"Probably the most famous countertenor of the 20th century – unless you count Frankie Valli – was the wonderful Alfred Deller, a major figure in the revival of original performance techniques for early and Baroque music. When I was a child we had this album,so I grew up thinking everyone knew and loved 'Where The Bee Sucks' and 'We Be Soldiers Three'. The liner notes, at least on the CD version, are woefully inadequate (who wrote what? when? for which play? Did Henry VIII really write 'Greensleeves'?) but the music is lovely. "

"Over the years I’ve collected dozens of how-to and instruction manuals for knitting techniques, but Stitch ‘n Bitch is the one knitting book I come back to time-and-time again. Written by the cofounder of the third-wave feminist magazine BUST, the pages are filled with puns and simple to follow patterns including a skull and crossbone sweater, and the original pussy hat. This was the book that finally helped me learn to fix my mistakes, instead of frantically undoing hours of work. A must have for any practical knitting library."

"I saw this film in its original run, with foley artists, a live orchestra, and live narration by Crispin Glover, which was a profoundly unique cinematic experience. It is not often you see modern filmmakers experimenting with older techniques and to such great effect. Seeing it again on DVD, I found it equally incredible; its story about a fictional Guy Maddin is compelling. Guy has been a real influence on my film work, and his films just seem to get better and better. As a fellow Winnipegger, I can truly say that Canadians are very lucky to have him."

"I was also introduced to Michael Powell’s work during film school, and this one particularly blew my mind. I love when all the kids rush into the theater at the beginning to get good seats in the balcony. A title comes on-screen that reads, “45 minutes later,” but the shot never cuts or changes. From that point on, I knew I was in good hands. This film taught me that silent-film techniques could, and probably should, be employed in modern sound films. It has taken me several projects of my own to incorporate this lesson, but I’m getting there. I also love films about artists and the creative process."