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TapGlance Interior Design
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TapGlance is a powerful and intuitive interior design app. Within minutes and without any prior...
ForeverMap 2 - Worldwide Offline Maps and Online Maps
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No Marketing gloss, just facts now. A map with global coverage (OSM). You choose: online maps or...
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A true yoga app for beginners to advanced. Daily Yoga offers 500+ asanas, 50+ yoga class plans,...
Sassy Brit (97 KP) rated Connor's Gambit in Books
Jun 5, 2019
Connor’s Gambit by Z. Gottlieb is the first book I’ve received to review that’s in audible format, so this is quite a new experience for me, just like it’s the lead character Brad Johnson’s first adventure with aliens. And what a trip this is!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
Disclaimer: I received a copy of this book in exchange for an honest review.
I can't quite decide how to classify this book, although I kept telling people I was reading a crime thriller. But it's a little more than that, as Darren works to prevent crime by thwarting gang efforts in a place called The Orchard. He manages to do this by using a suit specifically designed to enhance his own abilities multiple times over, making him faster, stronger, and ultimately bullet-proof. The resulting encounters with criminals are sometimes hilarious when they see that they're basically fighting Iron Man.
I thoroughly enjoyed this book. There were aspects that got a little technical and went a little over my head, when Darren and Adam were explaining how they created the suit, what all software/technology went into it, etc., but it was still understandable enough to keep me in the story. Aside from that part, I was deeply engrossed in how Darren could pull of these feats, why he did it (when it got that part), and the little mini-stories from the perspective of the would-be victims, had he not stepped in to help. And I found myself reading the introduction over and over again (I even got my husband to read it), because I was just so fascinated at what can be done with technology now!! It really grabbed my attention, the first chapter sucked me in, and the rest of the book made sure to never let me go.
Finally, while not a major part, there's an exchange between Darren and Corrine about the difference between a justice system and a legal system, as well as one between Darren and a judge that involves such things as the psychology of the courtroom and law. I found both these discussions very interesting, as I majored in Forensic Psychology, and the term "justice system" was used quite often, often interchangeably with "legal system." To hear the two explained in stark contrast to one another and how they differ was something that really added to the story and bolstered Darren's cause, in my opinion. And to hear the judge talk about the theatrics of the courtroom and how it's all ritualistic and intimidating really got me thinking, as well. Kudos to the author for throwing those two bits of dialogue in the story.
5 stars, and I'd recommend this to anyone who likes a good off-the-beaten-path superhero story =)
I can't quite decide how to classify this book, although I kept telling people I was reading a crime thriller. But it's a little more than that, as Darren works to prevent crime by thwarting gang efforts in a place called The Orchard. He manages to do this by using a suit specifically designed to enhance his own abilities multiple times over, making him faster, stronger, and ultimately bullet-proof. The resulting encounters with criminals are sometimes hilarious when they see that they're basically fighting Iron Man.
I thoroughly enjoyed this book. There were aspects that got a little technical and went a little over my head, when Darren and Adam were explaining how they created the suit, what all software/technology went into it, etc., but it was still understandable enough to keep me in the story. Aside from that part, I was deeply engrossed in how Darren could pull of these feats, why he did it (when it got that part), and the little mini-stories from the perspective of the would-be victims, had he not stepped in to help. And I found myself reading the introduction over and over again (I even got my husband to read it), because I was just so fascinated at what can be done with technology now!! It really grabbed my attention, the first chapter sucked me in, and the rest of the book made sure to never let me go.
Finally, while not a major part, there's an exchange between Darren and Corrine about the difference between a justice system and a legal system, as well as one between Darren and a judge that involves such things as the psychology of the courtroom and law. I found both these discussions very interesting, as I majored in Forensic Psychology, and the term "justice system" was used quite often, often interchangeably with "legal system." To hear the two explained in stark contrast to one another and how they differ was something that really added to the story and bolstered Darren's cause, in my opinion. And to hear the judge talk about the theatrics of the courtroom and how it's all ritualistic and intimidating really got me thinking, as well. Kudos to the author for throwing those two bits of dialogue in the story.
5 stars, and I'd recommend this to anyone who likes a good off-the-beaten-path superhero story =)
Ross (3284 KP) rated Resistance in Books
Sep 20, 2018
Contains spoilers, click to show
A dystopian sci-fi tale in which people ("elementals") are split into 4 classes (air - artistic types, water - scientific types, fire - law-enforcing types, and earth - working class grunts) with a strict set of rules and beliefs to be followed. Any attempt to betray these rules would result in swift punishment by the peacekeepers.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Gareth von Kallenbach (977 KP) rated WarGames The Dead Code (2008) in Movies
Aug 14, 2019
It is hard to believe that 25 years have passed since a computer took the world to the edge of nuclear annihilation in “War Games” The film starring Matthew Broderick and Ally Sheedy was a cautionary tale about the dangers of taking the human factor about military decisions, and like films such as “The Terminator” a cautionary warning about dependence on technology.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
Best Tall Buildings: A Global Overview of 2015 Skyscrapers
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The CTBUH is the primary clearinghouse for data in the field of tall buildings, putting its...