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A singing sensation who steals hearts. The wannabe guitarist who worships him. Can true love survive...
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Lee (2222 KP) rated Max Winslow and the House of Secrets (2019) in Movies
Oct 13, 2020
Max Winslow and the House of Secrets is a family film, very much in the vein of Charlie and the Chocolate Factory. Maxine Winslow (Sydne Mikelle), or Max for short, is our Charlie Bucket, coming from a single-parent family and living with a mother who is struggling with debt. Tech-savvy Max is also a skilled hacker, demonstrating this by taking control of her neighbours video doorbell and making it ring so that he comes running outside. Kind of like a modern-day Knock-Down Ginger.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
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Billie Wichkan (118 KP) rated A Single Source in Books
May 22, 2019
Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
This was a fun, quirky, and cute graphic novel that I absolutely adored.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.
Cyn Armistead (14 KP) rated Fantasy in Death (In Death, #30) in Books
Mar 1, 2018
<i>Fantasy in Death</i> is an interesting take on the death-by-gaming plot that has previously been done by a couple of fantasy and science fiction authors, most notably in Niven and Barnes' Dream Park series. I doubt that most of Robb's readers will be familiar with the other books, as they're probably coming from the romance world (crossing over from her Nora Roberts titles) instead of the science fiction genre.
What hit me the most, though, was nostalgia for the dot com boom. The portrayal of the hot start-up company with its open, cheerful offices full of tech toys and energy, well-paid employees on fire with ideas and enthusiasm happily burning the midnight oil to work on exciting projects—I remember those days! Okay, the technology wasn't as advanced as the stuff in the book, but I can relate.
I always enjoy the portrayal of Dallas and Roarke's relationship as a mature partnership. It is a bit clich&ecuted at this point that every case has some aspect that justifies bringing in Roarke as a civilian consultant, but it's part of the formula. The sex is somewhat paint by numbers by now, too, but as prolific as Robb/Roberts is, I'm wondering if she has templates for different series and she has her own <a href="http://en.wikipedia.org/wiki/Stratemeyer_Syndicate">Stratemeyer Syndicate</a>-type operation going on somewhere. (I've never read anything but the Eve Dallas books, so please take that as the joke it's meant to be!)
I was a little disappointed in the reveal, as I felt that the bad guy was too obvious. I won't say more, as I don't want to give anything away. I'll probably continue reading the series, but I'm past feeling an urgent need to grab them as soon as they come out, and this definitely isn't one of the few series that I could re-read and enjoy.
What hit me the most, though, was nostalgia for the dot com boom. The portrayal of the hot start-up company with its open, cheerful offices full of tech toys and energy, well-paid employees on fire with ideas and enthusiasm happily burning the midnight oil to work on exciting projects—I remember those days! Okay, the technology wasn't as advanced as the stuff in the book, but I can relate.
I always enjoy the portrayal of Dallas and Roarke's relationship as a mature partnership. It is a bit clich&ecuted at this point that every case has some aspect that justifies bringing in Roarke as a civilian consultant, but it's part of the formula. The sex is somewhat paint by numbers by now, too, but as prolific as Robb/Roberts is, I'm wondering if she has templates for different series and she has her own <a href="http://en.wikipedia.org/wiki/Stratemeyer_Syndicate">Stratemeyer Syndicate</a>-type operation going on somewhere. (I've never read anything but the Eve Dallas books, so please take that as the joke it's meant to be!)
I was a little disappointed in the reveal, as I felt that the bad guy was too obvious. I won't say more, as I don't want to give anything away. I'll probably continue reading the series, but I'm past feeling an urgent need to grab them as soon as they come out, and this definitely isn't one of the few series that I could re-read and enjoy.