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BankofMarquis (1832 KP) rated Red Notice (2021) in Movies
Nov 19, 2021
Good (enough) Entertainment for the Entire Family
Around the Holidays, I always get asked to recommend a film “Good for the Entire Family”, something that the kids as well as the adults - including Gramma and Grampa - can enjoy.
For Thanksgiving, 2021 (and beyond) the answer is simple - look no further than the Netflix film RED NOTICE starring Dwayne “The Rock” Johnson, Gal Gadot and Ryan Reynolds.
Written and Directed by frequent “The Rock” collaborator, Rawson Marshall Thurber, RED NOTICE pits the 3 stars each other as Master Thieves and the Law Enforcement Agent that is chasing them. It is a light-hearted, fun, action, adventure treasure hunt film reminiscent of the Nicholas Cage NATIONAL TREASURE movies.
Don’t be expecting hard-hitting, gritty action in this one. Instead, expect light-hearted action with fast banter, faster cars and bullets that - to no one’s surprise - fails to land in any human being. Automobiles, equipment and buildings are destroyed - but humans…? Not so much. They just pick themselves up, dust themselves off and start all over again.
The acting in this is “as expected”. The Rock is tough, muscular and charming. Ryan Reynolds is fast-talking, conniving and charming. Gal Gadot is mysterious, tougher-than-she-looks and charming. They play off together well and add a little higher level of quality to this film than it probably deserves.
That’s because the script, plot machinations, twists, turns, double-crosses and banter are all pretty much run-of-the-mill. It is not anything special, but nor is it bad. It is “fine” and with these 3 talented performers at the forefront of this, it lifts itself to “better than fine”, it’s a good family film that all can enjoy.
The Direction and Action sequences by Thurber are just as pedestrian and run-of-the-mill but just as entertaining none-the-less. I think the charm of this film is it’s predictability. It’s like putting on an old pair of sweatpants. Your’e not going to wear them to the Oscars, but for sitting on the couch after a full family dinner on Thanksgiving, it fills the bill very well.
The film is light enough for kids (though they do drop the “f-bomb” once or twice). It’s just edgy enough for tweens/teens (hence the “f-bombs”) and a rollicking good time for the adults with enough self-awareness of what they are doing that the actors (first and foremost Reynolds) almost looks like they are going to address the camera to comment on what’s going on at any moment.
And that, too, is part of it’s charm.
Letter Grade A- (it’s probably a B+, but since it is my answer for “Family Film of the Holidays”, I’ll give it an A-).
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
For Thanksgiving, 2021 (and beyond) the answer is simple - look no further than the Netflix film RED NOTICE starring Dwayne “The Rock” Johnson, Gal Gadot and Ryan Reynolds.
Written and Directed by frequent “The Rock” collaborator, Rawson Marshall Thurber, RED NOTICE pits the 3 stars each other as Master Thieves and the Law Enforcement Agent that is chasing them. It is a light-hearted, fun, action, adventure treasure hunt film reminiscent of the Nicholas Cage NATIONAL TREASURE movies.
Don’t be expecting hard-hitting, gritty action in this one. Instead, expect light-hearted action with fast banter, faster cars and bullets that - to no one’s surprise - fails to land in any human being. Automobiles, equipment and buildings are destroyed - but humans…? Not so much. They just pick themselves up, dust themselves off and start all over again.
The acting in this is “as expected”. The Rock is tough, muscular and charming. Ryan Reynolds is fast-talking, conniving and charming. Gal Gadot is mysterious, tougher-than-she-looks and charming. They play off together well and add a little higher level of quality to this film than it probably deserves.
That’s because the script, plot machinations, twists, turns, double-crosses and banter are all pretty much run-of-the-mill. It is not anything special, but nor is it bad. It is “fine” and with these 3 talented performers at the forefront of this, it lifts itself to “better than fine”, it’s a good family film that all can enjoy.
The Direction and Action sequences by Thurber are just as pedestrian and run-of-the-mill but just as entertaining none-the-less. I think the charm of this film is it’s predictability. It’s like putting on an old pair of sweatpants. Your’e not going to wear them to the Oscars, but for sitting on the couch after a full family dinner on Thanksgiving, it fills the bill very well.
The film is light enough for kids (though they do drop the “f-bomb” once or twice). It’s just edgy enough for tweens/teens (hence the “f-bombs”) and a rollicking good time for the adults with enough self-awareness of what they are doing that the actors (first and foremost Reynolds) almost looks like they are going to address the camera to comment on what’s going on at any moment.
And that, too, is part of it’s charm.
Letter Grade A- (it’s probably a B+, but since it is my answer for “Family Film of the Holidays”, I’ll give it an A-).
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bong Mines Entertainment (15 KP) rated Beerbongs & Bentleys by Post Malone in Music
Jun 7, 2019
Post Malone is a rapper from Syracuse, New York. Not too long ago, he released his sophomore album, entitled, “beerbongs & bentleys”, featuring Swae Lee, 21 Savage, Ty Dolla Sign, Nicki Minaj, G-Eazy, and YG.
Malone wears his heart on his sleeve and speaks from the heart. His world is good and bad, and he blames himself for his dual reality because life is what you make it.
PARANOID
Malone opens the album speaking about his paranoia. He’s worked so hard to become rich and successful. Now, he can’t trust anyone around him. He fears that people are out to get him for his riches, which he has stashed in different areas of his home.
To protect himself, Malone sleeps with a gun by his bed. Also, he’s willing to shoot anyone trying to break in or enter his home unannounced.
SPOIL MY NIGHT (FT. SWAE LEE)
Malone addresses limelight-lustful females he encounters in nightclubs. The women know Malone is a celebrity, so they want their social-media world to know that they are hanging out with him.
Malone admits that what he’s doing is wrong. But there’s no need for these women to get star-struck. In a way, he’s suspicious about their move to go live on Instagram. He would rather them chill and keep things on the low.
RICH & SAD
Malone addresses his girlfriend. She’s the reason why he doesn’t want his female fans recording him in the clubs.
Apparently, Malone’s girl leaves him for unknown reasons. Malone claims it’s because his career is skyrocketing. So, that might’ve complicated their relationship. But the real reason is anyone’s guess.
After her departure, Malone feels lonely and depressed, even though he’s surrounded by fame and fortune.
Malone realizes that money can’t buy happiness. All he wants is his girlfriend back.
ZACK AND CODEINE
Malone solves his loneliness by indulging in his guilty pleasures. So, he parties in a hotel lobby, filled with women, drugs, and alcohol.
Malone celebrates his success and doesn’t plan on sleeping anytime soon. As long as he’s partying, he doesn’t feel alone. He even addresses the current state of urban music.
TAKIN’ SHOTS
Malone continues his pleasure-seeking. This time, he’s at another party, mixing unprotected threesome sex, drugs, and alcohol.
Malone is drunk before he gets to the party. Still, that doesn’t stop him from taking more shots. Also, he’s waiting for more drugs to come.
ROCKSTAR FEAT. 21 SAVAGE
Malone identifies what he is—a Rockstar, smoking weed like a Rasta, f*cking hoes, and popping pills.
The Emil Nava-directed video shows Malone as a deranged swordsman. Also, he is warring against the ops, and they are clothed in business attire.
OVER NOW
Malone stops partying and addresses his off-and-on relationship with his girlfriend. This time, he lets her know that he’s been a begging idiot. Now, he doesn’t want her anymore. It’s over!
PSYCHO FEAT. TY DOLLA $IGN
Malone raps about making his first million, how much he charges for a walkthrough, and how the jewelry on his neck is making his neck cold. Also, all these things he has accumulated, have women asking, “Can I have some to hold?”
The James DeFina-directed video begins with Malone riding a tank in a deserted area. Also, later scenes show Ty Dolla riding inside the tank.
BETTER NOW
Malone reverts back to talking about his ex-girlfriend. He questions her saying that she is better now. But he doesn’t believe that, even though he sees her with a new guy.
Malone is trying to win back her love and faults himself as the problem of their separation. He puts his heart on his sleeve and lets it be known that he’s still in love with her.
BALL FOR ME FEAT. NICKI MINAJ
Malone ditches his relationship drama and puts on his ballin’ jersey. He’s busy on the road getting paid. So, he doesn’t have time to personally take her shopping on Rodeo Drive.
The girl wants to be styled in Saint Laurent fashion. So, Malone offers to pay $30,000 for the shopping spree and nothing more.
OTHERSIDE
Malone reverts back to talking about his ex-girlfriend. He’s been drinking and reminiscing about their rocky relationship. Also, he wants to know why she doesn’t answer when he calls her name.
It seems Malone’s girl did him dirty. She left him in the cold and now he’s burning inside trying to drink away the pain. But somehow, he still loves her and wants the waves to come and take him back to her.
STAY
Malone is stuck in a sunken place. The rocky relationship between him and his ex is starting to get to him and he’s starting to drink more and more.
BLAME IT ON ME
Malone reflects on a time when he didn’t have money and fame. Life was so simple back then.
Now, people around him are trying to take pieces of him, and everything he has worked hard for. He blames himself for them taking advantage of him, even though he knows they love when he’s in agony.
SAME BITCHES FEAT. YG & G-EAZY
Malone raps about being in Los Angeles. He questions, if the population is 4-million, how come he sees the same b*tches? Also, he questions their intention.
JONESTOWN (INTERLUDE)
Malone is depressed again. He mentions the Jonestown cult massacre when Jim Jones poisoned his followers with a poisonous Kool-Aid drink.
Malone raps about his 1992 Ford Explorer. Apparently, he purchased another one for $1,700 and got it customized by West Coast Customs.
CANDY PAINT
Malone continues his lavish talks about his lavish lifestyle, expensive vehicles, and his boss status. Also, he warns people not to plot on what he has because it can get ugly.
‘Candy Paint’ was originally recorded for “The Fate of the Furious: The Album” soundtrack.
SUGAR WRAITH
Malone continues with the car theme. He raps about his Rolls Royce Wraith and taking it out for a drive. Also, he covers other topics.
CONCLUSION
‘beerbongs & bentleys’ is a rhythmic/harmonious album with solid production and detailed songwriting.
Also, it highlights Malone’s struggles, pinpoints his weaknesses and addictions, which are lotion with tears of depression and materialistic happiness.
https://www.bongminesentertainment.com/post-malone-beerbongs-bentleys/
Malone wears his heart on his sleeve and speaks from the heart. His world is good and bad, and he blames himself for his dual reality because life is what you make it.
PARANOID
Malone opens the album speaking about his paranoia. He’s worked so hard to become rich and successful. Now, he can’t trust anyone around him. He fears that people are out to get him for his riches, which he has stashed in different areas of his home.
To protect himself, Malone sleeps with a gun by his bed. Also, he’s willing to shoot anyone trying to break in or enter his home unannounced.
SPOIL MY NIGHT (FT. SWAE LEE)
Malone addresses limelight-lustful females he encounters in nightclubs. The women know Malone is a celebrity, so they want their social-media world to know that they are hanging out with him.
Malone admits that what he’s doing is wrong. But there’s no need for these women to get star-struck. In a way, he’s suspicious about their move to go live on Instagram. He would rather them chill and keep things on the low.
RICH & SAD
Malone addresses his girlfriend. She’s the reason why he doesn’t want his female fans recording him in the clubs.
Apparently, Malone’s girl leaves him for unknown reasons. Malone claims it’s because his career is skyrocketing. So, that might’ve complicated their relationship. But the real reason is anyone’s guess.
After her departure, Malone feels lonely and depressed, even though he’s surrounded by fame and fortune.
Malone realizes that money can’t buy happiness. All he wants is his girlfriend back.
ZACK AND CODEINE
Malone solves his loneliness by indulging in his guilty pleasures. So, he parties in a hotel lobby, filled with women, drugs, and alcohol.
Malone celebrates his success and doesn’t plan on sleeping anytime soon. As long as he’s partying, he doesn’t feel alone. He even addresses the current state of urban music.
TAKIN’ SHOTS
Malone continues his pleasure-seeking. This time, he’s at another party, mixing unprotected threesome sex, drugs, and alcohol.
Malone is drunk before he gets to the party. Still, that doesn’t stop him from taking more shots. Also, he’s waiting for more drugs to come.
ROCKSTAR FEAT. 21 SAVAGE
Malone identifies what he is—a Rockstar, smoking weed like a Rasta, f*cking hoes, and popping pills.
The Emil Nava-directed video shows Malone as a deranged swordsman. Also, he is warring against the ops, and they are clothed in business attire.
OVER NOW
Malone stops partying and addresses his off-and-on relationship with his girlfriend. This time, he lets her know that he’s been a begging idiot. Now, he doesn’t want her anymore. It’s over!
PSYCHO FEAT. TY DOLLA $IGN
Malone raps about making his first million, how much he charges for a walkthrough, and how the jewelry on his neck is making his neck cold. Also, all these things he has accumulated, have women asking, “Can I have some to hold?”
The James DeFina-directed video begins with Malone riding a tank in a deserted area. Also, later scenes show Ty Dolla riding inside the tank.
BETTER NOW
Malone reverts back to talking about his ex-girlfriend. He questions her saying that she is better now. But he doesn’t believe that, even though he sees her with a new guy.
Malone is trying to win back her love and faults himself as the problem of their separation. He puts his heart on his sleeve and lets it be known that he’s still in love with her.
BALL FOR ME FEAT. NICKI MINAJ
Malone ditches his relationship drama and puts on his ballin’ jersey. He’s busy on the road getting paid. So, he doesn’t have time to personally take her shopping on Rodeo Drive.
The girl wants to be styled in Saint Laurent fashion. So, Malone offers to pay $30,000 for the shopping spree and nothing more.
OTHERSIDE
Malone reverts back to talking about his ex-girlfriend. He’s been drinking and reminiscing about their rocky relationship. Also, he wants to know why she doesn’t answer when he calls her name.
It seems Malone’s girl did him dirty. She left him in the cold and now he’s burning inside trying to drink away the pain. But somehow, he still loves her and wants the waves to come and take him back to her.
STAY
Malone is stuck in a sunken place. The rocky relationship between him and his ex is starting to get to him and he’s starting to drink more and more.
BLAME IT ON ME
Malone reflects on a time when he didn’t have money and fame. Life was so simple back then.
Now, people around him are trying to take pieces of him, and everything he has worked hard for. He blames himself for them taking advantage of him, even though he knows they love when he’s in agony.
SAME BITCHES FEAT. YG & G-EAZY
Malone raps about being in Los Angeles. He questions, if the population is 4-million, how come he sees the same b*tches? Also, he questions their intention.
JONESTOWN (INTERLUDE)
Malone is depressed again. He mentions the Jonestown cult massacre when Jim Jones poisoned his followers with a poisonous Kool-Aid drink.
Malone raps about his 1992 Ford Explorer. Apparently, he purchased another one for $1,700 and got it customized by West Coast Customs.
CANDY PAINT
Malone continues his lavish talks about his lavish lifestyle, expensive vehicles, and his boss status. Also, he warns people not to plot on what he has because it can get ugly.
‘Candy Paint’ was originally recorded for “The Fate of the Furious: The Album” soundtrack.
SUGAR WRAITH
Malone continues with the car theme. He raps about his Rolls Royce Wraith and taking it out for a drive. Also, he covers other topics.
CONCLUSION
‘beerbongs & bentleys’ is a rhythmic/harmonious album with solid production and detailed songwriting.
Also, it highlights Malone’s struggles, pinpoints his weaknesses and addictions, which are lotion with tears of depression and materialistic happiness.
https://www.bongminesentertainment.com/post-malone-beerbongs-bentleys/
Goddess in the Stacks (553 KP) rated An Astronaut's Guide to Life on Earth in Books
Sep 7, 2017
Amazing, easy-to-read memoir
Wow. Just wow. I woke up far earlier than I wanted to this morning, so I picked up one of the nonfiction books I had from the library, expecting it to put me back to sleep. Three hours later I was still awake, nearly done with the book, and absolutely enthralled. I’m not sure why I thought it would be otherwise – I’d been one of the millions fascinated with Hadfield’s videos and tweets when he was Commander of the ISS. His particular voice is very clear throughout this book. In 284 pages he takes us from his childhood, through his career path to becoming an astronaut, to his 5 months in the International Space Station, and back home. Nothing felt rushed, nothing felt like it didn’t get the attention it deserved. I’m pretty sure this is going to be one of my favorite books of 2017 – I have several months to read more things, but this book just absolutely blew me away.
It does appeal to how I like to read about science, though. I love reading about scientists. How they worked, how they made their discoveries, the paths they took. Who they were. I’m less interested in the actual science. This is part of why I loved A Short History of Nearly Everything, by Bill Bryson, so much. I borrowed that book from the library and read it cover to cover, fascinated. Finally had to buy my own copy.
Hadfield took space exploration and made it accessible to everyone. According to the book, he didn’t even quite realize how big of an impact he was making at first. But between tweeting pictures from the ISS, making videos of how different life was in space, and making music videos, he really did become the most well-known astronaut of our generation. I remember putting his video of I.S.S. (Is Somebody Singing) on repeat when it came out – and it STILL gives me chills today.
He only briefly talked about Is Somebody Singing in the book, which I found surprising, given it was the one that hit me the hardest. He spent more time talking about filming and recording Space Oddity – which does have 36 million views, to I.S.S.’s 2 million. So I suppose that makes sense! (I'm going to attach both videos to the book page.)
One thing he keeps coming back to in his book is his philosophy of trying to be a zero. That doesn’t sound very ambitious on the surface – but what he means is you can be one of three things in a group. You can be a negative impact (a -1) a neutral impact (a zero) or a positive impact (a +1). If you try to be a +1, it’s far likelier that you’ll try too hard, fuck up, and instead become a negative impact. So aim to be a zero. And most of the time you’ll wind up as a positive impact. I thought that was a very unique philosophy.
You can find all my reviews at http://goddessinthestacks.wordpress.com
It does appeal to how I like to read about science, though. I love reading about scientists. How they worked, how they made their discoveries, the paths they took. Who they were. I’m less interested in the actual science. This is part of why I loved A Short History of Nearly Everything, by Bill Bryson, so much. I borrowed that book from the library and read it cover to cover, fascinated. Finally had to buy my own copy.
Hadfield took space exploration and made it accessible to everyone. According to the book, he didn’t even quite realize how big of an impact he was making at first. But between tweeting pictures from the ISS, making videos of how different life was in space, and making music videos, he really did become the most well-known astronaut of our generation. I remember putting his video of I.S.S. (Is Somebody Singing) on repeat when it came out – and it STILL gives me chills today.
He only briefly talked about Is Somebody Singing in the book, which I found surprising, given it was the one that hit me the hardest. He spent more time talking about filming and recording Space Oddity – which does have 36 million views, to I.S.S.’s 2 million. So I suppose that makes sense! (I'm going to attach both videos to the book page.)
One thing he keeps coming back to in his book is his philosophy of trying to be a zero. That doesn’t sound very ambitious on the surface – but what he means is you can be one of three things in a group. You can be a negative impact (a -1) a neutral impact (a zero) or a positive impact (a +1). If you try to be a +1, it’s far likelier that you’ll try too hard, fuck up, and instead become a negative impact. So aim to be a zero. And most of the time you’ll wind up as a positive impact. I thought that was a very unique philosophy.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Whatchareadin (174 KP) rated I'll Take You There in Books
May 10, 2018
Felix Funicello is a film professor who lives in Connecticut. He is divorced and has one daughter, Eliza, who is currently working for New York Magazine. Felix also has two older sister, Simone and Frances who are an integral part of his life. Felix hold a movie club on Monday nights in the old Vaudeville theater in town. One night as he is setting up, he is visited by the ghost of Lois Weber, a renowned film director in her time. Lois shows Felix glimpses of his life along with the important women in it. Through these snapshots, Felix gains a greater understanding of the women in his life and women in general.
This book was reminiscent to A Christmas Carol, but he is visited by the same ghost, who brings three different visitors with her. Felix is first returned to his six year-old self. Where he and his sisters are helping their neighbor gather votes to become the next Rheingold Girl. Rheingold is a beer. This happens after his daughter tells him she has to write a piece about these girls.
The next transportation is a few years later when Felix is twelve. His mother and sister are talking in the kitchen about her boss being inappropriate with her at work. This part I heard just a few days after hearing day after day about a new man in a high position has been removed because of inappropriate behavior in the work place. Mind you, this is taking place in the early '60s and times were different, but some things never change. As Eliza, is telling her mother about what her boss has said, it's the mother's response that truly strikes me.
<i>"Men are men. Shapely girls like you just have to put up with stuff like that in the working world or else quit. Those are your choices."</i>
Thank God, those are no longer our choices, and that shouldn't have been the mentality then, maybe we wouldn't have all these issues today.
Also during this trip, Felix is given some news about his family that will change the dynamic forever.
The final time Lois comes to visit, the guest she brings, gives Felix a testimony that he has wondered about in the back of his mind for most of his life. That helps to fill a missing piece. The story is sad and is a part of the two previous visits from Lois.
All of these visits help Felix to be a better man, brother and father to the women in his life.
I think this is a very important book for all women to read, especially with the things going on in our world today. Told from the male point of view, I think it helps to see that some men can be empathetic to the plights of women. And this books covers a lot of those plights, from feminism, to abortion, adoption and acceptance. Years ago, I read She's Come Undone by Wally Lamb and I remember feeling the same way after reading it. Read them both.
This book was reminiscent to A Christmas Carol, but he is visited by the same ghost, who brings three different visitors with her. Felix is first returned to his six year-old self. Where he and his sisters are helping their neighbor gather votes to become the next Rheingold Girl. Rheingold is a beer. This happens after his daughter tells him she has to write a piece about these girls.
The next transportation is a few years later when Felix is twelve. His mother and sister are talking in the kitchen about her boss being inappropriate with her at work. This part I heard just a few days after hearing day after day about a new man in a high position has been removed because of inappropriate behavior in the work place. Mind you, this is taking place in the early '60s and times were different, but some things never change. As Eliza, is telling her mother about what her boss has said, it's the mother's response that truly strikes me.
<i>"Men are men. Shapely girls like you just have to put up with stuff like that in the working world or else quit. Those are your choices."</i>
Thank God, those are no longer our choices, and that shouldn't have been the mentality then, maybe we wouldn't have all these issues today.
Also during this trip, Felix is given some news about his family that will change the dynamic forever.
The final time Lois comes to visit, the guest she brings, gives Felix a testimony that he has wondered about in the back of his mind for most of his life. That helps to fill a missing piece. The story is sad and is a part of the two previous visits from Lois.
All of these visits help Felix to be a better man, brother and father to the women in his life.
I think this is a very important book for all women to read, especially with the things going on in our world today. Told from the male point of view, I think it helps to see that some men can be empathetic to the plights of women. And this books covers a lot of those plights, from feminism, to abortion, adoption and acceptance. Years ago, I read She's Come Undone by Wally Lamb and I remember feeling the same way after reading it. Read them both.
Beatriz (17 KP) rated Coraline (2009) in Movies
Feb 21, 2019
Coraline
Contains spoilers, click to show
Coraline is a stop-motion film that took almost 4 years to be done. It was released in 2009 and produced by Henry Selick also knows by producing The Nightmare Before Christmas.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Phillip McSween (751 KP) rated BlacKkKlansman (2018) in Movies
Mar 7, 2019
Important Movie
Set in the 1970’s, the first black police officer on the Colorado Springs police force attempts to infiltrate the Klu Klux Klan by becoming one of them.
Acting: 10
I don’t know who I liked better throughout the movie, John David Washington as Ron Stallworth or Adam Driver playing Jewish cop Flip Zimmerman. Not only were they amazing individually, but they complimented each other with great chemistry on screen. Whatever emotion director Spike Lee was trying to make you feel was amplified in their joint scenes. Washington is charming, funny, and witty, all the things you want from a leading role. His heroic character is one of my favorites from the year.
Beginning: 10
Characters: 10
Cinematography/Visuals: 9
The visuals are amazingly crisp, poignant for each scene. It transports you perfectly into the time period without feeling overdone. While the film is largely a comedy, it succeeds in spots by relying on tension and intense moments. Spike Lee has a way of capturing those moments with sheer perfection. It has an artsy feel to it, sometimes over the top, but never unrelatable. Relatable Art. I think that’s the best way to describe it.
Conflict: 10
Whether subtle or in your face, conflict comes in waves throughout BlackkKlansman. You keep waiting for bad things to happen and sometimes they do. When they don’t, you know it’s only a matter of time before things get harry again. There was never a point where I was bored in the movie. Even the planning scenes where they were trying to figure out just how to get a black man to infiltrate a white supremacist organization was fun to watch.
Genre: 10
One of the most important dramas of our generation. Period. Nothing else needs to be said here.
Memorability: 10
The story in and of itself brings an originality you won’t soon forget. On paper, it sounds absolutely nuts. Watching it unfold on the big screen is even more nuts. Even though it’s based on a true story, it’s still very much hard to believe. It’s powerful and real with solid messaging that translates to the now. Even the comedy in certain moments has a way of leaving a real impact.
Pace: 10
The film is long, but it’s a smooth long. The pacing feels like a brisk jog. You always know the direction you’re heading and it never feels like it has to cheat or take shortcuts to properly tell the story. Not boring in the least. Engaging and entertaining throughout.
Plot: 8
Again, much respect for an original story. My one gripe: I don’t think the love story was necessary. It didn’t really contribute to the movie as a whole. Everything outside of that was wonderful and beautifully done.
Resolution: 10
Overall: 97
Expected to like BlackkKlansman, but I fell in love with this movie. It tells a wonderful story that leaves you talking long after it’s over. I’ve said this already, but it bears repeating: This is one of the most important films of our generation. See it. Don’t think twice.
Acting: 10
I don’t know who I liked better throughout the movie, John David Washington as Ron Stallworth or Adam Driver playing Jewish cop Flip Zimmerman. Not only were they amazing individually, but they complimented each other with great chemistry on screen. Whatever emotion director Spike Lee was trying to make you feel was amplified in their joint scenes. Washington is charming, funny, and witty, all the things you want from a leading role. His heroic character is one of my favorites from the year.
Beginning: 10
Characters: 10
Cinematography/Visuals: 9
The visuals are amazingly crisp, poignant for each scene. It transports you perfectly into the time period without feeling overdone. While the film is largely a comedy, it succeeds in spots by relying on tension and intense moments. Spike Lee has a way of capturing those moments with sheer perfection. It has an artsy feel to it, sometimes over the top, but never unrelatable. Relatable Art. I think that’s the best way to describe it.
Conflict: 10
Whether subtle or in your face, conflict comes in waves throughout BlackkKlansman. You keep waiting for bad things to happen and sometimes they do. When they don’t, you know it’s only a matter of time before things get harry again. There was never a point where I was bored in the movie. Even the planning scenes where they were trying to figure out just how to get a black man to infiltrate a white supremacist organization was fun to watch.
Genre: 10
One of the most important dramas of our generation. Period. Nothing else needs to be said here.
Memorability: 10
The story in and of itself brings an originality you won’t soon forget. On paper, it sounds absolutely nuts. Watching it unfold on the big screen is even more nuts. Even though it’s based on a true story, it’s still very much hard to believe. It’s powerful and real with solid messaging that translates to the now. Even the comedy in certain moments has a way of leaving a real impact.
Pace: 10
The film is long, but it’s a smooth long. The pacing feels like a brisk jog. You always know the direction you’re heading and it never feels like it has to cheat or take shortcuts to properly tell the story. Not boring in the least. Engaging and entertaining throughout.
Plot: 8
Again, much respect for an original story. My one gripe: I don’t think the love story was necessary. It didn’t really contribute to the movie as a whole. Everything outside of that was wonderful and beautifully done.
Resolution: 10
Overall: 97
Expected to like BlackkKlansman, but I fell in love with this movie. It tells a wonderful story that leaves you talking long after it’s over. I’ve said this already, but it bears repeating: This is one of the most important films of our generation. See it. Don’t think twice.
Saffy Alexandra (89 KP) rated Harry Potter and the Chamber of Secrets in Books
Jun 1, 2019
Characters (3 more)
New plot
Humour, Wit and Sarcasm
Mystery
Ssssomething Special
As with all Harry Potter books I love them, because why wouldn’t you? And the one thing I find is that in the movies they tend to miss some of Rowling’s amazing sarcastic and hilarious scenes and if you are only a lover of the movies you tend to miss so much.
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Sassy Brit (97 KP) rated It's Always the Husband in Books
Jun 5, 2019
It’s Always the Husband by Michele Campbell was an unusual psychological drama detailing the lives of three main girls, Aubrey, Kate and Jenny who met at college and stayed friends for life. At least that’s what they’d like you to believe, from the outside looking in. Really, they were thrown together and kind of stuck with each other.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
Movie Metropolis (309 KP) rated Sing (2016) in Movies
Jun 11, 2019
Fun for all the family
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Movie Metropolis (309 KP) rated Krampus (2015) in Movies
Jun 11, 2019
Full of festive chills and thrills
It’s the most wonderful time of the year, or in the case of one typical US family, it’s not, as they face off against a whole host of festive monsters and ghouls, all serving their evil overlord, Krampus.
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/