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Mark @ Carstairs Considers (2165 KP) rated The Big Kahuna in Books
Jun 5, 2019
The Big Letdown
Unlikely duo FBI agent Kate O’Hare and former (maybe) conman Nick Fox have been asked to look for a tech billionaire known to pretty much everyone as The Big Kahuna. He disappeared a few days ago, but Kate and Nick are shocked to find that both his wife and his business partner are already hoping to have him declared dead. Kate and Nick aren’t willing to declare him dead yet; they think he might be hiding out in Hawaii. With Kate’s father and Cosmo, another FBI agent, tagging along, they set out to see if they can find him. However, it appears someone wants The Big Kahuna dead. Can they find him in time? Or will they lead the killers right to him?
The last book in this series was three years and a different co-author ago, and it shows. Nick and Kate are shadows of themselves, with Kate going to Nick for plans on everything instead of them working as partners. Their romantic relationship has gone back several books, too, and yet they don’t appear to be hiding the fact that they work together professionally. Kate’s dad is just a caricature now, and the new characters are one note jokes, per se, which makes spending so much time with them painful. While the plot does include a couple of small cons, it is nowhere near as elaborate and therefore fun as the previous books. Really, any group of characters could have been the stars of this plot. The pacing is uneven, especially early on when we get travelogues of Hawaii. We could have easily cut 30 pages without noticing at all, and in a book that already reads short, that is saying something. I did get hooked as I went along, but I think the flaws would have been more frustrating if I hadn’t been able to knock the book out in a couple of days. I borrowed this book from my local library, but I’m not sure even that price (free) will be enough to get me to come back if Nick and Kate have any more adventures.
The last book in this series was three years and a different co-author ago, and it shows. Nick and Kate are shadows of themselves, with Kate going to Nick for plans on everything instead of them working as partners. Their romantic relationship has gone back several books, too, and yet they don’t appear to be hiding the fact that they work together professionally. Kate’s dad is just a caricature now, and the new characters are one note jokes, per se, which makes spending so much time with them painful. While the plot does include a couple of small cons, it is nowhere near as elaborate and therefore fun as the previous books. Really, any group of characters could have been the stars of this plot. The pacing is uneven, especially early on when we get travelogues of Hawaii. We could have easily cut 30 pages without noticing at all, and in a book that already reads short, that is saying something. I did get hooked as I went along, but I think the flaws would have been more frustrating if I hadn’t been able to knock the book out in a couple of days. I borrowed this book from my local library, but I’m not sure even that price (free) will be enough to get me to come back if Nick and Kate have any more adventures.
Charlie Cobra Reviews (1840 KP) rated Child's Play (2019) in Movies
Jul 7, 2020
Predictably Gruesome, But Entertaining
Child's Play is a 2019 slasher/horror movie directed by Lars Klevberg and written by Tyler Burton Smith. It was produced by Orion Pictures, KatzSmith Productions, and BRON Creative and distributed by United Artists Releasing. The film stars Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, and Mark Hamill.
A revolutionary line of high-tech dolls, designed to be life-long companions to their owners, called Buddi, is launched by the Kaslan Corporation. Buddi dolls learn from their surroundings and act accordingly by connecting and operating other Kaslan products making it a success with children world wide. Before committing suicide after being fired at a Buddi assembly plant in Vietnam, an employee disables all of the doll's safety protocols on the doll he is assembling. In Chicago, Karen Barclay (Aubrey Plaza), a retail clerk, encourages her son, Andy (Gabriel Bateman), to make new friends as she prepares for his upcoming birthday. She blackmails her boss to procure a Buddi doll as an early birthday gift but once Andy activates it, the doll begins to display violent tendencies.
This movie was pretty good, and that goes for remakes/reboots. I think everyone has seen a bad Chucky movie and this is not one. I really didn't like the redesign or new look of the Chucky doll but it grew on me as the movie progressed. Also I guess I'm just so used to his voice being different, that I also didn't think Mark Hamill's voice fit either, until the movie progressed further. I agree with certain critics that complained about the inconsistent tone, and how it lacked the principal's perverse originality. It definitely didn't have the me vibe of the original but I like how it made it, its own thing. But I think this was a very successful remake. The acting from Gabriel Bateman was really good and I wound up really liking Mark Hamill's performance as well. He actually made me feel sorry for the doll. I give this movie a 7/10. And I say you should definitely check it out, especially if you are a fan of the Child's Play movies.
A revolutionary line of high-tech dolls, designed to be life-long companions to their owners, called Buddi, is launched by the Kaslan Corporation. Buddi dolls learn from their surroundings and act accordingly by connecting and operating other Kaslan products making it a success with children world wide. Before committing suicide after being fired at a Buddi assembly plant in Vietnam, an employee disables all of the doll's safety protocols on the doll he is assembling. In Chicago, Karen Barclay (Aubrey Plaza), a retail clerk, encourages her son, Andy (Gabriel Bateman), to make new friends as she prepares for his upcoming birthday. She blackmails her boss to procure a Buddi doll as an early birthday gift but once Andy activates it, the doll begins to display violent tendencies.
This movie was pretty good, and that goes for remakes/reboots. I think everyone has seen a bad Chucky movie and this is not one. I really didn't like the redesign or new look of the Chucky doll but it grew on me as the movie progressed. Also I guess I'm just so used to his voice being different, that I also didn't think Mark Hamill's voice fit either, until the movie progressed further. I agree with certain critics that complained about the inconsistent tone, and how it lacked the principal's perverse originality. It definitely didn't have the me vibe of the original but I like how it made it, its own thing. But I think this was a very successful remake. The acting from Gabriel Bateman was really good and I wound up really liking Mark Hamill's performance as well. He actually made me feel sorry for the doll. I give this movie a 7/10. And I say you should definitely check it out, especially if you are a fan of the Child's Play movies.
Ali A (78 KP) rated Black Buck in Books
Jan 5, 2021
Black Buck follows the story of Darren Vender, an unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother. He’s happy with his Mom, his long term girlfriend, Soraya, his best friend Jason, and Mr. Rawlings, the man who’s lived on the first floor of his house since before he was born. Darren is even content with just being a shift manager at Starbucks. But his Mom wants nothing more than for Darren to live up to his potential. So when Rhett Daniels, the CEO of Sumwun, New York’s newest tech startup, invites Darren to join the elite team on the thirty-sixth floor, Darren agrees.
Quickly finding out he’s the only Black person in the company and after enduring a “hell week” of training, Darren gets the new name “Buck”, and turns himself into an impressive salesman who becomes unrecognizable to his friends and family. But after a tragic event back home, Buck feels like he hit rock bottom and he begins to make plans to help young people of color make their way into the sales force and it forever changes the game.
This is Mateo Askaripour’s debut novel and what a talent he is! He definitely takes you on a journey that is wild and crazy. This book deals with a lot, the narrator, Buck, puts it all out on the table for the readers to read and experience: racism, gentrification, white privilege, classism, etc.
The story is told with small “notes” from Buck, who is talking to you from a later time. The little notes really make the novel unique and sometimes even funny. There are many characters and many events that keep the story going and growing. You know it’s all somehow going to blow up, because there are so many ways it could, but how it does is the shock.
This book was not what I expected at all and for that I am glad. I will for sure be keeping Mateo Askaripour on my radar for anything he releases in the future.
*Thank you Bookishfirst and HMH Publishing for an ARC copy of this book in exchange for an honest review
Quickly finding out he’s the only Black person in the company and after enduring a “hell week” of training, Darren gets the new name “Buck”, and turns himself into an impressive salesman who becomes unrecognizable to his friends and family. But after a tragic event back home, Buck feels like he hit rock bottom and he begins to make plans to help young people of color make their way into the sales force and it forever changes the game.
This is Mateo Askaripour’s debut novel and what a talent he is! He definitely takes you on a journey that is wild and crazy. This book deals with a lot, the narrator, Buck, puts it all out on the table for the readers to read and experience: racism, gentrification, white privilege, classism, etc.
The story is told with small “notes” from Buck, who is talking to you from a later time. The little notes really make the novel unique and sometimes even funny. There are many characters and many events that keep the story going and growing. You know it’s all somehow going to blow up, because there are so many ways it could, but how it does is the shock.
This book was not what I expected at all and for that I am glad. I will for sure be keeping Mateo Askaripour on my radar for anything he releases in the future.
*Thank you Bookishfirst and HMH Publishing for an ARC copy of this book in exchange for an honest review
LeftSideCut (3778 KP) rated Iron Man 3 (2013) in Movies
Sep 27, 2020
Full disclosure - I hated Iron Man 3 upon release. As a kid, growing up and reading Marvel comics, I was so excited to finally see The Mandarin bought to life, with Ben Kingsley of all people in the role. So when the Mandarin twist hit just over halfway through the runtime, it annoyed me so much that I just couldn't enjoy the rest of the film.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
Kelly Knows (95 KP) rated Child's Play (2019) in Movies
Jun 25, 2019
New Chucky Is My Favorite Chucky
I am a reborn Chucky fan after the wonderful 2019 reimagining that is Child's Play. It is not easy to follow a long-standing series with a history of both slasher success, and campy catastrophe. Child's Play is a fresh new story that puts a much-needed spin on a franchise that frankly had been run into the ground. At its heart, this movie is exactly what it is supposed to be, a thrilling tale of a killer doll run amok. Though I imagine some diehard fans are inevitably going to be disappointed, I call this a resounding win. I wasn't a fan of the Chucky design at first, but it won me over later during a hilarious teaching moment between Andy and his pal in the first act. The lighting and camera work are solid, with a haunting, playful score that draws out the tension like a blade. Parents be warned, there is plenty of brutality, and no shying from gore. Even jaded millennial kids should wait to see this one. The story is a fantastic satire of all things electronically assisted, and paints a believable portrait with bloody overtones. The thrilling premise really shines due to the superior talents of the cast and crew. Aubrey Plaza brings weight to a character that is almost unceremoniously sidelined for most of the movie. The real celebration is Gabriel Bateman's performance as Andy Barclay. The slower paced moments settle a pall of tension over events as you share in Andy's isolation and later persecution. The supporting cast won me over entirely. Even the cannon fodder characters are awesome, with a pleasant dose of likability that gives them depth, with varying levels of unpleasantness that will have you tongue in cheek rooting for Chucky at times. Good stories are enjoyable. Check. Great stories get us thinking. Double check. When top-tier tech meets malicious malfunction, Chucky will have us all asking ourselves... "Are you broken like me?
BankofMarquis (1832 KP) rated Kimi (2022) in Movies
Feb 22, 2022
Better-Than-Average, but nothing more
Oscar winning Director Steven Soderbergh (TRAFFIC) could rightfully be called the current “Master of Suspense” as most of his films fall into the “Psychological Drama” category - and his latest HBO MAX film, KIMI, is a perfectly ordinary entry in his catalogue.
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5674 KP) rated Beautiful Shining People in Books
Aug 5, 2023
“”Beautiful, shining kami in the sky. All different. All unique. Just like us”…After that, whenever we went camping, I would always tell my parents I couldn’t wait until nightfall so I could see the beautiful shining people in the sky.”
I honestly didn’t know what to expect when I started reading this, but I quickly realised that I was loving what I was reading. I do like both speculative and science fiction, so I knew we’d be off to a good start.
This is so much more though. It’s about relationships, both with others and oneself. It’s about loneliness, feeling cut off from others and trying to make a connection.
Both John, a young American tech genius, and Neotnia, are loners. Neither of them want to be alone. John is trying to escape his past and his past self, and Neotnia wants to find her past. They’re both very caring, likeable characters, Neotnia in particular, especially in her interactions with the elderly residents of a home she volunteers at.
My particular favourite was the cafe owner and Neotnia’s guardian - Goeido. He has an interesting and sad past as a Sumo, and this is probably the reason why he is so protective towards Neotnia.
Some of the themes have their place in our society too. The rise of AI, tense relationships between superpowers, terrorist attacks, deep fakes, cyber attacks, fake news - all of these affect us today.
Tokyo as a setting was inspired. All of the AI and robots didn’t seem out of place. I mean, we expect them there, don’t we? Robots taking your order in a fast food restaurant and helping you with directions in the street seem not too far a reach of the imagination in Japan (you can probably tell I’ve never been there!).
The last chapter or so, was so powerful. It was sad and explained all of what had gone before. It was emotional, and the ending was perfect.
Many, many thanks to Orenda for sending me a copy as a part of their book club. I’m really glad I read it!
I honestly didn’t know what to expect when I started reading this, but I quickly realised that I was loving what I was reading. I do like both speculative and science fiction, so I knew we’d be off to a good start.
This is so much more though. It’s about relationships, both with others and oneself. It’s about loneliness, feeling cut off from others and trying to make a connection.
Both John, a young American tech genius, and Neotnia, are loners. Neither of them want to be alone. John is trying to escape his past and his past self, and Neotnia wants to find her past. They’re both very caring, likeable characters, Neotnia in particular, especially in her interactions with the elderly residents of a home she volunteers at.
My particular favourite was the cafe owner and Neotnia’s guardian - Goeido. He has an interesting and sad past as a Sumo, and this is probably the reason why he is so protective towards Neotnia.
Some of the themes have their place in our society too. The rise of AI, tense relationships between superpowers, terrorist attacks, deep fakes, cyber attacks, fake news - all of these affect us today.
Tokyo as a setting was inspired. All of the AI and robots didn’t seem out of place. I mean, we expect them there, don’t we? Robots taking your order in a fast food restaurant and helping you with directions in the street seem not too far a reach of the imagination in Japan (you can probably tell I’ve never been there!).
The last chapter or so, was so powerful. It was sad and explained all of what had gone before. It was emotional, and the ending was perfect.
Many, many thanks to Orenda for sending me a copy as a part of their book club. I’m really glad I read it!
Gareth von Kallenbach (977 KP) rated Venom (2018) in Movies
Jun 19, 2019
If you can manage to throw away what you know about the Marvel Comic book story of Venom, you’ll enjoy this movie immensely. After a successful re-launching of the Spiderman series, it’s no surprise Sony Pictures would capitalize and develop a Venom spin-off.
Venom follows investigative journalist Eddie Brock (Tom Hardy), who’s living life in San Francisco with his fiancé Annie (Michelle Williams) after being blacklisted by all media outlets in New York for his outlandish attempts at digging for the truth to his stories. Eddie, with his inability to follow protocol and keep boundaries, he steals confidential information from his fiancé’s computer, loses the only job willing to hire him, and tries to bring down the
powerful Carlton Drake (Riz Ahmed), famed bio-tech entrepreneur. Behind the façade of Drake’s disease curing company, Life Foundation, Drake’s major motive is to bond with alien creatures called symbiotes in hopes of recreating the human by providing them with the ability to survive in space. He managed to send a rocket into space and return 4 symbiotes which he tests on human’s killing 2 of the symbiotes and leaving one to escape and the last one to test on himself. Realizing the amount of power he gets from the merging of the two species, Drake decides he wants to head back into space and bring back more symbiotes
With nothing left to lose, Brock breaks into the Life Foundation and ends up becoming infected by one of the last 2 symbiotes which eventually introduces itself to Brock as Venom. With Venom inhabiting Eddie’s body, they become an unlikely human killing machine each trying to keep to their species capabilities. This unusual pairing consists of quick witted banter, with each trying to upstage the other.
As the two begin to spend some quality time “together,” they realize they aren’t much different. They figure out a way to co-exist all for the sake of saving the human race.
A fast-paced superhero movie that keeps you on the edge of your seat, laughing out loud, and completely entertained. The character development is a bit lacking, however the action sequences, and the comradery between our morphed superhero makes up for some of the holes in the story line.
http://sknr.net/2018/10/05/venom/
Venom follows investigative journalist Eddie Brock (Tom Hardy), who’s living life in San Francisco with his fiancé Annie (Michelle Williams) after being blacklisted by all media outlets in New York for his outlandish attempts at digging for the truth to his stories. Eddie, with his inability to follow protocol and keep boundaries, he steals confidential information from his fiancé’s computer, loses the only job willing to hire him, and tries to bring down the
powerful Carlton Drake (Riz Ahmed), famed bio-tech entrepreneur. Behind the façade of Drake’s disease curing company, Life Foundation, Drake’s major motive is to bond with alien creatures called symbiotes in hopes of recreating the human by providing them with the ability to survive in space. He managed to send a rocket into space and return 4 symbiotes which he tests on human’s killing 2 of the symbiotes and leaving one to escape and the last one to test on himself. Realizing the amount of power he gets from the merging of the two species, Drake decides he wants to head back into space and bring back more symbiotes
With nothing left to lose, Brock breaks into the Life Foundation and ends up becoming infected by one of the last 2 symbiotes which eventually introduces itself to Brock as Venom. With Venom inhabiting Eddie’s body, they become an unlikely human killing machine each trying to keep to their species capabilities. This unusual pairing consists of quick witted banter, with each trying to upstage the other.
As the two begin to spend some quality time “together,” they realize they aren’t much different. They figure out a way to co-exist all for the sake of saving the human race.
A fast-paced superhero movie that keeps you on the edge of your seat, laughing out loud, and completely entertained. The character development is a bit lacking, however the action sequences, and the comradery between our morphed superhero makes up for some of the holes in the story line.
http://sknr.net/2018/10/05/venom/