"Of course taken from Do Androids Dream of Electric Sheep by Philip K. Dick, a short story, and like a lot of his books, it paints a world where technology has vastly outstripped our morality. We can create artificial beings that are every bit as human as we are, to any measurement, and yet we still treat them like a machine. What does that say about how human we are? I think in the age of cloning and bio-medicine that is exploding right now, with every month, it seems there is some new problem that is jeopardising our morality as human beings. It just seems like we should be very careful in the next hundred years. Philip’s very clever in saying this is what is going to happen, if we’re not careful. I also think it’s the best noir that doesn’t have to have gumshoes ever. He’s successfully made a noir in a new setting. One of my favourite things is the flying blimp with the picture of the Asian lady taking the pill in close-up. How perfect is that? We’re seeing those commercials now, where they say the side-effects maybe your hair falling out and so on. How they talked to Coca-Cola about the product placing on that building, I’ll never know. "

"I remember when I first heard Fear Of A Black Planet it was, again, one of those moments when you thought ‘this is something’. It was still at the relatively early stages of rap, but Chuck D was really onto something. The sound of the tracks – the rhythm units they were using with those tiny percussion sounds – was unlike anything I’d heard. That’s why I chose it. Jay-Z has made some great records, as has Dr. Dre but Fear Of A Black Planet changed things. We covered ‘911 Is A Joke’, which we got an enormous amount of flak for. Middle class white boys covering Public Enemy – what were they thinking? I can tell you the irony wasn’t lost on us. In fact, Flavor Flav loved our version, which was a huge thrill. Public Enemy were pioneers who went out on a limb and started something which has become the biggest paradigm shift in music that we have had in the last 25 years. You look at some of those songs and think about how many samples they contain – the list is enormous. But that sampling technology is something we’ve all used since. Public Enemy were inventors, as were others with the albums I’ve chosen. They moved music to a new place and that’s what turns me on."