"This is a record that has been with me so long because of the hippy environment that I grew up in. When I was 11 or 12, I remember the excitement of hearing this record for the first time. There are a couple of duds on there, and that threw me off a bit. But there are so many amazing songs that show the softer side of Jimi Hendrix - incredible songwriting and more mellow stuff, and these choruses that just explode in a really dramatic way. It also triggers a funny memory for me when I think about this record… My first girlfriend - in grade seven, when I was 12 or 13 - she was the daughter of one of the teachers at the school. She was really into Hendrix and was part of the reason why I got into him. But around the time I got hold of this record, she dropped acid in gym class. She was the first person I knew to drop acid. And then her mum came up to her when she was trying to open her locker - she was the teacher - and started talking to her. I know some people find 'Little Wing' a bit too saccharine, but all those Hendrix ballads make me so nostalgic for that time and all the people that I knew and where I grew up."

"This is a very important album for me. When John Peel was alive, before he went off on the holiday that he didn’t come back from, he asked a few of us to look after his radio show for him – Siouxsie Sioux, Robert Smith – and he said that Rick and I could do anything we wanted, which was very generous of him. So Rick asked him if there was anything he wanted us to play and he handed us Tripper and said, “this has just come in and I really like it.” As somebody who grew up with John being my most important musical teacher, especially his philosophy around cross-collateralised ideas between musical genres – this was important because it was the last album he ever gave me. The last record he asked to be played on air. But I loved the sound of the album – again, they have a whole other structure for writing songs. They have this filmic quality. It’s a very panoramic sound. They were one of the first bands I ever heard using that glitchy, cut-up electronic vibe and yet incorporating it with traditional instruments. And when I go and see them live, sometimes they’re a three-piece, then a seven-piece, or they’ll have an orchestra with them – they defy definition. They just make beautiful music."