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Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Gareth von Kallenbach (977 KP) rated Allegiant (2016) in Movies
Jun 19, 2019
The wall has been opened and residents seek to leave the city and see what lies beyond. This is cut short when a power grab arises as Four’s mother is putting people on trial for supporting the last regime and executions or a common place as mob mentality has arisen.
Risking it all, Tris, Four, and a few companions make a daring brake and discover a wasteland beyond the wall before being taken in by a seemingly ideal community under the leadership of David (Jeff Daniels). It is learned that via sophisticated technology, they have watched Tris and the others as well as their society for ages as they were conducting a social experiment to undo evils of the previous world which lead to war.
Tris is highly prized as she is seen as genetically pure and David hopes to find out why and how so it can be replicated for the betterment of humanity. Naturally things are not always as they appear and before long, Tris, Four, and the others are forced to pick sides especially with a civil war brewing back at home.
The movie has some decent visuals but relies on the characters to carry the film. In many ways this is the downfall of the film as Woodley simply does not emote and James is very one-dimensional. Only Miles Teller and Jeff Daniels show any real or sustained emotion throughout the film.
There is also the matter of plot holes such as a society which amazing surveillance technology but they could not see a fairly obvious and common effort used during the finale of the film.
The movie is setting up the finale which hopefully will bring some advancement and satisfying closure to the series and characters. For now the film is a flawed but at times entertaining entry which should keep fans happy until the final film arrives.
http://sknr.net/2016/03/18/divergent-series-allegiant-part-1/
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