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The Sky Is Pink (2019)
Movie
Twenty-five years in the relationship of a mother (Priyanka Chopra) and father (Farhan Akhtar) is...
Lee KM Pallatina (951 KP) rated Resident Evil: Welcome to Raccoon City (2021) in Movies
Feb 9, 2022 (Updated Feb 9, 2022)
Visual effects (4 more)
Casting choices
Over enthusiastic plot
Missing key plot points
Characteristic changes
The beginning of the end...
Contains spoilers, click to show
OK first of all I watched this movie with hope, after the original 6 Paul W.S Anderson movies were very hit and miss (although RE Apocalypse was epic) I had faith that this would be done right, and although I'd never thought I'd be one of those fans who points out numerous flaws in a videogame movie adaption, here we are...
Set in the fictional destination of Racoon City, the movie quickly introduces characters Claire Redfield, Chris Redfield, Leon. S. Kennedy, Jill Valentine and Albert Wesker amongst others.
The plot trotts along nicely for a short while before it begins racing between Two crammed together story's, RE1 & RE2 (with traces of RE3 plotted around).
Jumping between Claire and Leon wandering around RPD and Chris, Wesker and Jill lost wandering the halls of Spencer Mansion.
The visual effects are rather shoddy in places and the characters other than Claire seem to have a low IQ and a hard-on for danger.
The characters origin story's are unnecessary and mostly pointless, especially Leon's making them all seem like post grad high-school students.
There was no big bad showdown and no explanation or hint for the city's destruction other than 'umbrella fucked up'.
The direction is sloppy at best and everything is rushed, the characters looked almost nothing like their videogame counterparts and key plot points were missing throughout and the final scene looked like something from a teenage expendables movie...
I was unsure what to rate this but an overall out of 10, for me it's a 2.5.
As for this movie, my name is Lee, and I remember everything, lol.
Set in the fictional destination of Racoon City, the movie quickly introduces characters Claire Redfield, Chris Redfield, Leon. S. Kennedy, Jill Valentine and Albert Wesker amongst others.
The plot trotts along nicely for a short while before it begins racing between Two crammed together story's, RE1 & RE2 (with traces of RE3 plotted around).
Jumping between Claire and Leon wandering around RPD and Chris, Wesker and Jill lost wandering the halls of Spencer Mansion.
The visual effects are rather shoddy in places and the characters other than Claire seem to have a low IQ and a hard-on for danger.
The characters origin story's are unnecessary and mostly pointless, especially Leon's making them all seem like post grad high-school students.
There was no big bad showdown and no explanation or hint for the city's destruction other than 'umbrella fucked up'.
The direction is sloppy at best and everything is rushed, the characters looked almost nothing like their videogame counterparts and key plot points were missing throughout and the final scene looked like something from a teenage expendables movie...
I was unsure what to rate this but an overall out of 10, for me it's a 2.5.
As for this movie, my name is Lee, and I remember everything, lol.
Laura lou (304 KP) rated Halloween Kills (2021) in Movies
Nov 1, 2021
Gory. (1 more)
Good special effects
Plot holes (4 more)
Bad acting
Mistakes
Boring story
Ridiculously unrealistic
So many plot holes
Contains spoilers, click to show
Honestly one of the worst horror movies I’ve seen.
The acting throughout was so bad, particularly considering how high profile this movie series is.
There were multiple mistakes throughout, but the worst was during the mental patients fall from the hospital window. The camera switches to his point of view and you see the view he would have falling face first onto the floor, however when the camera switches back to a normal view he is lying face up on the floor. So unless he bounced and turned over this is a badly glaring mistake.
There were so many ridiculous plot holes but some of the worst were:
No parent would encourage teenage kids to join them, with weapons, on a manhunt for a seemingly indestructible mass murderer. It just would not happen.
Laurie had a major stomach surgery, no way would she be able to get up and run around the hospital like she did, even on pain killers.
And where did Vanessa go when she got out of the car and Michael began killing her husband and the others in the car. She had a gun, got out of the car and Michael was on the roof grabbing through the windows so why didn’t she at least try to shoot him. He was attacking her husband. She just seemingly disappeared then reappeared when he had done some killing..
All in all a poor film that I came so close to walking out of. The only reason I didn’t was because my partner thought I was joking she. I said let’s go home.
The acting throughout was so bad, particularly considering how high profile this movie series is.
There were multiple mistakes throughout, but the worst was during the mental patients fall from the hospital window. The camera switches to his point of view and you see the view he would have falling face first onto the floor, however when the camera switches back to a normal view he is lying face up on the floor. So unless he bounced and turned over this is a badly glaring mistake.
There were so many ridiculous plot holes but some of the worst were:
No parent would encourage teenage kids to join them, with weapons, on a manhunt for a seemingly indestructible mass murderer. It just would not happen.
Laurie had a major stomach surgery, no way would she be able to get up and run around the hospital like she did, even on pain killers.
And where did Vanessa go when she got out of the car and Michael began killing her husband and the others in the car. She had a gun, got out of the car and Michael was on the roof grabbing through the windows so why didn’t she at least try to shoot him. He was attacking her husband. She just seemingly disappeared then reappeared when he had done some killing..
All in all a poor film that I came so close to walking out of. The only reason I didn’t was because my partner thought I was joking she. I said let’s go home.
A Home Like Ours
Book
Tara Hooper is at breaking point. With two young children, a business in a town struggling under an...
Debbiereadsbook (1570 KP) rated Flare (Style #1) in Books
Apr 17, 2022
great start to a new series!
I was gifted my copy of this book via Booksprout.
This is the first in a new series by Hogan, set in and around a fashion store for men. As such, it lays down the setting for the series, and introduces us to a lot of people who need close attention paid to!
I liked this, I liked this a lot. Its very well told, with both Rhys and Beck having a say. I loved the supporting cast too, getting to knew new book people is far more enjoyable than getting to know new real people!
The way Hogan deals with Rhys' attack, and the aftermath that he is still dealing with all this time later is classic Hogan: VERY well written, dealt with VERY sensitively, extremely well researched and delivered in a way that doesn't overwhelm you with the techincal details.
So why 4 stars and not 5? I dunno, but I wrote 4 stars at the top of the page, and I can't make myself change it to 5, and that pains me so.
Because Rhys and Beck are PERFECT for each other: polar opposites, but very well suited. I loved that Beck keeps putting his foot in it with Rhys' and, I think, Rhys begins to like that. Loved that Beck was looking after his teenage nephew, while his mother is . . away (*spoilers!) Loved that Rhys has a whole host of friends, who may or may not know what happened all those years ago.
I loved that circle of friends, and the supporting cast, and I was putting together pairings cos I haven't paid too close attention to who might be next!
A really REALLY strong 4 star read, sorry I can't stretch!
*same worded review will appear elsewhere
This is the first in a new series by Hogan, set in and around a fashion store for men. As such, it lays down the setting for the series, and introduces us to a lot of people who need close attention paid to!
I liked this, I liked this a lot. Its very well told, with both Rhys and Beck having a say. I loved the supporting cast too, getting to knew new book people is far more enjoyable than getting to know new real people!
The way Hogan deals with Rhys' attack, and the aftermath that he is still dealing with all this time later is classic Hogan: VERY well written, dealt with VERY sensitively, extremely well researched and delivered in a way that doesn't overwhelm you with the techincal details.
So why 4 stars and not 5? I dunno, but I wrote 4 stars at the top of the page, and I can't make myself change it to 5, and that pains me so.
Because Rhys and Beck are PERFECT for each other: polar opposites, but very well suited. I loved that Beck keeps putting his foot in it with Rhys' and, I think, Rhys begins to like that. Loved that Beck was looking after his teenage nephew, while his mother is . . away (*spoilers!) Loved that Rhys has a whole host of friends, who may or may not know what happened all those years ago.
I loved that circle of friends, and the supporting cast, and I was putting together pairings cos I haven't paid too close attention to who might be next!
A really REALLY strong 4 star read, sorry I can't stretch!
*same worded review will appear elsewhere
Where to begin with this book? Well, first off, I thoroughly enjoyed it, and was lost in the story whilst I read - it’s very ‘all-consuming’. The main reason for that is that it’s completely out there! It’s unpredictable. I tried to think of another couple of words to go with that, but I can’t get any better than ‘unpredictable’ to be honest.
The pandemic of teenage suicides is disturbing, and reflects their despair at the state of the world left for them by previous generations. Parents with money think that they can prevent their childs’ suicide and cure their anxiety throwing money and anti-depressants at the ‘problem’, and sending them to an Anxiety Abatement Centre - and that’s how Simon meets the Prophet and Louise. And that’s where the quest begins.
It turns out that adults are responsible for more than Climate Change. You can add child abuse and big Pharma into the mix as well. And then there’s the political state of the country, where no party is any better than the other, and what’s more, they’re interchangeable. There was a lot of head nodding going on as I read.
And Noah Hawley breaks the 4th wall as he talks directly to the reader, talking about his thought process in writing the novel.
This book is a huge exaggeration of the state of the world, at the same time as it’s not. I hope it doesn’t come to the things that happen in Anthem, but we’ve seen snapshots of it on the news already.
It’s just the right level of crazy, believable, unbelievable, mind-blowing fiction that keeps me well-entertained. I know Noah Hawley is a screen writer, and I can see this as a film - hey, I’d watch it.
The pandemic of teenage suicides is disturbing, and reflects their despair at the state of the world left for them by previous generations. Parents with money think that they can prevent their childs’ suicide and cure their anxiety throwing money and anti-depressants at the ‘problem’, and sending them to an Anxiety Abatement Centre - and that’s how Simon meets the Prophet and Louise. And that’s where the quest begins.
It turns out that adults are responsible for more than Climate Change. You can add child abuse and big Pharma into the mix as well. And then there’s the political state of the country, where no party is any better than the other, and what’s more, they’re interchangeable. There was a lot of head nodding going on as I read.
And Noah Hawley breaks the 4th wall as he talks directly to the reader, talking about his thought process in writing the novel.
This book is a huge exaggeration of the state of the world, at the same time as it’s not. I hope it doesn’t come to the things that happen in Anthem, but we’ve seen snapshots of it on the news already.
It’s just the right level of crazy, believable, unbelievable, mind-blowing fiction that keeps me well-entertained. I know Noah Hawley is a screen writer, and I can see this as a film - hey, I’d watch it.
ClareR (6001 KP) rated Learned by Heart in Books
Sep 20, 2023
Learned by Heart is the fictionalised account of two women who really did exist: Eliza Raine and Anne Lister (also known as Gentleman Jack). I listened to the audiobook, and the narrator Shiromi Arserio, really brought the characters, all teenage girls for the most part, to life. Together with Emma Donoghue’s impeccable, compassionate writing, it made for an emotional and heartbreaking novel.
Both girls are outsiders: Eliza is an orphan of an English doctor and an Indian mother. Anne isn’t like any of the other girls, and doesn’t want to conform to expectations. They end up sharing a room and forge a close friendship. They eventually fall in love.
Anne is the person that Eliza is too shy to be. Eliza looks different - she’s darker skinned, and everyone knows that she was Indian. So she tries to avoid too much notice. Anne doesn’t care what anyone thinks of her. Together they are able to make school more bearable.
Interspersed in the story of their time at school are Eliza’s letters written to Anne. Letters that are never sent. Eliza is in an asylum at a point in the future, and she doesn’t want the doctors to know about her relationship with Anne. These were such desperately sad parts - Eliza has lost Anne, perhaps partly due to her illness.
I thought the writing reflected the emotional inner life of teenagers so well. The overwhelming emotions and the fact that these were still children who were being forced to act as adult women in a regimented, emotionless setting.
I loved this. It was meticulously researched, and this enriched the story right up to its heartbreaking end. This really is well worth a read (or a listen!).
Both girls are outsiders: Eliza is an orphan of an English doctor and an Indian mother. Anne isn’t like any of the other girls, and doesn’t want to conform to expectations. They end up sharing a room and forge a close friendship. They eventually fall in love.
Anne is the person that Eliza is too shy to be. Eliza looks different - she’s darker skinned, and everyone knows that she was Indian. So she tries to avoid too much notice. Anne doesn’t care what anyone thinks of her. Together they are able to make school more bearable.
Interspersed in the story of their time at school are Eliza’s letters written to Anne. Letters that are never sent. Eliza is in an asylum at a point in the future, and she doesn’t want the doctors to know about her relationship with Anne. These were such desperately sad parts - Eliza has lost Anne, perhaps partly due to her illness.
I thought the writing reflected the emotional inner life of teenagers so well. The overwhelming emotions and the fact that these were still children who were being forced to act as adult women in a regimented, emotionless setting.
I loved this. It was meticulously researched, and this enriched the story right up to its heartbreaking end. This really is well worth a read (or a listen!).
Young Elizabeth: Princess. Prisoner. Queen
10.0
Rate It
Book
Elizabeth I is one of England's most famous monarchs, whose story as the ‘Virgin Queen’ is well...
Downriver (Poison River #1)
Book
A sulfur sky poisoned her family and her heart. Now revenge tastes sweeter than justice. It’s...
Revenge Historical Fiction
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/