religion out there and not everyone is even religious! (This just upset me a ton!)
I’m just going to jump straight into it and say this documentary pisses me off. While, yes, some people may be obese it isn’t always because they eat too much fast food. There are other reasons why they may not be societies perfect skinny ass version of the normal weight. I do understand though that he is focusing on people being overweight because of fast food not because health reasons or why the BMI index is wrong. I just think that he is going to extreme lengths on purpose which showed an inaccurate representation of what fast food does to the normal consumer because most people don’t eat fast food everyday like Don Gorske.
This could have been a great documentary talking about how bad fast food is. Which I mean, most people already know about, but he still could have made serious points. And I will admit there were point in here that were good. Such as the Super Size portions are not necessary and when he interviewed that doctor whose family founded an ice cream business. When the doctor was describing the connection between his family’s severe health problems and their eating habits I felt like that was an excellent point! Other then that though most points aren’t proven in the best way possible. Plus, he was adding in bits that didn’t even connect to the fact that fast food is bad. For example, when he showed a child a card with Jesus on it and was surprised that the kid didn’t know Jesus but knew Ronald McDonald. Dude, there is more then one religion out there and not everyone is even religious! (This just upset me a ton!)
I’m just going to jump straight into it and say this documentary pisses me off. While, yes, some people may be obese it isn’t always because they eat too much fast food. There are other reasons why they may not be societies perfect skinny ass version of the normal weight. I do understand though that he is focusing on people being overweight because of fast food not because health reasons or why the BMI index is wrong. I just think that he is going to extreme lengths on purpose which showed an inaccurate representation of what fast food does to the normal consumer because most people don’t eat fast food everyday like Don Gorske.
Lucy Buglass (45 KP) rated Lynn + Lucy (2019) in Movies
Oct 14, 2019
The titular characters in Lynn + Lucy are lifelong best friends, and even live opposite each other on the same street. But the film explores tragic circumstances where a bond this strong can swiftly be broken.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
Darren (1599 KP) rated Memoirs of an Invisible Man (1992) in Movies
Oct 14, 2019
Characters – Nick Halloway is a fast-talking businessman that has been getting away with slacking through his job for years now, after another session on the drinks, he looks to skive off, only to get caught in the middle of an experiment which turns him invisible, Nick must figure out who he can trust to help him after the CIA look to hunt him down to use him for their own benefit. He isn’t the most interesting character, he doesn’t come off as funny as it seems he should be either. Alice is the new woman that comes into Nick’s life, she is the one he turns to for help as she is prepared to listen to his story over most other people. David Jenkins is the man hunting down Nick, he is a CIA agent that will do whatever it takes to add to the security of the country, seeing Nick as the next generation of secret agent.
Performances – Chevy Chase does feel slightly mis-cast in this role, he doesn’t seem to handle the comedy on the level it is meant to be coming from his character. Daryl Hannah does all she needs to as the love interest, she doesn’t need to do much either. Sam Neill is highlight of the performances with just how he handles the evil agent.
Story – The story follows a man that gets turn invisible in a mysterious event, seeing him being chased down by the government while he tries to figure out how to get out of his situation. This is an interesting spin on the invisible man story, it does try to make the story a comedy which is where the story falls short, because it is an unlikable character that gets turn invisible rather than somebody whose experiment going wrong. Nick doesn’t just anything to help himself, which disappoints, it does feel kind of cheesy and by the end you will feel like not everything is answered.
Comedy/Sci-Fi – The comedy misses more often than hitting, it just doesn’t seem smooth. The sci-fi elements don’t get bought to the front with incident happening and that being it.
Settings – The film is set in San Francisco which does always make for a solid back drop for any movie.
Special Effects – The effects in the film do feel great for the time with certain moments, the make-up shot is the highlight because of camera angle.
Scene of the Movie – Let’s try make up.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that does miss a lot of the jokes and ends up feeling flatter than it should have been.
Overall: Disappointing comedy.
Performances – Chevy Chase does feel slightly mis-cast in this role, he doesn’t seem to handle the comedy on the level it is meant to be coming from his character. Daryl Hannah does all she needs to as the love interest, she doesn’t need to do much either. Sam Neill is highlight of the performances with just how he handles the evil agent.
Story – The story follows a man that gets turn invisible in a mysterious event, seeing him being chased down by the government while he tries to figure out how to get out of his situation. This is an interesting spin on the invisible man story, it does try to make the story a comedy which is where the story falls short, because it is an unlikable character that gets turn invisible rather than somebody whose experiment going wrong. Nick doesn’t just anything to help himself, which disappoints, it does feel kind of cheesy and by the end you will feel like not everything is answered.
Comedy/Sci-Fi – The comedy misses more often than hitting, it just doesn’t seem smooth. The sci-fi elements don’t get bought to the front with incident happening and that being it.
Settings – The film is set in San Francisco which does always make for a solid back drop for any movie.
Special Effects – The effects in the film do feel great for the time with certain moments, the make-up shot is the highlight because of camera angle.
Scene of the Movie – Let’s try make up.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that does miss a lot of the jokes and ends up feeling flatter than it should have been.
Overall: Disappointing comedy.
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