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Kristy H (1252 KP) rated This is Home in Books
Sep 26, 2019
Libby lives with her father, Bentley (Bent to nearly everyone) and their oversized, lazy dog Rooster Cogburn. And then there's also her Aunts Lucy and Desiree, who live in the apartment above them. And now there's Quinn. Quinn's husband John and Bent served together in Iraq. Bent invites Quinn to live in the basement apartment after John goes missing, suffering from PTSD. Libby feels the place is crowded enough already. And Quinn's not too thrilled to be there either. But, before either of them realize it, they are thrust together and slowly become friends.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
Night Reader Reviews (683 KP) rated Fading in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Fading by Cindy Cipriano may not contain vampires or werewolves yet it still has a slightly supernatural/paranormal feel to it. This book is in a similar group as Twilight as a forbidden love book. Also, this is only the first book in a series that is expected to be three or four books long.
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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Laura (40 KP) rated Moxie: A Novel in Books
Oct 21, 2017
The Feminist Novel I wish I had as a teen.
Moxie, the book that I wish had been around when I was younger. The book that smashed my reading slump to smithereens. The book that I fiercely related to. Moxie is such an important read, a YA book that looks at everyday sexism, rape culture and feminism, while also telling a good story.
Something I really liked is that Vivian is not some perfect all-knowing feminist. She listens and learns to people, after the Moxie zine starts the conversation. Through these conversations between various characters, so much is discussed, taking advantage of different perspectives. There is this wonderful feeling of community, of support and safe spaces. The very concept of feminism is analysed, challenging the misconception held my many that feminism equals men hating, and exploring the stigma attached to the word ‘feminist’.
There is also a romance plotline running through the book. Vivian is attracted to new boy Seth, and she is even more interested when she realised that he is actually a nice guy, unlike so many other boys at school. He actually likes the Moxie zines, and shows his support for the movement. However he is not perfect, and sometimes he just does not get certain things. This opens the discussion that while a man can be a feminist, it is important to listen and learn about how everyday sexism effects women.
The overall message is about girls supporting each other, and Moxie being an inclusive movement for everyone. I loved that there was next to no girl hate in the novel, and that the way women and girls are pitted against each other was brought up and addressed. There are so many wonderful, empowering moments in this book, I used a lot of sticky notes to mark them all. Having said that, obviously this book deals with sexism, but it also covers sexual harassment, and sexual assault/attempted rape, which may be triggering for some readers. Please be aware of this going in, it’s addressed, there is an overall atmosphere of female empowerment and overcoming, but I don’t want anyone to get caught by surprise.
I wish this book had been around when I was in high school. I really wish it had been around for my younger sister, who had a similar experience with dress-code enforcement as shown in the book. This book is so powerful, and so important.
Something I really liked is that Vivian is not some perfect all-knowing feminist. She listens and learns to people, after the Moxie zine starts the conversation. Through these conversations between various characters, so much is discussed, taking advantage of different perspectives. There is this wonderful feeling of community, of support and safe spaces. The very concept of feminism is analysed, challenging the misconception held my many that feminism equals men hating, and exploring the stigma attached to the word ‘feminist’.
There is also a romance plotline running through the book. Vivian is attracted to new boy Seth, and she is even more interested when she realised that he is actually a nice guy, unlike so many other boys at school. He actually likes the Moxie zines, and shows his support for the movement. However he is not perfect, and sometimes he just does not get certain things. This opens the discussion that while a man can be a feminist, it is important to listen and learn about how everyday sexism effects women.
The overall message is about girls supporting each other, and Moxie being an inclusive movement for everyone. I loved that there was next to no girl hate in the novel, and that the way women and girls are pitted against each other was brought up and addressed. There are so many wonderful, empowering moments in this book, I used a lot of sticky notes to mark them all. Having said that, obviously this book deals with sexism, but it also covers sexual harassment, and sexual assault/attempted rape, which may be triggering for some readers. Please be aware of this going in, it’s addressed, there is an overall atmosphere of female empowerment and overcoming, but I don’t want anyone to get caught by surprise.
I wish this book had been around when I was in high school. I really wish it had been around for my younger sister, who had a similar experience with dress-code enforcement as shown in the book. This book is so powerful, and so important.
graveyardgremlin (7194 KP) rated Vesper (Deviants, #1) in Books
Feb 15, 2019
The start of VESPERS immediately caught my attention with the transcript of an interview with Emily Webb, the protagonist, and an agent of the mysterious Vesper Company. This led to the first chapter where no time is wasted getting straight to the story. Emily is every introverted, insecure, don't-make-a-scene-or-stand-out girl out there, which made her very relatable to me; as a teen, I was just like her. Her transformations into Nighttime Emily, as she called herself, were well-done but I felt the author could have stretched a little further than the "wild child" persona he gave Emily during those times. I got a bit bored when she was in that stage and liked when she went back to Daytime Emily, her normal self, much better. At first, I was a little disappointed in where the story actually went, mainly what Emily ended up being (and that's all I'm saying, no spoilers here), but I accepted and enjoyed it anyway. The middle of the book lagged and I was afraid it would end up an average read, with too much wild behavior and not as much development as I would have liked. However, toward the end the story picked up and kept me riveted; it's always a good thing for an author to end his or her book on a high note. This isn't a YA book with romance as its central focus, but it does have its place in the story and doesn't overwhelm the main plot. The book as a whole could have been deeper than it was, but it's still a good start to the Deviants series and opened up numerous possibilities, with many unanswered questions for future endeavors. The use of six or so transcripts interspersed throughout the book was a nice element and I quite enjoyed them; the entire book could have easily been written this way. This would probably appeal more to teenagers but some adults would enjoy it as well. I did. THE VESPERS is a breeze to read, briskly-paced, and has a few snicker-worthy moments; maybe it's not perfect, but it's far from bad and I had a good time reading it.
3.5 stars
Note: There is some graphic violence, only one scene really, but it's there.
3.5 stars
Note: There is some graphic violence, only one scene really, but it's there.
Kristy H (1252 KP) rated Carefully Everywhere Descending in Books
Feb 13, 2018
Audrey Anderson is a bright student from a low income family. Audrey spends most of her time focused on school, with college as her ultimate goal. While she's close to her best friend, she isn't that involved with other kids at her school. However, when one of the most popular (and beautiful) girls in school, Scarlett, asks Audrey to tutor her in English, Audrey finds herself caught up in the typical drama of high school - friendship, prom, etc.
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
mostlyinpyjamas (13 KP) rated Geekerella (Once Upon a Con #1) in Books
Nov 28, 2017
Fairytale meets fandom.
The blurb: ANYTHING CAN HAPPEN ONCE UPON A CON. When geek girl Elle Wittimer sees a cosplay contest sponsored by the producers of Starfield she has to enter.
First prize is an invitation to the Excelsicon Cosplay Ball and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot.
Elle’s been scraping together tips from her gig at the Magic Pumpkin food truck behind her stepmothers back, and winning this contest could be her ticket out once and for all. Not to mention a fan girls dream come true.
Teen actor Darien Freeman is less than thrilled about this year’s Excelsicon. He used to live for conventions, but know they’re nothing but jaw-aching photo sessions and awkward meet-and-greets.
Playing Federation Prince Carmindor is all he’s ever wanted, but the die-hard Starfield fandom has already dismissed him as just another heartthrob.
As Excelsicon draws near, closet nerd Darien feels more and more like a fake – until he meets a girl who shows him otherwise.
Part romance, part love letter to nerd culture, and all totally adorbs, GEEKERELLA is a fairy tale for anyone who believes in the magic of fandom. ~~
Fairytale meets fandom in this modern day retelling of Cinderella.
I am always here for a new take on a well loved story, and Ashley Poston has delivered a faithful to the original story that also makes for a good tale on its own right.
I have to start by saying look at that cover! When I saw it on the shelf in Waterstones *other bookshops are available* I knew I had to buy it.
I love the modern versions of the well known characters, Elle is a Starfield nerd. Her love of the classic tv show comes from her parents, who originally founded the Starfield convention.
Catherine, the stepmother, and the stepsisters, Chloe and Cal are perfectly spiteful as overwork and under appreciate Elle.
The prince in this version is Darien, a young Hollywood golden boy with insured abs, while the fairy godmother role is filled by Sage, the punk wannabe-fashion-designer. I love Sage!
There’s also a canine sidekick, Franco, a.k.a Frank the tank, any story that includes a very good boy has the makings of a winner for me.
Ashley Poston gives a nod to the coach from the original story with The magic pumpkin, Sage’s vegan food van and the ending is perfect with the ball and even the glass shoe.
Obviously we all know how Cinderella goes but Ashley Poston gets us to the end via a geek-tastic tale of fandoms, fan blogs, cosplay conventions and the movie making world.
The way that Elle and Darien begin to get to know each other via text makes for a sweet romance, each not knowing who the other is – Darien, who Elle doesn’t believe will make a good Carmindor, and Elle, being rebelgunner the blogger who slated Darien – I’ve seen some reviews saying it’s not realistic that they fall for each other via text, and so quickly, but it does happen, and anyway, come on! This is Cinderella, and in the original her and the prince fall in love after just a dance.
Geekerella is such a heartwarming story, it’s not often I read a book again, but this is one I’ll definitely turn to when I need cheering up.
I’m giving Geekerella 5/5 stars and I can’t wait to read more of Ashley Poston’s work. ⭐️⭐️⭐️⭐️⭐️
First prize is an invitation to the Excelsicon Cosplay Ball and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot.
Elle’s been scraping together tips from her gig at the Magic Pumpkin food truck behind her stepmothers back, and winning this contest could be her ticket out once and for all. Not to mention a fan girls dream come true.
Teen actor Darien Freeman is less than thrilled about this year’s Excelsicon. He used to live for conventions, but know they’re nothing but jaw-aching photo sessions and awkward meet-and-greets.
Playing Federation Prince Carmindor is all he’s ever wanted, but the die-hard Starfield fandom has already dismissed him as just another heartthrob.
As Excelsicon draws near, closet nerd Darien feels more and more like a fake – until he meets a girl who shows him otherwise.
Part romance, part love letter to nerd culture, and all totally adorbs, GEEKERELLA is a fairy tale for anyone who believes in the magic of fandom. ~~
Fairytale meets fandom in this modern day retelling of Cinderella.
I am always here for a new take on a well loved story, and Ashley Poston has delivered a faithful to the original story that also makes for a good tale on its own right.
I have to start by saying look at that cover! When I saw it on the shelf in Waterstones *other bookshops are available* I knew I had to buy it.
I love the modern versions of the well known characters, Elle is a Starfield nerd. Her love of the classic tv show comes from her parents, who originally founded the Starfield convention.
Catherine, the stepmother, and the stepsisters, Chloe and Cal are perfectly spiteful as overwork and under appreciate Elle.
The prince in this version is Darien, a young Hollywood golden boy with insured abs, while the fairy godmother role is filled by Sage, the punk wannabe-fashion-designer. I love Sage!
There’s also a canine sidekick, Franco, a.k.a Frank the tank, any story that includes a very good boy has the makings of a winner for me.
Ashley Poston gives a nod to the coach from the original story with The magic pumpkin, Sage’s vegan food van and the ending is perfect with the ball and even the glass shoe.
Obviously we all know how Cinderella goes but Ashley Poston gets us to the end via a geek-tastic tale of fandoms, fan blogs, cosplay conventions and the movie making world.
The way that Elle and Darien begin to get to know each other via text makes for a sweet romance, each not knowing who the other is – Darien, who Elle doesn’t believe will make a good Carmindor, and Elle, being rebelgunner the blogger who slated Darien – I’ve seen some reviews saying it’s not realistic that they fall for each other via text, and so quickly, but it does happen, and anyway, come on! This is Cinderella, and in the original her and the prince fall in love after just a dance.
Geekerella is such a heartwarming story, it’s not often I read a book again, but this is one I’ll definitely turn to when I need cheering up.
I’m giving Geekerella 5/5 stars and I can’t wait to read more of Ashley Poston’s work. ⭐️⭐️⭐️⭐️⭐️
Emma @ The Movies (1786 KP) rated Five Feet Apart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Firstly, I think it's nice to see a film partnering with a charity and bringing awareness to a wider audience. The advert for the charity before the film was a nice touch too.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Kirk Bage (1775 KP) rated Spider-Man: Far From Home (2019) in Movies
Oct 11, 2020 (Updated Jan 22, 2021)
I’m sure I wasn’t alone in the Summer of 2019 when Spider-Man: Far From Home was released in just needing a minute or two, maybe a couple of months, longer to catch my breath after Avengers: Engame, and what very much felt like an ending to the MCU plan that had been in motion since 2008. That climax was so satisfying and complete that the thought of any of them donning the costume and fighting bad guys again so soon felt wrong.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
Haley Mathiot (9 KP) rated Dancing on Broken Glass in Books
Apr 27, 2018
I think this is the best book I've read in a really long time.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.