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Hazel (1853 KP) rated How to Stop Time in Books
Jun 30, 2017
Favourite book of 2017 so far
This eBook was provided by the publisher via NetGalley in exchange for an honest review
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
Acanthea Grimscythe (300 KP) rated The Motion of Puppets in Books
May 16, 2018
In Keith Donohue's modern retelling of Orpheus and Eurydice, The Motion of Puppets, we're introduced to a range of characters from a besotted husband and his missing wife, to an emotionally unstable puppet girl as the husband embarks on a journey to save his wife from eternity as a doll. For fans of mythology, this sounds like a great read and it is, without a doubt, beautifully written; however, when it comes to execution, the story fell flat.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Smashbomb (4683 KP) created a post in Smashbomb AMA
Mar 26, 2019 (Updated Mar 26, 2019)
Kristy H (1252 KP) rated The Fifth Letter in Books
Feb 13, 2018
Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Gareth von Kallenbach (980 KP) rated The Interpreter (2005) in Movies
Aug 14, 2019
In 1945, the leaders of the world formed a charter to create the United Nations in an attempt to prevent conflicts that resulted in the Second World War. Unlike the
League of Nations before it, the U.N. as it is often known has endured over time, and has seen its membership grow over the years.
In the new film The Interpreter, Nicole Kidman stars as Sylvia Broom, an interpreter at the U.N. who spends her days translating various languages into English during various meetings and assemblies.
One evening Sylvia returns to the U.N. after hours to retrieve a bag that she had left in a sound booth. Unexpectedly, Sylvia hears a whispered conversation over the speakers in an African dialect know only to a few people, herself being one of them.
Despite some reservations Sylvia does not report her discovery until the following morning, when some odd circumstances come into play. Chief amongst them is the discovery that the person referred to in the conversation as “The Teacher” is very likely a controversial African leader who is on his way to address the U.N. in an effort to avoid being placed on trial by the World Court for atrocities.
Assigned to investigate the case is Tobin Keller (Sean Penn), an F.B.I. agent who has recently lost his wife and despite his grief, is throwing himself into his work. Tobin is skeptical over Sylvia’s report as he finds it odd that she just happened to overhear a conversation in a language that only a handful of people in the country, she included could understand. Tobin’s instincts tell him that this is simply a ploy to cancel the pending visit allowing political rivals to claim power in the absence of the African leader.
Under the thought that it is better to be safe than sorry, Tobin begins to investigate the case, and soon has far more questions than answers. It becomes clear that Sylvia is hiding something, and may indeed have a connection to the plot.
When Sylvia reports a break in and a masked figure on her balcony, Tobin and his team set up surveillance of Sylvia in an effort to get to the bottom of the plot With time definitely not on their side, more questions than answers keep emerging especially when prime suspects begin to vanish, and later turn up dead, or become victims in a horrific act of terrorism leaving Tobin to put the pieces together and protect the African leader at all costs.
While the film has a good premise and cast, it is sunk by a very dull and plodding plot, that drags on for over two hours and fails to pay off. The film could easily have had thirty minutes trimmed from its running time and not lost much of the story. While this may be a matter of stylistic preference what cannot be overlooked are the films glaring lack of tension or suspense and the sad lack of chemistry between Kidman and Penn. While theirs is not a romantic relationship, Penn seems as if he is being restrained as his part does not allow his talents to show.
The same goes for Kidman, who seems to be having trouble with her accents, as she flips between American, and African tinted accents throughout the film and seems at times to be simply going through the motions.
What is most puzzling to me is how a gifted director like Sydney Pollack allows the film to go on and on without any suspense or real dynamic to the story. It just keeps plodding along and never seems to go anywhere. It does not build up to the finale, it just happens and with some uninspired twists. It was very obvious to me from the start of the film who was behind the plot. There are some red herrings in the film but they seem tacked on rather than natural elements to the plot.
League of Nations before it, the U.N. as it is often known has endured over time, and has seen its membership grow over the years.
In the new film The Interpreter, Nicole Kidman stars as Sylvia Broom, an interpreter at the U.N. who spends her days translating various languages into English during various meetings and assemblies.
One evening Sylvia returns to the U.N. after hours to retrieve a bag that she had left in a sound booth. Unexpectedly, Sylvia hears a whispered conversation over the speakers in an African dialect know only to a few people, herself being one of them.
Despite some reservations Sylvia does not report her discovery until the following morning, when some odd circumstances come into play. Chief amongst them is the discovery that the person referred to in the conversation as “The Teacher” is very likely a controversial African leader who is on his way to address the U.N. in an effort to avoid being placed on trial by the World Court for atrocities.
Assigned to investigate the case is Tobin Keller (Sean Penn), an F.B.I. agent who has recently lost his wife and despite his grief, is throwing himself into his work. Tobin is skeptical over Sylvia’s report as he finds it odd that she just happened to overhear a conversation in a language that only a handful of people in the country, she included could understand. Tobin’s instincts tell him that this is simply a ploy to cancel the pending visit allowing political rivals to claim power in the absence of the African leader.
Under the thought that it is better to be safe than sorry, Tobin begins to investigate the case, and soon has far more questions than answers. It becomes clear that Sylvia is hiding something, and may indeed have a connection to the plot.
When Sylvia reports a break in and a masked figure on her balcony, Tobin and his team set up surveillance of Sylvia in an effort to get to the bottom of the plot With time definitely not on their side, more questions than answers keep emerging especially when prime suspects begin to vanish, and later turn up dead, or become victims in a horrific act of terrorism leaving Tobin to put the pieces together and protect the African leader at all costs.
While the film has a good premise and cast, it is sunk by a very dull and plodding plot, that drags on for over two hours and fails to pay off. The film could easily have had thirty minutes trimmed from its running time and not lost much of the story. While this may be a matter of stylistic preference what cannot be overlooked are the films glaring lack of tension or suspense and the sad lack of chemistry between Kidman and Penn. While theirs is not a romantic relationship, Penn seems as if he is being restrained as his part does not allow his talents to show.
The same goes for Kidman, who seems to be having trouble with her accents, as she flips between American, and African tinted accents throughout the film and seems at times to be simply going through the motions.
What is most puzzling to me is how a gifted director like Sydney Pollack allows the film to go on and on without any suspense or real dynamic to the story. It just keeps plodding along and never seems to go anywhere. It does not build up to the finale, it just happens and with some uninspired twists. It was very obvious to me from the start of the film who was behind the plot. There are some red herrings in the film but they seem tacked on rather than natural elements to the plot.
Darren (1599 KP) rated Hustlers (2019) in Movies
Nov 28, 2019
Verdict: Stylish Crime Story
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
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