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See You Yesterday (2019)
See You Yesterday (2019)
2019 | Sci-Fi
7
6.8 (5 Ratings)
Movie Rating
A Fresh New Take On Classic Time Travel Film
See You Yesterday is a sci-fi movie directed by Stefon Bristol and written by Stefon Bristol and Fredrica Bailey. It was produced by Spike Lee and production company 40 Acres & A Mule Filmworks and distributed by Netflix. The film stars Eden Duncan-Smith, Dante Crichlow, Brian "Stro" Bradley, and Jonathan Nieves.


Two teenage prodigies, C.J. Walker (Eden Duncan-Smith) and her best friend, Sebastian Thomas (Dante Crichlow) spend every spare minute working on their latest homemade invention: backpacks that enable time travel. When one of their older brothers is killed, they put their unfinished project to the test to save him and face the perilous consequences of time travel.


This movie was very emotional. It didn't always make sense but it had a good narrative that sustained the entire film. This movie was equal parts very realistic and fantastically unreal. At its core, it's a story about grief and second chances. Who wouldn't want to go back in time and prevent a tragic event if they could. I mean that's what one of my favorite movies The Time Machine is all about. It also had a lot of social commentary. I believe the writer/director did an awesome job in this their directorial debut. Eden Duncan-Smith's acting was also top notch and really made you feel for her through her struggles and really brought to life a very relatable character. What I didn't like was that as smart as the kids were in the movie, and as good as the time travel logic was in making sense, to me it still wasn't believable that they would have been able to create time travel devices. Also the special effects weren't always the best but seemed to work well. But if you can get past that hiccup it is an emotional roller coaster and a surprising fresh take on a classic sci-fi trope. I give it a 7/10.
  
Office Grump
Office Grump
Nicole Snow | 2020 | Romance
8
8.0 (1 Ratings)
Book Rating
a bit too long (0 more)
This one starts with Sabrina late for work after missing her bus only to be told they're letting her go from her position due to "right-sizing" - her bosses term for down sizing - and she heads to her favourite coffee shop for a commiseration bear claw and cinnamon coffee that she consumes on her favourite park bench. Only she gets interrupted by the attractive but grumpy Magnus Heron who wants the bench for his work. Neither leaves the best impression on the other but it does linger and Magnus decides the feisty girl may just be the perfect person for his EA position. Sabrina grudgingly takes the job but as they get to know each other feelings begin to emerge between them.

This was a long book but I didn't mind that most of the time because I was enjoying reading Brina and Mag's romance slowly blossom. It did take a while for anything to happen - somewhere around the 35% mark - and then it was kicked to the background again for quite a while and i honestly do not blame Brina for telling him where to go several times for the way he treats her sometimes.

I did like this. It took a long time to get to that HEA but it was good reading - if i little too long in my opinion. It did make me cry towards the end, though, because i had come to care for these people and i wanted them to work out. I even grew to like teenage Jordan, whose emotions were up in the air like nobodies business after his mums mugging - which was understandable. He didn't know Magnus so to suddenly find yourself living with a billionaire you've never really met had to be hard.

I'm also intrigued by Brina's best friend and roommate - Paige, I think it was. Is she going to be getting her own book? She had about as much spark in her as Brina so it would be fun to see what guy ends up taming her.
  
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BookInspector (124 KP) rated The Testaments (The Handmaid's Tale #2) in Books

Sep 24, 2020 (Updated Jan 26, 2021)  
The Testaments (The Handmaid's Tale #2)
The Testaments (The Handmaid's Tale #2)
Margaret Atwood | 2019 | Dystopia, Fiction & Poetry
9
8.6 (13 Ratings)
Book Rating
There are three protagonists in this book and the story is told from their perspectives. Aunt Lydia is one of the founders of Gilead, she helped to create the rules and she is worshipped and feared among the residents. She was the star of this book! I loved her story, that she shared from her past, and how she became so influential. On the other hand, I have a million questions, because some of her actions don’t really make sense.

Another person telling the story is Agnes, a teenage girl, that was raised in Gilead since birth. She is sharing her life story, that I found quite intriguing. I was surprised, how brainwashed people can be, and how easy it is to mould young people. Agnes amused me, and I really enjoyed her journey. The third person was my least favourite one, that was baby Nicole. She lives in a present-day like Canada, and I think she was the least interesting and kind of lame. However, when all three stories are combined, it did make a pretty amusing read.

The narrative of this book was constantly changing, depending on the character. I really liked the way the author tangled these stories. I think it was quite eventful and action-filled. I liked the way M. Atwood combined the different worlds and different times in this book, it had me engrossed. I really enjoyed the writing style of this novel, I think it was creative. The chapters had a decent length, and the book didn’t leave me bored. I really liked the ending of this book, I think it concluded this story very well.

To conclude, I thoroughly enjoyed this story. I liked the character’s differences in values and understanding of what’s right and wrong. This book has an interesting, “mission” like narrative, and is quite layered, all these things kept me intrigued till the end. I hope you will give it a go and will enjoy it as much as I did.
  
The Unmaking of Ellie Rook
The Unmaking of Ellie Rook
Sandra Ireland | 2019 | Fiction & Poetry, Mystery, Philosophy, Psychology & Social Sciences, Thriller
8
8.0 (1 Ratings)
Book Rating
The protagonist in this novel was Ellie, and the whole story was told from her perspective. Ellie comes back to her hometown after the news, that her mother drowned. But as I was going through the pages, it was clear, that Rook family is a very dysfunctional one, hiding many horrible secrets. I really liked the way the author chose her characters, they all have a story to tell, they all are interesting and play very important parts in this book. I liked the way Ellie opened up and shared her story throughout the pages. She seemed fearless but used to crumble after her father’s words. I think she represents many of those, who grew up with abusive, controlling parent.

The narrative was very fast paced, and every chapter allowed to see a little bit more of Ellie’s past, and what shaped her to be the way she is now. The topics covered in this book were emotional and physical abuse, bullying, teenage romance, controlling behaviour and many more. This book has some very cleverly written surprises and twists and was an easy and pleasant read for me.

The atmosphere of this book is very dark, gloomy and messy, filled with scrap cars, crows, and violence. I liked the writing style of this novel, it was complex and layered. The chapters were short, and the ending of this book left me very satisfied indeed. Even though a single perspective was sufficient for me, I would’ve liked to read Imelda’s thoughts as well. I don’t really know how I feel about all that folk story about Finella, it adds a nice touch to the story, but making it a core of this book wasn’t really necessary.

So, to conclude, it is a really good domestic noir, filled with complex characters and difficult situations. I really enjoyed this book and the topics it discussed, and I recommend it to people who are looking for a quick but important read. I hope you will enjoy it as much as I did. 🙂