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WarGames The Dead Code (2008)
WarGames The Dead Code (2008)
2008 | Action, Drama, Mystery
5
5.5 (2 Ratings)
Movie Rating
It is hard to believe that 25 years have passed since a computer took the world to the edge of nuclear annihilation in “War Games” The film starring Matthew Broderick and Ally Sheedy was a cautionary tale about the dangers of taking the human factor about military decisions, and like films such as “The Terminator” a cautionary warning about dependence on technology.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
  
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Laetitia Sadier recommended Halo by Juana Molina in Music (curated)

 
Halo by Juana Molina
Halo by Juana Molina
2017 | World
(0 Ratings)
Album Favorite

"I discovered this album quite recently and it transported me very much. I've had times in my life where I've wanted to go in a more electronic direction, and I find her work very inspiring because it's mostly electronic work, which she does a lot of on her own in terms of production and such, and at the same time it sounds very organic and connected to the earth. Not everybody can do that; to do electronics and make it sound like the earth. It's an art form. I just think it's perfect. The songs are incredibly creatively arranged and written; it's all there. It all seems very effortless even though I'm sure it's taken her a lot of work to get it that perfect. But it's seamless and you're transported from one song to the next. Some of the transitions are just so inspired; it's inspired and it's inspiring. It's rooted, and that gives it a sort of spiritual value which is lacking, and which we're losing. We live in a system that will seek to cut us off from our roots and cut us off from our connection with the universe. And that's our sense of direction, like the birds: they know when to migrate. They have this connection to the universe and that tells them, they have this sense that comes from the earth up, and we are losing this. But it's present in her album, this connection, in a very vivid way. And of course it's nourishing because it's pointing in that direction: this is where we connect to the earth, to our past, to our ancestors who knew so much. In the past 50 years we've unlearned so much. Our great-grandparents probably knew a lot about the land, where things come from and the cycles, and these are very important things so you aren't disoriented in this world. You have a sense of how things work in the natural world. There was probably less disorientation then than now, in terms of people consuming fewer antidepressants and things like that. Juana has this quality of being able to connect to ancestors and a whole knowledge that's been there for thousands of years and we're now cutting ourselves off from. I wouldn't blame it on the technology itself, but more on how it's being used, and to what ends. It's technology in the service of a system that will seek to disconnect, so we consume more and think less, creating desires for objects that we don't really need, and narcissism, and developing aspects of human traits that should really be kept in check."

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