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The Night She Disappeared
The Night She Disappeared
Lisa Jewell | 2021 | Mystery, Thriller
9
8.5 (4 Ratings)
Book Rating
An intricate, twisty, page-turner of a thriller
Tallulah and her boyfriend, Zach, go out on a date, leaving their young son Noah behind with her mom, Kim. Kim waits up for Tallulah, but she never comes back. As Kim tries to find out what happened to her daughter, whom she knows would never leave Noah behind, she learns she was last seen at a party at house in the woods, called the Dark Place.

Two years later, Sophie moves to a boarding school where her boyfriend, Shaun, has just started to work as head teacher. As she explores the woods, she sees a note reading "Dig Here." A writer, Sophie starts investigating. Her sleuthing will take her into the world of the Dark Place and Tallulah's disappearance.

"With a racing heart and a sickening swirl in the pit of her stomach, she calls the police and she files a missing persons case."

This is an excellent thriller, hands-down. I read the second half in one sitting, because I was completely and totally sucked in. This is a mystery, but it has a ton of character to it--because the characters, ha, are real and vibrant people, with their own quirks, issues, and struggles that add an an extra element to the story. Tallulah, especially, is a nuanced character, a young mother struggling to find her place in the world, with her boyfriend, her friendships, and as a parent and student.

NIGHT is quite twisty--this read will keep you guessing. It's well-written, extremely dark (be prepared), and just well-done overall. It balances thrilling and characterization perfectly. I often hate when a "regular" character decides to be a sleuth, but Sophie, as a crime writer, was fine in the role. I loved Tallulah (extremely great, because she's missing, so Jewell gets us attached to a character who is gone and whose POV is told through the past). The book is complex, giving us insight into motherhood, relationships, friendship and more.

Overall, this was a winner for me. 4.5 stars.

I received a copy of this book from Atria Books and Netgalley in return for an unbiased review.
  
The Girl With All the Gifts (2017)
The Girl With All the Gifts (2017)
2017 | Drama
An Adam’s Apple for Teacher.
I remember once having a ridiculous drunken dispute at a works Christmas party many year’s ago that went along the lines of “if you had the chance to save the world, but had to kill your child to do it, what would you do”. There’s a variant of this conundrum at the heart of this brilliant new film from Colm McCarthy, best know for his TV work on shows like “Peaky Blinders”, “Sherlock” and “Dr Who”.
As most people already realise, this is a ‘Zombie film’ (cue, a number of other single blokes in the cinema) and illustrates the dangers of not treating that Athlete’s Foot as soon as it appears! I would normally provide a quick synopsis here, but I really think this is a case in point where it is best to go into the film as blind as possible to the story and let it envelop you. (This includes not watching the whole trailer if possible.) To merely set the scene, we open with a morning school ritual like none you’ve seen before: children strapped to wheelchairs by heavily armed military in their cells; wheeled to an underground classroom; then made to sit in serried rows being taught by their teacher Helen Justineau (a deliciously un-made-up and natural Gemma Arterton). What IS going on? Who ARE these children? WHY are the soldiers so scared and dismissive of them?

The ever-great Paddy Considine (“Pride”) plays army Sergeant Parks (who also has a bit of a crush on Helen) and Glenn Close plays Dr Caroline Caldwell, who is studying the children in more ways than one.

This trio of stars, supported notably later in the film by Fisayo Akinade as the trooper Kieran, turn in what is a superb ensemble performance. As for Glenn Close, I have never quite been able to shake her awful “silk blouse” performance in “Air Force One” from my mind, but here she is quite memerising in the role of the Doctor on a mission: I would suggest a career best. Her final scene reflects such a complex range of emotions, and is brilliantly executed. And Gemma Arterton pulls out all the emotional stops in what is also one of the performances of the year.

But good as these performances are, they would be nothing without the central performance of young Sennia Nanua as the titular “Girl”. I have made the point before that there should be an Oscar category for “Young Actors” rather than pitch them into the adult categories like Quvenzhane Wallis and Anna Paquin were (successfully). Here in her debut feature performance Sennia is just mesmerising and (provided this film gets the recognition it justly deserves) she should be a shoe-in for the BAFTA Rising Star award next year, if not an Actress nomination. A young lady most definitely to watch.

Also assuming a starring role is Chilean-born composer Cristobal Tapia de Veer’s astonishingly effective music which drives up the tension superbly. This is his feature film debut and another name to watch.
The screenplay by Mike Carey from his original novel is beautifully crafted, with some great one liners dropped in to ease the tension a notch. And the story adds a level of emotional depth and angst that surpasses other films of this genre, at least as far back as the “28 Days” films.

Astonishingly, the film was made on a budget of 4 (FOUR!) Million Pounds, giving it a BvS quotient of 2.1%!! Every penny of that budget is up on the screen, and whilst you might like to pick at a few of the matte paintings and effects, it is a remarkably achievement in special effects (Nick Rideout is the SF supervisor) and production value.
So, its great! Go see it… but with a few caveats: it is a zombie film, and it ranks about an 8.9 on the splattometer scale, which might not be to some tastes; definitely don’t go to see it if you are pregnant (though I am constantly reminded how I took my heavily pregnant wife in 1985 to see “A really great film called ‘Alien'”); and you might want to avoid it if you are a great cat or dog lover, or indeed a pigeon-fancier. Other than that, get yourself down to a multiplex and see this great British film: surely a classic to be recognised for years to come.