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Debbie (52 KP) rated Born Scared in Books
Sep 12, 2018
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#BornScared#NetGalley
Candlewick Press Published Date September 11, 2018 Pages 256
Teens and YA
I had the privilege of being able to read this book before it was published. I did finish this book yesterday which is when it was released. This is the old cover but the new cover is a lot prettier.
This was a different book and I am still trying to process what I read. As of right now I am giving it 3.5 stars.
There were a lot of characters in this book and the transition between each one was a little rough.
This book is about a teenage boy who is afraid of everything. He is so afraid he doesn't go outside and is on medication which only slightly helps.
The story starts with him being born early at 26 weeks. He is part of twins. His sister doesn't live after an hour. He has named her Ellamay. Mom never named her. His fear starts from day one. Part of Ellamay lives within him. There are only three people that he isn't afraid of and they are mom, the doctor and his Aunt Shirley. When he was four he was caught talking with Ellamay and scared his mom and the doctor. His mom's name is Grace and the Doctor's name is Owen Gibson. Everyone else he calls Monkems.
Enter new characters the two Santas who are Leodnar Dacre (Dake) and Carl Jenner. Dake is the follower and Carl is the leader. They are bad men. They are planning on robbing the bank vault, by using yet another person named Gordon. They will make Gordon rob the bank for them by using his mom as leverage. How do they know about Gordon well yet another character is used and that is Kaylee who is dating Carl. Kaylee likes Carl because he is different and fun. Kaylee gives him all the information about Gordon. She assures Carl that Gordon is so predictable that you can set a clock by him.
The story goes on and Elliot is given the wrong medicine so mom needs to go and the correct pills but her car dies and so she ask Shirley to go get them. Shirley is dealing with traffic because it is Christmas Eve. Before she drops of the pills she goes home to pick up the gifts to deliver them along with the pills. Shirley never makes it to their home so Mom goes to her house and she never returns either.
Elliot decides he needs to go and find his mom. This is were his adventure starts. He has a great adventure and was great to read. What happen to him? You will have to read the book. What happen to Shirley and Mom? Again you have to read the book. What does Gordon have to do with this story? I am being very careful trying not to reveal too much. It does get good but I didn't like the ending at all. You are left wondering on what happened to a few of the characters.
If you don't mind being left hanging at the end I would recommend this story. It made me a little upset because I wanted to know. I don't care if it is a good end or a sad end, I just want to know what happen. The jumping around was a little hard and I had to figure out who I was reading about. This is a story I have never read about and it was interesting. Would I read something else by this author, yes I would give him another chance.
#BornScared#NetGalley
Candlewick Press Published Date September 11, 2018 Pages 256
Teens and YA
I had the privilege of being able to read this book before it was published. I did finish this book yesterday which is when it was released. This is the old cover but the new cover is a lot prettier.
This was a different book and I am still trying to process what I read. As of right now I am giving it 3.5 stars.
There were a lot of characters in this book and the transition between each one was a little rough.
This book is about a teenage boy who is afraid of everything. He is so afraid he doesn't go outside and is on medication which only slightly helps.
The story starts with him being born early at 26 weeks. He is part of twins. His sister doesn't live after an hour. He has named her Ellamay. Mom never named her. His fear starts from day one. Part of Ellamay lives within him. There are only three people that he isn't afraid of and they are mom, the doctor and his Aunt Shirley. When he was four he was caught talking with Ellamay and scared his mom and the doctor. His mom's name is Grace and the Doctor's name is Owen Gibson. Everyone else he calls Monkems.
Enter new characters the two Santas who are Leodnar Dacre (Dake) and Carl Jenner. Dake is the follower and Carl is the leader. They are bad men. They are planning on robbing the bank vault, by using yet another person named Gordon. They will make Gordon rob the bank for them by using his mom as leverage. How do they know about Gordon well yet another character is used and that is Kaylee who is dating Carl. Kaylee likes Carl because he is different and fun. Kaylee gives him all the information about Gordon. She assures Carl that Gordon is so predictable that you can set a clock by him.
The story goes on and Elliot is given the wrong medicine so mom needs to go and the correct pills but her car dies and so she ask Shirley to go get them. Shirley is dealing with traffic because it is Christmas Eve. Before she drops of the pills she goes home to pick up the gifts to deliver them along with the pills. Shirley never makes it to their home so Mom goes to her house and she never returns either.
Elliot decides he needs to go and find his mom. This is were his adventure starts. He has a great adventure and was great to read. What happen to him? You will have to read the book. What happen to Shirley and Mom? Again you have to read the book. What does Gordon have to do with this story? I am being very careful trying not to reveal too much. It does get good but I didn't like the ending at all. You are left wondering on what happened to a few of the characters.
If you don't mind being left hanging at the end I would recommend this story. It made me a little upset because I wanted to know. I don't care if it is a good end or a sad end, I just want to know what happen. The jumping around was a little hard and I had to figure out who I was reading about. This is a story I have never read about and it was interesting. Would I read something else by this author, yes I would give him another chance.
Lee (2222 KP) rated Venom (2018) in Movies
Oct 5, 2018 (Updated Oct 16, 2018)
A bit rough around the edges, but pretty enjoyable overall
Contains spoilers, click to show
The run up to seeing Venom has followed what seems to be a bit of a growing trend for me recently - tickets go on sale for a movie that I'm very excited to see and despite the slightly average trailers, I grab a ticket and hope for the best. Then in the days beforehand, a load of negative reviews appear online and I really hope that they're all wrong, like they all were with Hereditary. Recently we've had The Nun, then The Predator, and now Venom. I was really hoping this wasn't going to be three in a row!
A space probe is returning to Earth. We hear the astronauts communicating with a team back home. They're talking about some 'specimens' that they're bringing back, and then something goes wrong onboard and the rocket crashes to Earth, landing somewhere in Malaysia. The probe belongs to bio-engineering company Life Foundation, and the specimens they're carrying are symbiotic lifeforms. Life Foundation are all over the crash site, with only one of the astronauts surviving, barely. Meanwhile, CEO Carlton Drake (Riz Ahmed) is very excited by the symbiotes and returns them to the lab, becoming obsessed with assimilating them into animals. Obviously he has plans to eventually (as quickly as possible) try this out on humans. Apparently, it's all for the good of the planet or some guff like that.
Meanwhile, we're introduced to investigative journalist Eddie Brock (Tom Hardy) and his girlfriend Anne (Michelle Williams). He's basically the most unconvincing journalist I've ever seen in a movie, but the montage of clips seems determined to tell us otherwise. He has his own TV show! It's great! He's helped to uncover injustice, righted wrongs, and is apparently a nice down to earth guy. When he secures an interview with Carlton Drake from Life Foundation, he's ready to uncover some dirt, but his boss warns him not to overstep the mark. Of course, he doesn't listen, stepping over the line and getting himself fired. He also manages to lose girlfriend Anne in the process.
The next chunk of the movie is just Tom Hardy moping around, and it's not that great. I don't know if it's the script, the acting, or both. It's interspersed occasionally with scenes involving Carlton Drake looking to expose the symbiotes to human subjects - the homeless, the poor or the just plain stupid - and you start wishing they'd just hurry up and bring Venom and Eddie together, in the hopes that things will pick up a bit. Luckily, once that does happen things do pick up considerably and Tom Hardy is so much better suited as the crazy man who's feeling a little bit unwell than the sad, boring journalist. There's a good level of humour from that point on too, along with some fairly decent action.
Unfortunately though, Venom suffers from some of the same dreadful editing that The Predator did. Scenes that seem to just prematurely end suddenly and successions of rapid cuts during some of the action, making it difficult to see just what the hell is going on. Overall it's a bit rough around the edges, and definitely not as slick as your standard Marvel movie (this one is just 'in association with Marvel'). That being said, this was in no way the car crash movie that many of the reviews had lead me to believe, and on the whole I actually really enjoyed it.
A decent mid credits scene sets up some exciting potential for a further movie, but I feel they really need to tighten things up a bit in order to make another one worth seeing.
A space probe is returning to Earth. We hear the astronauts communicating with a team back home. They're talking about some 'specimens' that they're bringing back, and then something goes wrong onboard and the rocket crashes to Earth, landing somewhere in Malaysia. The probe belongs to bio-engineering company Life Foundation, and the specimens they're carrying are symbiotic lifeforms. Life Foundation are all over the crash site, with only one of the astronauts surviving, barely. Meanwhile, CEO Carlton Drake (Riz Ahmed) is very excited by the symbiotes and returns them to the lab, becoming obsessed with assimilating them into animals. Obviously he has plans to eventually (as quickly as possible) try this out on humans. Apparently, it's all for the good of the planet or some guff like that.
Meanwhile, we're introduced to investigative journalist Eddie Brock (Tom Hardy) and his girlfriend Anne (Michelle Williams). He's basically the most unconvincing journalist I've ever seen in a movie, but the montage of clips seems determined to tell us otherwise. He has his own TV show! It's great! He's helped to uncover injustice, righted wrongs, and is apparently a nice down to earth guy. When he secures an interview with Carlton Drake from Life Foundation, he's ready to uncover some dirt, but his boss warns him not to overstep the mark. Of course, he doesn't listen, stepping over the line and getting himself fired. He also manages to lose girlfriend Anne in the process.
The next chunk of the movie is just Tom Hardy moping around, and it's not that great. I don't know if it's the script, the acting, or both. It's interspersed occasionally with scenes involving Carlton Drake looking to expose the symbiotes to human subjects - the homeless, the poor or the just plain stupid - and you start wishing they'd just hurry up and bring Venom and Eddie together, in the hopes that things will pick up a bit. Luckily, once that does happen things do pick up considerably and Tom Hardy is so much better suited as the crazy man who's feeling a little bit unwell than the sad, boring journalist. There's a good level of humour from that point on too, along with some fairly decent action.
Unfortunately though, Venom suffers from some of the same dreadful editing that The Predator did. Scenes that seem to just prematurely end suddenly and successions of rapid cuts during some of the action, making it difficult to see just what the hell is going on. Overall it's a bit rough around the edges, and definitely not as slick as your standard Marvel movie (this one is just 'in association with Marvel'). That being said, this was in no way the car crash movie that many of the reviews had lead me to believe, and on the whole I actually really enjoyed it.
A decent mid credits scene sets up some exciting potential for a further movie, but I feel they really need to tighten things up a bit in order to make another one worth seeing.
LilyLovesIndie (123 KP) rated Indivisible Line in Books
Nov 5, 2018
Two people, thrown together by coincidence develop a bond that goes much deeper than blood. Sarah and Greg experience loss, injury and much more as they come to realise that, when all is said and done, love is really all they needed from the start.
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
4.5 STAR RATING
Now I must admit that I sometimes find it very difficult to give a star rating to a self-help book as actually reading the book is only part of the therapy that it provides. In order to give a fully accurate rating the book would have to be read, the constructive ideas written within the pages followed and carried out wholeheartedly and a realistic amount of time left to pass for recovery. As I have only finished reading this book today I have not had time to really go through the processes that are outlined in this book, therefore, I do not know how much this book will actually have an impact on my life BUT I am willing to work my way through the suggestions.
I borrowed this book from the library (I find some self-help books to be over priced and there are just so many out there that you often don't know exactly what you're buying) so I am not able to refer back to this copy time and time again throughout recovery like this book suggests you do (unless I decide to purchase a copy) and so quite a few of the processes will have to be carried out using memory, which I know isn't often advised.
The reason for my high rating is because I found this book to be completely different to any other self help book that I have read in the past. Often these books outline the same sort of processes so you keep being fed the same sort of information but this book seems to have a more relaxed approach to dealing with stress, anxiety and depression...and in some ways a more realistic approach. It teaches you the methods of 'floating' not 'facing', 'accepting' not 'fighting' and 'comfort' not 'conflict'.
I am definitely not a stranger to anxiety and depression and so for a long time I have been actively searching for ways in which these 'illnesses' can be 'cured' or made less intense. This book has definitely helped me in the sense that it has given me a completely different perspective compared to what I had before reading this book. Stress and depression can cause you to be a lot less open minded than you perhaps used to be and being accepting of new ideas and view points may seem very daunting, however, when ideas are presented in this book Dr Weekes gives examples about how the sufferer may be feeling once presented with an idea (personally I found her to be pretty spot on) and so you are given a sense of relief that someone out there knows what you are going through and that she has helped many people in similar situations.
The book also contains numerous 'Case Studies', where Dr Weekes gives examples of some of her clients, their problems, their emotions, their coping strategies and the feedback that she provides for them. The 'life problems' discussed are very broad and so you may find that one might be similar to your current situation, a situation you have been in or perhaps even a situation that you are frightened you might end up in in the near or distant future.
My retraction of 1/2 a star wasn't because this book has any negative aspects but simply because I am yet to fully explore it's full potential and to put it into practice, as mentioned earlier on in my review.
I find that just knowing that someone is there 'talking to you' and 'guiding' you in the right direction is comforting and kind of relaxing in a way...a helping hand, to turn that frown upside down.
Now I must admit that I sometimes find it very difficult to give a star rating to a self-help book as actually reading the book is only part of the therapy that it provides. In order to give a fully accurate rating the book would have to be read, the constructive ideas written within the pages followed and carried out wholeheartedly and a realistic amount of time left to pass for recovery. As I have only finished reading this book today I have not had time to really go through the processes that are outlined in this book, therefore, I do not know how much this book will actually have an impact on my life BUT I am willing to work my way through the suggestions.
I borrowed this book from the library (I find some self-help books to be over priced and there are just so many out there that you often don't know exactly what you're buying) so I am not able to refer back to this copy time and time again throughout recovery like this book suggests you do (unless I decide to purchase a copy) and so quite a few of the processes will have to be carried out using memory, which I know isn't often advised.
The reason for my high rating is because I found this book to be completely different to any other self help book that I have read in the past. Often these books outline the same sort of processes so you keep being fed the same sort of information but this book seems to have a more relaxed approach to dealing with stress, anxiety and depression...and in some ways a more realistic approach. It teaches you the methods of 'floating' not 'facing', 'accepting' not 'fighting' and 'comfort' not 'conflict'.
I am definitely not a stranger to anxiety and depression and so for a long time I have been actively searching for ways in which these 'illnesses' can be 'cured' or made less intense. This book has definitely helped me in the sense that it has given me a completely different perspective compared to what I had before reading this book. Stress and depression can cause you to be a lot less open minded than you perhaps used to be and being accepting of new ideas and view points may seem very daunting, however, when ideas are presented in this book Dr Weekes gives examples about how the sufferer may be feeling once presented with an idea (personally I found her to be pretty spot on) and so you are given a sense of relief that someone out there knows what you are going through and that she has helped many people in similar situations.
The book also contains numerous 'Case Studies', where Dr Weekes gives examples of some of her clients, their problems, their emotions, their coping strategies and the feedback that she provides for them. The 'life problems' discussed are very broad and so you may find that one might be similar to your current situation, a situation you have been in or perhaps even a situation that you are frightened you might end up in in the near or distant future.
My retraction of 1/2 a star wasn't because this book has any negative aspects but simply because I am yet to fully explore it's full potential and to put it into practice, as mentioned earlier on in my review.
I find that just knowing that someone is there 'talking to you' and 'guiding' you in the right direction is comforting and kind of relaxing in a way...a helping hand, to turn that frown upside down.
Chris Sawin (602 KP) rated Paprika (2006) in Movies
Jun 19, 2019
The DC Mini was created to not only record and watch a person's dreams, but to actually enter them as well. It was created by Kosaku Tokita at the Foundation for Psychiatric Research and was meant to be a form of therapy to help people find the purpose of manic disorders and other manias such as fear or anxiety issues. But when the DC Mini is stolen and the same dream is being implanted into people while they're awake with chaotic results, then the research foundation takes it upon themselves to try and find out who is behind all of this. Tokita, along with Atsuko Chiba and Torataro Shima, are on the case. But who is Paprika and how does Detective Toshimi Konakawa fit into the equation?
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
Story: 51 starts when the government are finally going to let people into Area 51 for the first time with Sam Whitaker (Shea) and new blogger Claire (Branch). Colonel Martin (Boxleitner) is showing the guests around the base with the idea of showing just the simple ones rather than the real secrets.
With the tour happening around the base we see how the aliens held there start their own escape. The tour group must work together to survive while the soldiers on the outside also have to deal with the aliens coming up the levels.
51 is a horror sci-fi film set inside Area 51, we actually get to see the idea that aliens have been trapped there for decades and most importantly we get to see different types of aliens. This helps play into the conspiracy side to the story very well. When it comes to the survival side of the story there isn’t too much fresh happening here but it does make you wonder what abilities each of these aliens actually has while the film unfolds.
Actor Review
Vanessa Branch: Claire is an internet reporter with a reputation of pushing the limits to make sure she breaks the story, she isn’t one of the Colonel’s first choices to be part of the tour but while she is here she will look to break the big story. Vanessa is a solid strong leading lady for this horror film.
Bruce Boxleitner: Col Martin is the man who has to lead the tour group around Area 51, he doesn’t like the idea and will try to make this the simplest tour possible giving away only small amounts of details. Bruce comes off like a normal colonel you would expect to see in thi style of film.
Rachel Miner: Sgt Hanna is on the outside guarding the base she leads the men while having her own troubled past and reputation to live up to. Rachel is solid in this role which feels like a completely different story to the main tour.
Jason London: Aaron ‘Shoes’ Schumacher is a rookie soldier that is under the wing of Sgt Hanna, he wants to see combat but has to deal with not having this chance for now. Jason is solid in this role where we do get a few extra laugh from this film.
Support Cast: 51 has a supporting cast which includes different of soldiers as well as the fellow reporters, each one comes off slightly disposable through the story.
Director Review: Jason Connery – Jason gives us a horror that has fresh twists while being the standard survival thriller.
Horror: 51 is filled with blood soaked kills throughout the survival horror side of the story.
Sci-Fi: 51 takes us to Area 51 with aliens trying to escape their prisons which heaps all of the sci-fi side of the story involved.
Settings: 51 is set at Area 51 for the whole film which plays into the conspiracy side of the story.
Special Effects: 51 has low budget effects which work once we see the aliens made with practical effects.
Suggestion: 51 is one I feel the horror fans out there can watch late night on TV and get the enjoyment out of it. (Late Night TV)
Best Part: Different types of aliens involved.
Worst Part: Hanna and Shoes storyline seems out of place and almost talking to audience early on.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 30 Minutes
Tagline: The military’s best-kept secret just broke loose.
Overall: Simple but enjoyable sci-fi horror film.
https://moviesreview101.com/2016/11/04/movie-reviews-101-midnight-horror-51-2011/
With the tour happening around the base we see how the aliens held there start their own escape. The tour group must work together to survive while the soldiers on the outside also have to deal with the aliens coming up the levels.
51 is a horror sci-fi film set inside Area 51, we actually get to see the idea that aliens have been trapped there for decades and most importantly we get to see different types of aliens. This helps play into the conspiracy side to the story very well. When it comes to the survival side of the story there isn’t too much fresh happening here but it does make you wonder what abilities each of these aliens actually has while the film unfolds.
Actor Review
Vanessa Branch: Claire is an internet reporter with a reputation of pushing the limits to make sure she breaks the story, she isn’t one of the Colonel’s first choices to be part of the tour but while she is here she will look to break the big story. Vanessa is a solid strong leading lady for this horror film.
Bruce Boxleitner: Col Martin is the man who has to lead the tour group around Area 51, he doesn’t like the idea and will try to make this the simplest tour possible giving away only small amounts of details. Bruce comes off like a normal colonel you would expect to see in thi style of film.
Rachel Miner: Sgt Hanna is on the outside guarding the base she leads the men while having her own troubled past and reputation to live up to. Rachel is solid in this role which feels like a completely different story to the main tour.
Jason London: Aaron ‘Shoes’ Schumacher is a rookie soldier that is under the wing of Sgt Hanna, he wants to see combat but has to deal with not having this chance for now. Jason is solid in this role where we do get a few extra laugh from this film.
Support Cast: 51 has a supporting cast which includes different of soldiers as well as the fellow reporters, each one comes off slightly disposable through the story.
Director Review: Jason Connery – Jason gives us a horror that has fresh twists while being the standard survival thriller.
Horror: 51 is filled with blood soaked kills throughout the survival horror side of the story.
Sci-Fi: 51 takes us to Area 51 with aliens trying to escape their prisons which heaps all of the sci-fi side of the story involved.
Settings: 51 is set at Area 51 for the whole film which plays into the conspiracy side of the story.
Special Effects: 51 has low budget effects which work once we see the aliens made with practical effects.
Suggestion: 51 is one I feel the horror fans out there can watch late night on TV and get the enjoyment out of it. (Late Night TV)
Best Part: Different types of aliens involved.
Worst Part: Hanna and Shoes storyline seems out of place and almost talking to audience early on.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 30 Minutes
Tagline: The military’s best-kept secret just broke loose.
Overall: Simple but enjoyable sci-fi horror film.
https://moviesreview101.com/2016/11/04/movie-reviews-101-midnight-horror-51-2011/
Hazel (1853 KP) rated How to Date Dead Guys (The Witch`s Handbook #1) in Books
Dec 14, 2018
<i>This eBook was provided by the author in exchange for an honest review
How To Date Dead Guys </i>is the first novel in the paranormal series <i>The Witches Handbook </i>by the author Ann. M Noser. The protagonist, Emma, is introduced to the reader as a shy, introverted student whose negative experience with bullying during high school still greatly affects her despite now being a sophomore at University of Wisconsin-Eau Claire. Against her wishes, Emma is forced to attend a party by her roommate Chrissy, a girl who is the complete opposite in personality. Whilst trying to keep out of the way of the partying students, Emma starts talking to Mike, a boy she has a crush on. From this point onwards Emma’s life changes dramatically, although in ways she had never previously imagined.
After a devastating accident leaving Mike dead and Emma feeling guilty, Emma decides to take drastic action with the help of a book she finds called <i>Book of Shadows</i>. Using instructions from the book Emma recites a spell believing she can raise Mike from the dead. However this has disastrous consequences. Instead of being reunited with Mike, Emma finds herself face to face with a different guy, one who died a few months previously. Feeling responsible, Emma tries to help this resurrected body but she soon learns she got more than she bargained for.
<i>How To Date Dead Guys</i> is both hilarious and moving. The shock of Mike’s death makes the reader feel sorry for Emma, a lovely girl who does not deserve this heartache. Initially there is a sense of foreboding when she begins to dabble in witchcraft however the outcome results in some amusing situations.
Initially the storyline was not completely clear, which made understanding the purpose of the various scenarios a little confusing. However, Emma was also confused during this time, thus it makes sense for the reader to be also. It soon becomes clear why a different person was brought back to life rather than Mike, causing the story to take a more heart-warming direction.
Emma is a character that many introverts will relate to. Growing up being bullied has left her feeling that she is not good enough at anything. She has barely any friends, rarely goes out and is scared to talk to anyone new. Ironically raising the dead changes Emma for the better. Being in a situation where she has no choice but to deal with the consequences, Emma becomes more confident in herself. Although she believes she is still the same shy girl she was to begin with, hanging around with the dead forces her to see that she has changed and that she is no longer the weak person she always thought herself to be.
Emma’s character development is one of the best parts of the entire novel. Many young adult or new adult stories use romance and reliance on a male “hero” to save the girl from her introverted life style. Although romance was somewhat involved, this was not the case with Emma. Emma changed because she had to, because of circumstances she accidently created and felt she needed to put right. Emma’s confidence is not a result of influence from anyone else and proves that people can survive by themselves and become the person they wish to be.
Overall I enjoyed reading <i>How To Date Dead Guys</i>. Admittedly the beginning of the book felt like a few different stories crammed together, but once the plot was established it became exciting to discover what would happen next. Although listed as a New Adult book, the content is suitable for readers in their teens as well.
How To Date Dead Guys </i>is the first novel in the paranormal series <i>The Witches Handbook </i>by the author Ann. M Noser. The protagonist, Emma, is introduced to the reader as a shy, introverted student whose negative experience with bullying during high school still greatly affects her despite now being a sophomore at University of Wisconsin-Eau Claire. Against her wishes, Emma is forced to attend a party by her roommate Chrissy, a girl who is the complete opposite in personality. Whilst trying to keep out of the way of the partying students, Emma starts talking to Mike, a boy she has a crush on. From this point onwards Emma’s life changes dramatically, although in ways she had never previously imagined.
After a devastating accident leaving Mike dead and Emma feeling guilty, Emma decides to take drastic action with the help of a book she finds called <i>Book of Shadows</i>. Using instructions from the book Emma recites a spell believing she can raise Mike from the dead. However this has disastrous consequences. Instead of being reunited with Mike, Emma finds herself face to face with a different guy, one who died a few months previously. Feeling responsible, Emma tries to help this resurrected body but she soon learns she got more than she bargained for.
<i>How To Date Dead Guys</i> is both hilarious and moving. The shock of Mike’s death makes the reader feel sorry for Emma, a lovely girl who does not deserve this heartache. Initially there is a sense of foreboding when she begins to dabble in witchcraft however the outcome results in some amusing situations.
Initially the storyline was not completely clear, which made understanding the purpose of the various scenarios a little confusing. However, Emma was also confused during this time, thus it makes sense for the reader to be also. It soon becomes clear why a different person was brought back to life rather than Mike, causing the story to take a more heart-warming direction.
Emma is a character that many introverts will relate to. Growing up being bullied has left her feeling that she is not good enough at anything. She has barely any friends, rarely goes out and is scared to talk to anyone new. Ironically raising the dead changes Emma for the better. Being in a situation where she has no choice but to deal with the consequences, Emma becomes more confident in herself. Although she believes she is still the same shy girl she was to begin with, hanging around with the dead forces her to see that she has changed and that she is no longer the weak person she always thought herself to be.
Emma’s character development is one of the best parts of the entire novel. Many young adult or new adult stories use romance and reliance on a male “hero” to save the girl from her introverted life style. Although romance was somewhat involved, this was not the case with Emma. Emma changed because she had to, because of circumstances she accidently created and felt she needed to put right. Emma’s confidence is not a result of influence from anyone else and proves that people can survive by themselves and become the person they wish to be.
Overall I enjoyed reading <i>How To Date Dead Guys</i>. Admittedly the beginning of the book felt like a few different stories crammed together, but once the plot was established it became exciting to discover what would happen next. Although listed as a New Adult book, the content is suitable for readers in their teens as well.
Ivana A. | Diary of Difference (1171 KP) rated The Psychology of Time Travel in Books
Dec 30, 2018
The Psychology of Time Travel – Kate Mascarenhas [BOOK REVIEW]
Full review on my blog: www.diaryofdifference.com
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
Gareth von Kallenbach (980 KP) rated Leatherheads (2008) in Movies
Aug 14, 2019
The movie opens with John Krasinski’s character, “Carter Rutherford”, playing college-level football for Princeton at a bleacher-groaning, over-packed game chock full of screaming patrons and die-hard fans. The kid is a golden-child, a war hero, and the nation’s most promising young athlete in the good old year of 1925. Carter is dynamic, attractive, and exactly what the country needs at a time of World War I. It is little wonder his face plasters billboards across town, that his name is uttered with awe and adoration. In truth, how could you not? The kid had, after all, single-handedly forced a contingent of German soldiers to surrender without even shooting one bullet.
Cut to George Clooney’s character, the aging “Dodge Connelly”, playing pro-football in mire-like conditions; his audience a tangle of bored fans and uninspired locals. It is a far cry from the opulent circumstance of college-level football. Men, bedraggled and sweating under the promise of returning to work at the mines and fields if their football dreams go under, play with reckless abandon and forgotten morals in hopes of winning that next game. Yet, as fate will go, the Bulldogs lose their sponsorship and the team goes under, forcing men to return to their day-jobs and leaving Dodge without a future. The man has no marketable skills, no trade. He is a football player and is determined to see his team back in the game.
Of course, that isn’t the only bit of chaos. There has to be a girl; there is always a girl involved in stories like these. Enter Renée Zellweger’s character, the vivacious and equally tenacious “Lexie Littleton” – a news reporter for the Tribune. Lexie is on a mission to expose Carter Rutherford and get to the bottom of his infamous war story. It comes to no surprise that when Lexie and Dodge meet in a hotel lobby awaiting the arrival of Carter Rutherford and his manager, “CC Frazier” (played by Jonathan Pryce), that sparks immediately fly between them. Dodge has a proposal for CC and Carter: have Carter take a leave of absence from Princeton to play pro-football for the Bulldogs, thus saving pro-football and paying Carter for his efforts. Naturally, CC wants a cut from the profits and finds a way to do so to accommodate his own needs. Dodge, without any other alternative, agrees.
Meanwhile, Lexie is working her magic on Carter to try and weasel the true story out of him as best she can. Try as she might she cannot ignore Dodge, no matter how acid her tongue wags in his direction. In the end, Lexie gets her story yet realizes she must decide between exposing the truth or letting America bask in the glory of its self-proclaimed war-hero.
In review, there is a true chemistry between all of the main characters and both Zellweger and Clooney do a good job of conveying the vehement (and callous) emotion between Lexie and Dodge. However, no matter how funny the banter becomes between these three main characters or how well the scene plugs along, in the end the movie comes off as a passable but by no means memorable. Betimes it seems to stretch on and on and more then once I found myself looking at my clock. In truth, the movie didn’t need to be nearly two hours long. It felt two hours long which is never a good thing, especially when we’re talking about theatre seats.
That said, I thought the movie was a cute and enjoyable comedy. It won’t crack your funny bone but it will certainly tickle it more then once. All in all I give it 3.5 out of 5. It succeeded in making me laugh and did keep me entertained. Above all, I’m sure many will find it enjoyable to some extent.
Cut to George Clooney’s character, the aging “Dodge Connelly”, playing pro-football in mire-like conditions; his audience a tangle of bored fans and uninspired locals. It is a far cry from the opulent circumstance of college-level football. Men, bedraggled and sweating under the promise of returning to work at the mines and fields if their football dreams go under, play with reckless abandon and forgotten morals in hopes of winning that next game. Yet, as fate will go, the Bulldogs lose their sponsorship and the team goes under, forcing men to return to their day-jobs and leaving Dodge without a future. The man has no marketable skills, no trade. He is a football player and is determined to see his team back in the game.
Of course, that isn’t the only bit of chaos. There has to be a girl; there is always a girl involved in stories like these. Enter Renée Zellweger’s character, the vivacious and equally tenacious “Lexie Littleton” – a news reporter for the Tribune. Lexie is on a mission to expose Carter Rutherford and get to the bottom of his infamous war story. It comes to no surprise that when Lexie and Dodge meet in a hotel lobby awaiting the arrival of Carter Rutherford and his manager, “CC Frazier” (played by Jonathan Pryce), that sparks immediately fly between them. Dodge has a proposal for CC and Carter: have Carter take a leave of absence from Princeton to play pro-football for the Bulldogs, thus saving pro-football and paying Carter for his efforts. Naturally, CC wants a cut from the profits and finds a way to do so to accommodate his own needs. Dodge, without any other alternative, agrees.
Meanwhile, Lexie is working her magic on Carter to try and weasel the true story out of him as best she can. Try as she might she cannot ignore Dodge, no matter how acid her tongue wags in his direction. In the end, Lexie gets her story yet realizes she must decide between exposing the truth or letting America bask in the glory of its self-proclaimed war-hero.
In review, there is a true chemistry between all of the main characters and both Zellweger and Clooney do a good job of conveying the vehement (and callous) emotion between Lexie and Dodge. However, no matter how funny the banter becomes between these three main characters or how well the scene plugs along, in the end the movie comes off as a passable but by no means memorable. Betimes it seems to stretch on and on and more then once I found myself looking at my clock. In truth, the movie didn’t need to be nearly two hours long. It felt two hours long which is never a good thing, especially when we’re talking about theatre seats.
That said, I thought the movie was a cute and enjoyable comedy. It won’t crack your funny bone but it will certainly tickle it more then once. All in all I give it 3.5 out of 5. It succeeded in making me laugh and did keep me entertained. Above all, I’m sure many will find it enjoyable to some extent.