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Disorder (Maryland) (2015)
Disorder (Maryland) (2015)
2015 | Thriller
"๐˜'๐˜ท๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ธ๐˜ข๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜จ๐˜ถ๐˜ช๐˜ฅ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ฃ๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ
๐˜Š๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜ฏ๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ญ ๐˜ฎ๐˜ข๐˜ฏ?
๐˜“๐˜ฐ๐˜ด๐˜ฆ ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด, ๐˜ด๐˜ฑ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ด๐˜ถ๐˜ญ๐˜ต๐˜ด, ๐˜ญ๐˜ฆ๐˜ข๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ข๐˜บ
๐˜'๐˜ท๐˜ฆ ๐˜จ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฑ๐˜ช๐˜ณ๐˜ช๐˜ต, ๐˜ญ๐˜ฐ๐˜ด๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ
๐˜›๐˜ข๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฐ๐˜ค๐˜ฌ ๐˜ข๐˜ธ๐˜ข๐˜บ"

- "Disorder", Joy Division 1979

Sort of like if ๐˜›๐˜ฉ๐˜ฆ ๐˜Ž๐˜ถ๐˜ฆ๐˜ด๐˜ต existed in the same universe as ๐˜‹๐˜ณ๐˜ช๐˜ท๐˜ฆ. Not too much you haven't seen before but a total technical marvel - very few times before has a camera been *this* intrinsically linked to a character's psyche: constantly shifting focus, shifting in and out of reality, overanalyzing every little minutia to the point of near blinding anxiety - if it isn't a threat yet it'll be hyperfocused on until it becomes one, real or not. The sort of moviemaking that makes you second guess everything you just saw right through to its bone-chilling ending. That being said it does strain in the home stretch but not only is this sort of stylish, synthy slow burn thriller inherently fun to me - but it says something interesting when the only time this settles down is during the kind of dangerous situation this character is scrambling to find, only in moments of repose do things become truly jangled - where "the calm before the storm" *is* the storm, and vice-versa. Schoenaerts is incredible in it, the type of towering, volatile performance that makes you break a sweat. Every time this guy moves suddenly it about makes my heart stop and when he finally cracks a genuine smile an hour+ in it's a momentous occasion. At first you may think (not so unjustifiably given Hollywood's history with PTSD) that the title is a reductive swipe at his affliction, but as the movie progresses you realize it signifies his commanding search for some semblance of order in his life. Far from flawless but for the most part precisely what I was hoping for out of it.
  
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Lenard (726 KP) rated Soul (2020) in Movies

Dec 26, 2020  
Soul (2020)
Soul (2020)
2020 | Adventure, Animation, Comedy
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
  
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