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Sophia (Bookwyrming Thoughts) (530 KP) rated Salt (Salt, #1) in Books
Jan 23, 2020
I never thought I'd actually find the time to read Salt. Actually, I was hesitant (mainly due to the fact I have 10+ books on le review queue)... even though I really wanted to read it because it seemed like a really good book.
I kind of gave in. I didn't regret it either, which would be second worse case scenario next to a DNF. And that would actually suck.
I'm probably Salt deprived though, and I don't mean SODIUM CHLORIDE, as much as like salty snacks. Yum.
In other words, I LOVED this book. I believe I may have "met" my next favorite author.
Do allow me to name the whys. Actually, my thoughts. Warning: there may be gushing. I hope no one minds. *fangirls* There might be a lot too. And it's in a list. Certainly not 13. That's saved for Friday the 13th. Which is in June if anyone cares.
~ It's official. I like characters with a lot of voice. Or maybe it's just a lot of sass. That tends to be a pattern.
~ WITCHES! Even better. Need I say more? I like witchy books as much as I like retellings and mythology. No wonder I loved Harry Potter. And yes, I like witches better than vampires. Sorry Vampire Academy.
~ Tis very action packed my friends. Despite the fact I took awhile to finish it. I was preoccupied with other books. Salt couldn't be crammed into le reading schedule.
~ Daemon Black, you have extreme competition. I apparently like Carter WAY better than you. He's less annoying, even though he's practically an alter ego. Maybe it's the fact that Carter is a witch. *hardly contains jumping up and down while typing* Mom, you saw no big smile on my face. Oh yeah, and let's just add that he's hot (Carter. Not Daemon. Though he is. Sort of? I am not a Daemon fan).
~ This is like Divergent and Hunger Games put together. Witch style. No killing required. Although maybe a few humans and demons were killed in the process. And I like both of those series... although I didn't really like Allegiant.
~ Like I said, I'm Salt deprived. Can someone fast forward time so I can read the second book?
~ I'm also Penelope and Carter deprived. Please, people, don't go come up with couple names like Carlope or Peneter. Couple names are so old. And definitely not cute anymore. O_o Yes, it will make them less cuter if anyone dares to add couple names. *cringe*
~ I'm going to go recommend this to a certain friend of mine. Just so I won't be alone with the gushing. Although I don't mind being the only one. I'll just say I'm talking about Funyuns. :D How do you spell that again?
Nope, definitely no regret in deciding to review Salt when offered. No regrets at all. I think it's really obvious. *walks away with a completely cheesy grin* Anyone want cheesecake? :D?
-------------------
ARC copy provided by EntangledTeen for review
Formatting and pictures have been removed due to copy and paste.
This review and more posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/arc-review-salt-by-danielle-ellison.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
I kind of gave in. I didn't regret it either, which would be second worse case scenario next to a DNF. And that would actually suck.
I'm probably Salt deprived though, and I don't mean SODIUM CHLORIDE, as much as like salty snacks. Yum.
In other words, I LOVED this book. I believe I may have "met" my next favorite author.
Do allow me to name the whys. Actually, my thoughts. Warning: there may be gushing. I hope no one minds. *fangirls* There might be a lot too. And it's in a list. Certainly not 13. That's saved for Friday the 13th. Which is in June if anyone cares.
~ It's official. I like characters with a lot of voice. Or maybe it's just a lot of sass. That tends to be a pattern.
~ WITCHES! Even better. Need I say more? I like witchy books as much as I like retellings and mythology. No wonder I loved Harry Potter. And yes, I like witches better than vampires. Sorry Vampire Academy.
~ Tis very action packed my friends. Despite the fact I took awhile to finish it. I was preoccupied with other books. Salt couldn't be crammed into le reading schedule.
~ Daemon Black, you have extreme competition. I apparently like Carter WAY better than you. He's less annoying, even though he's practically an alter ego. Maybe it's the fact that Carter is a witch. *hardly contains jumping up and down while typing* Mom, you saw no big smile on my face. Oh yeah, and let's just add that he's hot (Carter. Not Daemon. Though he is. Sort of? I am not a Daemon fan).
~ This is like Divergent and Hunger Games put together. Witch style. No killing required. Although maybe a few humans and demons were killed in the process. And I like both of those series... although I didn't really like Allegiant.
~ Like I said, I'm Salt deprived. Can someone fast forward time so I can read the second book?
~ I'm also Penelope and Carter deprived. Please, people, don't go come up with couple names like Carlope or Peneter. Couple names are so old. And definitely not cute anymore. O_o Yes, it will make them less cuter if anyone dares to add couple names. *cringe*
~ I'm going to go recommend this to a certain friend of mine. Just so I won't be alone with the gushing. Although I don't mind being the only one. I'll just say I'm talking about Funyuns. :D How do you spell that again?
Nope, definitely no regret in deciding to review Salt when offered. No regrets at all. I think it's really obvious. *walks away with a completely cheesy grin* Anyone want cheesecake? :D?
-------------------
ARC copy provided by EntangledTeen for review
Formatting and pictures have been removed due to copy and paste.
This review and more posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/arc-review-salt-by-danielle-ellison.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Ivana A. | Diary of Difference (1171 KP) rated Thunderhead (Arc of a Scythe #2) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-15.png"/>;
I thought Scythe will be my favorite book of the year, but then I read Thunderhead. It is a shame that I won’t be able to read The Toll this year - but I am honestly so honored to have a chance to read this series in my lifetime. Neal, please let me kiss your immortality ring!
Thunderhead is a continuation of The Arc of Scythe series, where we follow two characters, Citra and Rowan, in their journey to become apprentices of Scythe Faraday. With many twists and turns, which I don’t want to spoil for you all, Thunderhead begins exactly where Scythe finished. And it only gets better from here!
While in Scythe, the main focus of the book was the introduction to the world of Scythes, their beliefs, their challenges, their destiny, in Thunderhead, we get to know the Thunderhead better. The mind behind all the success of humankind, the brains behind how we managed to beat immortality. The Thunderhead sees everything and it can control everything - except the Schythedom.
<b><i>“The end doesn’t always justify the means, dear.” she said. “But sometimes it does. Wisdom is knowing the difference.”</i></b>
This book was so powerful in so many ways. The bravery of Scythe Citra, now known as Scythe Anastasia. The determination of Rowan. Thunderhead and the power and wisdom it holds, but is unable to share it. The sacrifice of Scythe Curie. The friendship that slowly turns to love and trust between Citra and Rowan and their fights to bring fairness and justice, both of them fighting for the same goal, but in their own different ways.
Thunderhead was everything I was hoping it to be and more. It was all I ever wanted from it. The writing, the mini entries of thoughts from the Thunderhead or the diary excerpts that keep you engaged chapter after chapter are such a refreshing way to read a book.
I think this series will end up being my favorite one of all time, and I cannot wait to get to The Toll and get the ending I am hoping I will get. Thunderhead finishes with an enormous cliff-hanger, that makes you beg for the next book.
I recommend this book so, so much and in real life I cannot stop talking about it. Please pick up a copy and give it a try. If you don’t instantly fall in love with it, you can glean me.
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#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-15.png"/>;
I thought Scythe will be my favorite book of the year, but then I read Thunderhead. It is a shame that I won’t be able to read The Toll this year - but I am honestly so honored to have a chance to read this series in my lifetime. Neal, please let me kiss your immortality ring!
Thunderhead is a continuation of The Arc of Scythe series, where we follow two characters, Citra and Rowan, in their journey to become apprentices of Scythe Faraday. With many twists and turns, which I don’t want to spoil for you all, Thunderhead begins exactly where Scythe finished. And it only gets better from here!
While in Scythe, the main focus of the book was the introduction to the world of Scythes, their beliefs, their challenges, their destiny, in Thunderhead, we get to know the Thunderhead better. The mind behind all the success of humankind, the brains behind how we managed to beat immortality. The Thunderhead sees everything and it can control everything - except the Schythedom.
<b><i>“The end doesn’t always justify the means, dear.” she said. “But sometimes it does. Wisdom is knowing the difference.”</i></b>
This book was so powerful in so many ways. The bravery of Scythe Citra, now known as Scythe Anastasia. The determination of Rowan. Thunderhead and the power and wisdom it holds, but is unable to share it. The sacrifice of Scythe Curie. The friendship that slowly turns to love and trust between Citra and Rowan and their fights to bring fairness and justice, both of them fighting for the same goal, but in their own different ways.
Thunderhead was everything I was hoping it to be and more. It was all I ever wanted from it. The writing, the mini entries of thoughts from the Thunderhead or the diary excerpts that keep you engaged chapter after chapter are such a refreshing way to read a book.
I think this series will end up being my favorite one of all time, and I cannot wait to get to The Toll and get the ending I am hoping I will get. Thunderhead finishes with an enormous cliff-hanger, that makes you beg for the next book.
I recommend this book so, so much and in real life I cannot stop talking about it. Please pick up a copy and give it a try. If you don’t instantly fall in love with it, you can glean me.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
LeftSideCut (3776 KP) rated Aladdin (2019) in Movies
Jan 28, 2020
Pleasantly Surprising
As I've mentioned before, I grew up during the 90s, and therefore, the Disney movies I have the fondest memories of run between Beauty & the Beast and Mulan. The original Aladdin's release in 1992 places it firmly it that era, and as such, is one that I lived as a kid. Couple this with the fact that I haven't particularly liked any of the live action Disney remakes so far, and this was one I was prepared to loathe.
But, dammit, Guy Ritchie wasn't going to let that happen! Aladdin is an adaption that is full with to the brim with positives.
The cast for one thing. Mena Massoud and Naomi Scott (as Aladdin and Jasmine) are likeable leads and carry the main bulk of the story with minimal effort. They share good chemistry and are instantly charming.
Will Smith was obviously the big talking point before the films release. I though he did a great job at bringing Genie to life. He doesn't try to imitate what Robin Williams did back in 1992, and manages to stop short of turning into a full blown Will Smith vehicle, and this results in a respectful and fun portrayal of one of Disney's most beloved characters.
Jafar (Marwan Kenzari) was fine - he never really goes full Disney villain and felt quite subdued. Both a little underwhelming, but maybe a bit more grounded?
Even the CGI characters of Apu and The Magic Carpet have a respectable amount of personality!
The CGI is actually (and maybe predictably) where one of the few negatives stems from. The CG effects use in Will Smith when he's in full blown genie mode are pretty jarring at first. I feel myself getting used to it, and accepting that it actually looked fine seeing as he is a magical being and all, but then there another close up of his face and it's terrifying again. The infamous carpet ride hand a few dodgy moments as well, but other than that, it was all pretty good. The wider shots of Agrabar looked stunning and full of colour, and the film is gorgeous looking for the most part.
I've also mentioned before that I'm not a massive musical fan, but the nostalgia in me give films like Aladdin a bit of a pass. The songs here are all fine (if you ignore the autotune here and there) and the cast all seem like they can sing mostly unaided. I didn't care much for the new song they put in - it absolutely reeked of Frozen, right down to Jasmine's posturing - and added nothing to the narrative, even if the message is an empowering one.
The film also gets a bit carried away during the pre-credits, with it's reliance on the audiences tolerance for the songs.
Other than that handful of gripes, I would say that Aladdin is safely the best of the bunch so far when it comes to these live action Disney remakes. It actually feels like that cast and crew care about what they're doing, and it's doesn't come across as a money grab anywhere near as much as say The Lion King.
If you haven't yet given it a chance due to your fondness for the original, try not to worry about that and enjoy it for what it is. It could have been a lot worse!
But, dammit, Guy Ritchie wasn't going to let that happen! Aladdin is an adaption that is full with to the brim with positives.
The cast for one thing. Mena Massoud and Naomi Scott (as Aladdin and Jasmine) are likeable leads and carry the main bulk of the story with minimal effort. They share good chemistry and are instantly charming.
Will Smith was obviously the big talking point before the films release. I though he did a great job at bringing Genie to life. He doesn't try to imitate what Robin Williams did back in 1992, and manages to stop short of turning into a full blown Will Smith vehicle, and this results in a respectful and fun portrayal of one of Disney's most beloved characters.
Jafar (Marwan Kenzari) was fine - he never really goes full Disney villain and felt quite subdued. Both a little underwhelming, but maybe a bit more grounded?
Even the CGI characters of Apu and The Magic Carpet have a respectable amount of personality!
The CGI is actually (and maybe predictably) where one of the few negatives stems from. The CG effects use in Will Smith when he's in full blown genie mode are pretty jarring at first. I feel myself getting used to it, and accepting that it actually looked fine seeing as he is a magical being and all, but then there another close up of his face and it's terrifying again. The infamous carpet ride hand a few dodgy moments as well, but other than that, it was all pretty good. The wider shots of Agrabar looked stunning and full of colour, and the film is gorgeous looking for the most part.
I've also mentioned before that I'm not a massive musical fan, but the nostalgia in me give films like Aladdin a bit of a pass. The songs here are all fine (if you ignore the autotune here and there) and the cast all seem like they can sing mostly unaided. I didn't care much for the new song they put in - it absolutely reeked of Frozen, right down to Jasmine's posturing - and added nothing to the narrative, even if the message is an empowering one.
The film also gets a bit carried away during the pre-credits, with it's reliance on the audiences tolerance for the songs.
Other than that handful of gripes, I would say that Aladdin is safely the best of the bunch so far when it comes to these live action Disney remakes. It actually feels like that cast and crew care about what they're doing, and it's doesn't come across as a money grab anywhere near as much as say The Lion King.
If you haven't yet given it a chance due to your fondness for the original, try not to worry about that and enjoy it for what it is. It could have been a lot worse!
Night Reader Reviews (683 KP) rated Micro in Books
Jan 9, 2020
Review Just becasue
The book Micro by Michael Crichton and Richard Prestom was great. I may be a little biased because Michael Crichton is one of my favorite authors but at the same time I hold his work to a specific standard that he must meet or else I'm disappointed. Like most of his work Micro touches on some topics that as a society we should be aware of. It warns us of some disasters that new technology, being worked on or possibly already created, can cause. It id also an eye opener to the dangers of that our inventions pose.
In Micro a group of young graduate students at a college or approached by the head of a company called Nanigen. The graduate students are invited out to the Nanigen lab in Hawaii to see for themselves the work being done there and to see if they want to work for the company. Out of curiosity all the approached graduate students agree to go but their trip to Hawaii becomes more than what they bargain for.
Nanigen is studying the micro world mainly looking for chemicals that micro animals are making that could be useful to humans in some way. Also like many scientific companies in the private sector Nanigen is doing top secret work for the government. Greed gets in the way for some of the scientist already working for the company and the trip becomes extremely dangerous and even deadly for the graduate students. Having to deal with micro-bots and new technology never heard of before the students must fight to survive a world very different from our own.
What I like most about the book was one of the same features that keeps me reading Michael Crichton's work. The author does his research very thoroughly. The book may be a work of science fiction but there is a bibliography in the back for the curious reader to be able to learn more about the fascinating topics brought up in the book. For being a work of fiction the animals, plants, chemicals, technology,and scientific concepts are not. What I liked least about the book was how similar to another one of his books it was and how predictable some parts felt to me. Again though, I am very familiar with Michael Crichton's work and that would probably explain why it felt so predictable. I cannot hold that against the book.
Overall I would rate this book a 4 out of 4 and would highly recommend it. It has a very strong story and is believable which is an important factor for science fiction. The target readers for this book would start around high school age if not older. I feel like high school students will get the basic concept of what book was talking about but they might be lost on some of the finer detail. It all just depends on if the book is being read for the story or if the reader is interested in science specifically microbiology and nanotechnology.
I feel like I need to note on here that Richard Preston finishing the book did not harm it in any way.
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In Micro a group of young graduate students at a college or approached by the head of a company called Nanigen. The graduate students are invited out to the Nanigen lab in Hawaii to see for themselves the work being done there and to see if they want to work for the company. Out of curiosity all the approached graduate students agree to go but their trip to Hawaii becomes more than what they bargain for.
Nanigen is studying the micro world mainly looking for chemicals that micro animals are making that could be useful to humans in some way. Also like many scientific companies in the private sector Nanigen is doing top secret work for the government. Greed gets in the way for some of the scientist already working for the company and the trip becomes extremely dangerous and even deadly for the graduate students. Having to deal with micro-bots and new technology never heard of before the students must fight to survive a world very different from our own.
What I like most about the book was one of the same features that keeps me reading Michael Crichton's work. The author does his research very thoroughly. The book may be a work of science fiction but there is a bibliography in the back for the curious reader to be able to learn more about the fascinating topics brought up in the book. For being a work of fiction the animals, plants, chemicals, technology,and scientific concepts are not. What I liked least about the book was how similar to another one of his books it was and how predictable some parts felt to me. Again though, I am very familiar with Michael Crichton's work and that would probably explain why it felt so predictable. I cannot hold that against the book.
Overall I would rate this book a 4 out of 4 and would highly recommend it. It has a very strong story and is believable which is an important factor for science fiction. The target readers for this book would start around high school age if not older. I feel like high school students will get the basic concept of what book was talking about but they might be lost on some of the finer detail. It all just depends on if the book is being read for the story or if the reader is interested in science specifically microbiology and nanotechnology.
I feel like I need to note on here that Richard Preston finishing the book did not harm it in any way.
https://facebook.com/nightreaderreviews
Night Reader Reviews (683 KP) rated The Two Worlds of Geratica Volume 2: The Mistress of Geratica in Books
Jan 9, 2020
The Two Worlds of Geratica Volume 2: The Mistress of Geratica by Anne Hampton is a wonderful follow up to the first Volume. There is some overlap between this book and the first as this one starts ten years earlier then Volume 1. It also gets caught up to modern times quickly so this time change isnt too much of a problem. Once again it is important to remember that Geratica and its parallel, Geraticai, are similar to Earth but no the same place and the people who live there are not human.
Geratica is facing a time of political and economic turmoil due to the increasing number of radical thinkers in the realm. They are also in danger of spies from Geraticai who want to be their own world and not just a parallel of Geratica. As things reach a breaking point The Mistress of Geratica comes forward to aid in setting things right again. Sadly even that doesn't fix things right away.
Linda has a hard time getting bills passed through Parliament and Alexandras boyfriend, Tom, is caught in a compromising position. Alexandra finds herself gaining confidence as her own woman and makes some very big decisions for not only herself but for Geratica as a whole. It is questionable though if Geratica can survive the strikes and civil unrest and form a way to keep both the radicals and convinces happy. At the same time, the government in Geraticai keeps changing so fast it is hard to keep track of who is in charge at any given time. Eventually, Geraticai goes to war. To say the least, things are not going good for the two worlds of Geratica.
What I liked best was that in my review of the first book I complained that the second world (Geraticai) didnt play a big part in the story yet this book fixed that entirely. The two worlds become intertwined in this book in such a way that it is deserving of its title. I almost regret my statement about the first book. What I didnt like so much was that towards the ending I got very confused about Fiona and Robert. Without giving anything away their relationship with each other and the Mistress was good in concept but did not make since to me very well as to why things worked out the way they did.
Once again I suggest a mature audience for this book. It is still geared more towards a mostly female audience but some men may find it interesting as well. There was still quite a bit of sexual content and politics so reader beware. This book deserves a rating of 4 out of 4 just like the first one. It could still use to be edited a little bit better but for the most part, I can not complain (and who am I to make a judgment on editing). The balanced time the author spends talking about each world prevents either one from getting too much attention. Overall an excellent book once more.
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https://www.austinmacauley.com/book/two-worlds-geratica-volume-2-mistress-geratica
https://www.amazon.com/Two-Worlds-Geratica-Mistress-ebook/dp/B0757885C8/ref=sr_1_3?keywords=two+worlds+of+geratica&qid=1573435323&sr=8-3
https://nightreaderreviews.blogspot.com/
Geratica is facing a time of political and economic turmoil due to the increasing number of radical thinkers in the realm. They are also in danger of spies from Geraticai who want to be their own world and not just a parallel of Geratica. As things reach a breaking point The Mistress of Geratica comes forward to aid in setting things right again. Sadly even that doesn't fix things right away.
Linda has a hard time getting bills passed through Parliament and Alexandras boyfriend, Tom, is caught in a compromising position. Alexandra finds herself gaining confidence as her own woman and makes some very big decisions for not only herself but for Geratica as a whole. It is questionable though if Geratica can survive the strikes and civil unrest and form a way to keep both the radicals and convinces happy. At the same time, the government in Geraticai keeps changing so fast it is hard to keep track of who is in charge at any given time. Eventually, Geraticai goes to war. To say the least, things are not going good for the two worlds of Geratica.
What I liked best was that in my review of the first book I complained that the second world (Geraticai) didnt play a big part in the story yet this book fixed that entirely. The two worlds become intertwined in this book in such a way that it is deserving of its title. I almost regret my statement about the first book. What I didnt like so much was that towards the ending I got very confused about Fiona and Robert. Without giving anything away their relationship with each other and the Mistress was good in concept but did not make since to me very well as to why things worked out the way they did.
Once again I suggest a mature audience for this book. It is still geared more towards a mostly female audience but some men may find it interesting as well. There was still quite a bit of sexual content and politics so reader beware. This book deserves a rating of 4 out of 4 just like the first one. It could still use to be edited a little bit better but for the most part, I can not complain (and who am I to make a judgment on editing). The balanced time the author spends talking about each world prevents either one from getting too much attention. Overall an excellent book once more.
https://www.facebook.com/nightreaderreviews/
https://www.austinmacauley.com/book/two-worlds-geratica-volume-2-mistress-geratica
https://www.amazon.com/Two-Worlds-Geratica-Mistress-ebook/dp/B0757885C8/ref=sr_1_3?keywords=two+worlds+of+geratica&qid=1573435323&sr=8-3
https://nightreaderreviews.blogspot.com/
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Night Reader Reviews (683 KP) rated Cage of Light in Books
Feb 28, 2020
Honest Review for Free Copy of Book
Cage of Light is another in-depth book by Donnally Miller, author of Devil’s Workshop. This book may be significantly shorter but that does not mean it lacks in any way. It will definitely make you think. How much of this story actually happens and how much of it is the delusions of a mind trying to make sense of the world?
Henry Dark and his wife, Alice, are two people living their lives as blindly as everyone else. Henry though frequently finds himself questioning what is real and what isn’t. His wife, on the other hand, does not appear to concern herself with such questions. She seems to attempt to live life in the most enjoyable way she can regardless of her reality. Alice is also concerned about Henry’s odd thoughts about life and things he claims to see.
It all starts with Alice complaining to Henry about their noisy neighbors having parties all the time. Henry takes it upon himself to confront the neighbors about this problem, only to find in the morning the house is vacant and Alice has no clue what Henry is talking about. Alice then convinces Henry to see a therapist by the name of Dr. Gordon who Henry doesn't get along with. The couple then finds themselves on the run after Henry attacks Dr. Gordon, and hiding out at the Lagoon of Lost Loves. It is here that Henry comes across the King of the Trolls. After that, they suddenly find themselves on a cruise ship where things are just as strange, before appearing at home again. Through their entire journey, Henry wonders is reality real? Does anything have any meaning besides what we assign to it?
What I liked most was reality being an illusion and meaning being nothing more than words people attach to things. These are two concepts that I believe to be difficult to write about, yet Donnally Miller does it wonderfully. The world was also created with the perfect amount of detail to keep it interesting without becoming boring due to over detailing. Those unaware of Donnally Miller’s writing style may be caught off guard by some of the larger leaps in the story. There are times when a character seems to teleport from one area or experience to the next almost at random. Though if the reader pays attention this is well explained.
This book is completely for adults only. One of the main reasons is because of a descriptive passage about the rape of a main character. Also, the philosophical ideas that this book contains would be lost on a younger audience and many adults may also find it difficult. I rate this book 4 out of 4. This book is a wonderful read even if some of the deeper philosophical stuff is lost on the reader. The reread value of this book is also high as the more often it is read the better it will be understood.
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Henry Dark and his wife, Alice, are two people living their lives as blindly as everyone else. Henry though frequently finds himself questioning what is real and what isn’t. His wife, on the other hand, does not appear to concern herself with such questions. She seems to attempt to live life in the most enjoyable way she can regardless of her reality. Alice is also concerned about Henry’s odd thoughts about life and things he claims to see.
It all starts with Alice complaining to Henry about their noisy neighbors having parties all the time. Henry takes it upon himself to confront the neighbors about this problem, only to find in the morning the house is vacant and Alice has no clue what Henry is talking about. Alice then convinces Henry to see a therapist by the name of Dr. Gordon who Henry doesn't get along with. The couple then finds themselves on the run after Henry attacks Dr. Gordon, and hiding out at the Lagoon of Lost Loves. It is here that Henry comes across the King of the Trolls. After that, they suddenly find themselves on a cruise ship where things are just as strange, before appearing at home again. Through their entire journey, Henry wonders is reality real? Does anything have any meaning besides what we assign to it?
What I liked most was reality being an illusion and meaning being nothing more than words people attach to things. These are two concepts that I believe to be difficult to write about, yet Donnally Miller does it wonderfully. The world was also created with the perfect amount of detail to keep it interesting without becoming boring due to over detailing. Those unaware of Donnally Miller’s writing style may be caught off guard by some of the larger leaps in the story. There are times when a character seems to teleport from one area or experience to the next almost at random. Though if the reader pays attention this is well explained.
This book is completely for adults only. One of the main reasons is because of a descriptive passage about the rape of a main character. Also, the philosophical ideas that this book contains would be lost on a younger audience and many adults may also find it difficult. I rate this book 4 out of 4. This book is a wonderful read even if some of the deeper philosophical stuff is lost on the reader. The reread value of this book is also high as the more often it is read the better it will be understood.
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Emma @ The Movies (1786 KP) rated The Turning (2020) in Movies
Mar 2, 2020
On reflection, I'm going to have to apologise to Like A Boss for saying it was the worst film I saw in January.
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html
Kirk Bage (1775 KP) rated Mother! (2017) in Movies
Mar 3, 2020
Pretentious. Is a word that sends shivers down my spine much more than any pseudo horror movie. It conveys the idea that the creator of a work is out of control, resorting to shock value over intelligent content. If the creator meant it all, then it is not pretentious, only dangerous.
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Kirk Bage (1775 KP) rated Norman F**king Rockwell by Lana Del Rey in Music
Mar 3, 2020
I have had a mixed relationship with the music of Lana Del Rey since her sensational debut album, Born To Die in 2010. I loved that album, and played it a lot! I still do. But always felt like it wasn’t really for me, yet I couldn’t help replaying it and humming the tunes. I also loved the lyrics, with their scathing satire of American life and values, and their downbeat vibe, always on the point of mania or depression, but never crying out for help, merely saying “look, this is our world, fuck it!” The trouble was, for the next 4 albums, despite one or two standout songs, the message and tone got mired in monotony and lack of memorable melodies – although the lyrics were still there.
I had all but given up hope of her becoming an artist of real worth by the end of the decade. It was a case of “remember when Lana Del Rey was the next big thing?” So, I was not expecting her sixth album to be not only very very good again, but potentially her best work to date, even surpassing Born To Die! You could hear it on the first listen – which for me took till December last year, despite its late August release. The reviews had been great, the award nominations rolled in and my attention was caught by this artist once again.
It took only a handful of listens before I had decided this was a great album! And now I am playing it a couple of times a week, continuing to get more out of the lyrics every time. It also plays really well as quiet background music, or loud, as a melancholy rock-out – a trick that isn’t easy to achieve. Her knowing nod to pop culture references, and the divine mixture of 50s Americana, folk and blues, can be a wonderful thing when it works. With six singles already released, there is proof this album has a more solid backbone tune-wise than the previous four efforts.
The task now is making her brand popular again in the singles market, as not one of the six released made it into the top 40, either stateside or in UK. However, the album was #3 in America and #1 in the UK, which gives me more hope that what we are seeing is the maturing of a genuine music artist, and not just an act, existing for sales. There are many, especially solo female artists, that could follow that example; worry more about making good music and less about “the product” and great things can happen.
For me, I love tracks 1-5 played in that order: they are all great tunes, and Venice Bitch at a playing time of 9:38 is an epic pop opus that makes me want to stand up and applaud! The final track, Hope is a Dangerous Thing for a Woman Like Me to Have, But I Have It, is also highly praiseworthy, summing up the message of the whole work beautifully. And it is a fine, honest, feminist, strong yet always vulnerable message. California is a long way away from my world, but I feel I know what she is talking about, somehow.
Look out also for some mesmeric retro home-movie videos on YouTube that segue some of the songs into a dreamy montage. Big fan!
I had all but given up hope of her becoming an artist of real worth by the end of the decade. It was a case of “remember when Lana Del Rey was the next big thing?” So, I was not expecting her sixth album to be not only very very good again, but potentially her best work to date, even surpassing Born To Die! You could hear it on the first listen – which for me took till December last year, despite its late August release. The reviews had been great, the award nominations rolled in and my attention was caught by this artist once again.
It took only a handful of listens before I had decided this was a great album! And now I am playing it a couple of times a week, continuing to get more out of the lyrics every time. It also plays really well as quiet background music, or loud, as a melancholy rock-out – a trick that isn’t easy to achieve. Her knowing nod to pop culture references, and the divine mixture of 50s Americana, folk and blues, can be a wonderful thing when it works. With six singles already released, there is proof this album has a more solid backbone tune-wise than the previous four efforts.
The task now is making her brand popular again in the singles market, as not one of the six released made it into the top 40, either stateside or in UK. However, the album was #3 in America and #1 in the UK, which gives me more hope that what we are seeing is the maturing of a genuine music artist, and not just an act, existing for sales. There are many, especially solo female artists, that could follow that example; worry more about making good music and less about “the product” and great things can happen.
For me, I love tracks 1-5 played in that order: they are all great tunes, and Venice Bitch at a playing time of 9:38 is an epic pop opus that makes me want to stand up and applaud! The final track, Hope is a Dangerous Thing for a Woman Like Me to Have, But I Have It, is also highly praiseworthy, summing up the message of the whole work beautifully. And it is a fine, honest, feminist, strong yet always vulnerable message. California is a long way away from my world, but I feel I know what she is talking about, somehow.
Look out also for some mesmeric retro home-movie videos on YouTube that segue some of the songs into a dreamy montage. Big fan!