Search
Search results
Hazel (1853 KP) rated Spilt Milk in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
Hazel (1853 KP) rated Silence Is Goldfish in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
Kristy H (1252 KP) rated The Invited in Books
Jun 21, 2019
Helen and Nate have a nice, settled life as teachers at a private school in Connecticut. But they also have aspirations for a simpler life. So using their savings and an inheritance, they buy 40+ acres in the tiny village of Hartsboro, Vermont and decide to build their own dream house themselves. Helen, a history teacher, wants a house and land with history--and she gets her wish when she discovers the story of Hattie Breckenridge, a woman who apparently lived (and died) on their property over a hundred years ago. Marked by the villagers as a witch, Hattie was killed, leaving behind her young daughter, Jane. Helen becomes fascinated with Hattie's past and begins trying to find out what happened to her--and her family members. But a series of more and more weird events start happening once they move in. Is it just the people of Hartsboro, who don't like outsiders? Or is it Hattie? And are Helen and Nate in danger?
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
Midge (525 KP) rated Shallow Water in Books
Jan 23, 2019 (Updated Jan 23, 2019)
Lots of suspense (1 more)
Great lead characters
Nail-biting Thriller!
"Shallow Water" is a nail-biting, edge-of-your-seat story that has a bit of everything. From tension, fear, and panic to drama, romance and conflict, and joy and sorrow, there really is something for everyone. It is a suspenseful, psychological thriller fiction novel set in wonderfully scenic Pt. Redwood on California’s rural Mendocino coast.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
Gareth von Kallenbach (980 KP) rated Christopher Robin (2018) in Movies
Jul 8, 2019
Winnie the Pooh, the much love bear created by A.A. Milne and E.H. Shepard, has been brought by Disney in enchantingly live action in Christopher Robin. The story begins in the hundred acre woods where little Christopher Robin is spending his last day having a picnic with his dear friends: Eeyore(Brad Garrett), Owl(Toby Jones), Rabbit(Peter Capaldi), Kanga(Sophie Okonedo) and Roo(Sara Sheen), Piglet(Nick Mohammed) Tigger and Pooh(Both beautifully voiced by Jim Cummings). The voice actor cast was rather surprising, but quite spot on for each character. I was absolutely drawn into Christopher Robin’s world.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
Ivana A. | Diary of Difference (1171 KP) rated Pretty in Punxsutawney in Books
Jan 25, 2019
Pretty in Punxsutawney
What happens when you get stuck in time, re-living the first day in your new school?
Andie is a teenage girl, who loves movies. She is the type of person that knows exactly what to say… after it’s too late to say it. She is quirky, cutishly nerdy, and adorable in a silly way. And when she moves to Punxsutawney (I don’t think I’ll ever pronounce this town correctly), on the first day in her new school, she gets caught up in an endless loop of having to re-live those 24 hours again and again.
As in the movies, she is convinced that the curse can be broken with a true love’s kiss, she goes on a mission to get the boy. But is he the right one? And is true love what breaks the curse?
Not knowing how to end the loop, Andie tries to get first kiss with a guy she thinks is her true love, and when that doesn’t work, she suddenly tries to make the different types of people hang out together and realise that it doesn’t matter how you look like, to be a good person.
I really loved the idea of the loop in a high-school theme, and that was the main reason that I wanted to read this book really badly. I also loved that the main idea of this book was that looks don’t matter, and don’t judge a book by its cover, but I think that the author took this meaning way too far into the book, and it became too unrealistic, that it was laughable.
I enjoyed the layout of the different types of kids in the school, the jocks, the cheerleaders, the goths, the school-paper girls, the nerds. They were all described very realistically, and I enjoyed the times when we would realise that prejudice doesn’t matter. I can relate to a lot of this, because I was hanging out with both nerds and jocks in my high-school times, being a sports person and being a ‘’weirdo’’ that wants to read at the same time.
I also somehow managed to like the movie references, even though at moments, they are too overwhelming, and sometimes completely unrelated to the plot in place.
What I didn’t like, is how Andie kept changing in order to fit, how her behaviour changed, and her mindset during different days. I did not like this at all. I think that a person should always keep being themselves, no matter who they talk to. Doing the thinks she kept doing, only to be liked by one guy was miserable. Ladies – you are beautiful, no matter what you wear or how you do your hair. If that guy really likes you, he wouldn’t care about all these things and he would see within.
In retrospective, this was an enjoyable read. I am glad I read it, but somehow I think I might’ve been too old to read it now. But for you guys that are still in high-school, or love reading about high-school, this one is definitely worth your time.
Thank you to Netgalley and Blink, for providing me a free copy of this book in exchange for an honest review.
Andie is a teenage girl, who loves movies. She is the type of person that knows exactly what to say… after it’s too late to say it. She is quirky, cutishly nerdy, and adorable in a silly way. And when she moves to Punxsutawney (I don’t think I’ll ever pronounce this town correctly), on the first day in her new school, she gets caught up in an endless loop of having to re-live those 24 hours again and again.
As in the movies, she is convinced that the curse can be broken with a true love’s kiss, she goes on a mission to get the boy. But is he the right one? And is true love what breaks the curse?
Not knowing how to end the loop, Andie tries to get first kiss with a guy she thinks is her true love, and when that doesn’t work, she suddenly tries to make the different types of people hang out together and realise that it doesn’t matter how you look like, to be a good person.
I really loved the idea of the loop in a high-school theme, and that was the main reason that I wanted to read this book really badly. I also loved that the main idea of this book was that looks don’t matter, and don’t judge a book by its cover, but I think that the author took this meaning way too far into the book, and it became too unrealistic, that it was laughable.
I enjoyed the layout of the different types of kids in the school, the jocks, the cheerleaders, the goths, the school-paper girls, the nerds. They were all described very realistically, and I enjoyed the times when we would realise that prejudice doesn’t matter. I can relate to a lot of this, because I was hanging out with both nerds and jocks in my high-school times, being a sports person and being a ‘’weirdo’’ that wants to read at the same time.
I also somehow managed to like the movie references, even though at moments, they are too overwhelming, and sometimes completely unrelated to the plot in place.
What I didn’t like, is how Andie kept changing in order to fit, how her behaviour changed, and her mindset during different days. I did not like this at all. I think that a person should always keep being themselves, no matter who they talk to. Doing the thinks she kept doing, only to be liked by one guy was miserable. Ladies – you are beautiful, no matter what you wear or how you do your hair. If that guy really likes you, he wouldn’t care about all these things and he would see within.
In retrospective, this was an enjoyable read. I am glad I read it, but somehow I think I might’ve been too old to read it now. But for you guys that are still in high-school, or love reading about high-school, this one is definitely worth your time.
Thank you to Netgalley and Blink, for providing me a free copy of this book in exchange for an honest review.
Kaz (232 KP) rated The Finisher (Vega Jane #1) in Books
Nov 5, 2019
I'm a fan of Fantasy and Sci-fi and, in a recent conversation with a friend on the subject of reading, they recommended and lent me, the 'Vega Jane' Series.
Book one started with great promise. Vega Jane and the rest of the characters were very well formed and I liked the initial underlining feminist message, running throughout the story.
However, I found many problems with this novel. Firstly, the writing was a major problem for me, particularly the vocabulary that was used by the characters.
Wormwood is supposedly a fictional place, on an unknown planet. So it didn't come to surprise, that the characters used a fictional language.
The problem with that was, when a character used a fictional word, as a reader, you had to hazard a guess at to what the characters were talking about. Also, made up words were used, where they weren't particularly necessary. For example, ''Lights' were 'days' and 'slivers' were 'time'. For me, it wasn't entirely necessary to use alternative words for these things and this vocabulary was being thrown in, to try and make the setting of the story, more interesting. I would have preferred the use of fictitious words for some of the more exotic things, found in the environment of Wormwood.
Also to confuse things even further, more modern words like 'bloke' were used, which gave this weird mish mash, between the modern and the fantasy world, the book took place in. I think what David Baldacci was trying to do, was to make the situation and characters more relatable to its predominately teenage audience. What this combination of language actually did, was to cause me to step out of the world that was being created, rather than being drawn into it.
The plot was generally good. Although, as Vega was learning more about her powers, there were no real explanations as to why she had them. I know this is a series and I suppose that during the course of the novels, there will be more explanation, but I felt like something should have been explained.
Also, Vega inexplicably finds weapons at the exact times she needs them, without any explanation about where they came from. It was as if David Baldacci found Vega in a tight spot, so he decided to drop weapons from the sky. For me, that wasn't logical and was a bit lazy on the writer's part.
I did enjoy the tension which ran through the book and that kept me reading until the very end. I was fully prepared, as I neared the end of book one, to continue reading the rest of the series. However, the last three chapters totally put me off reading the rest of the books, for several reasons.
Firstly, Vega Jane was a strong female character, who had guts and fought to survive. So it was totally out of character, at the end, for her to start worrying about what she looked like and what boys thought of her. To me, that totally contradicted the message that the rest of the book was trying to send.
Also the resolution to the novel, like some of the other elements in this book, seemed to come from no where. I felt totally disappointed at the weak ending.
This novel had interesting promise and a great female protagonist, but it missed the mark entirely for me.
If you like reading fantasy novels, with strong female characters, I wouldn't suggest reading this. Read the 'Hunger Games' Trilogy instead.
Book one started with great promise. Vega Jane and the rest of the characters were very well formed and I liked the initial underlining feminist message, running throughout the story.
However, I found many problems with this novel. Firstly, the writing was a major problem for me, particularly the vocabulary that was used by the characters.
Wormwood is supposedly a fictional place, on an unknown planet. So it didn't come to surprise, that the characters used a fictional language.
The problem with that was, when a character used a fictional word, as a reader, you had to hazard a guess at to what the characters were talking about. Also, made up words were used, where they weren't particularly necessary. For example, ''Lights' were 'days' and 'slivers' were 'time'. For me, it wasn't entirely necessary to use alternative words for these things and this vocabulary was being thrown in, to try and make the setting of the story, more interesting. I would have preferred the use of fictitious words for some of the more exotic things, found in the environment of Wormwood.
Also to confuse things even further, more modern words like 'bloke' were used, which gave this weird mish mash, between the modern and the fantasy world, the book took place in. I think what David Baldacci was trying to do, was to make the situation and characters more relatable to its predominately teenage audience. What this combination of language actually did, was to cause me to step out of the world that was being created, rather than being drawn into it.
The plot was generally good. Although, as Vega was learning more about her powers, there were no real explanations as to why she had them. I know this is a series and I suppose that during the course of the novels, there will be more explanation, but I felt like something should have been explained.
Also, Vega inexplicably finds weapons at the exact times she needs them, without any explanation about where they came from. It was as if David Baldacci found Vega in a tight spot, so he decided to drop weapons from the sky. For me, that wasn't logical and was a bit lazy on the writer's part.
I did enjoy the tension which ran through the book and that kept me reading until the very end. I was fully prepared, as I neared the end of book one, to continue reading the rest of the series. However, the last three chapters totally put me off reading the rest of the books, for several reasons.
Firstly, Vega Jane was a strong female character, who had guts and fought to survive. So it was totally out of character, at the end, for her to start worrying about what she looked like and what boys thought of her. To me, that totally contradicted the message that the rest of the book was trying to send.
Also the resolution to the novel, like some of the other elements in this book, seemed to come from no where. I felt totally disappointed at the weak ending.
This novel had interesting promise and a great female protagonist, but it missed the mark entirely for me.
If you like reading fantasy novels, with strong female characters, I wouldn't suggest reading this. Read the 'Hunger Games' Trilogy instead.
Darren (1599 KP) rated Poltergeist (1982) in Movies
Nov 26, 2019
Verdict: Classic Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Darren (1599 KP) rated In Fabric (2018) in Movies
Feb 29, 2020
Verdict: Weird
Story: In Fabric starts as we meet divorced mother Sheila (Jean-Baptiste) who is seeing her son Vince (Ayeh) prepare for college with his muse Gwen (Christie) slowly taking over the house, Sheila is looking for love in the personal ads with her needing to by a brand-new dress.
Soon after wearing the dress for the first time, Sheila notices strange things happening around the house as the tensions between Shelia and Gwen continue to rise. Shelia’s life gets turned upside down, which only escalates the more she investigates the original model of the dress.
Thoughts on In Fabric
Characters – Sheila is a divorced single mother who works as a banker, she is trying to move on with her life, as her son is about to be moving on with his life, she is gets a new dress, which only starts to increase the troubles in her life. Gwen is the older woman dating Sheila’s teenage son, she is slowly taking over the house being very disturbing with the tension filled interaction with Sheila. Reg is on a stage-do which sees him get the dress to wear, he is preparing for his own wedding, starting to see his own life spiral out of control, with Babs being the wife-to-be that is still preparing the wedding.
Performances – Marianne Jean-Baptiste is great for her part of the film, this is mainly because the film is split into two stories with eh dress, Marianne has the first one and shows the struggles she would be experiencing. When it comes to the rest of the cast, it does feel too late into the movie to get truly invested in the second set of actors story.
Story – The story here follows two different people that come in contact with a mysterious dress that has its own abilities to ruin their lives, we are left to guess just what is causing the pain to happen and why this dress is acting the same way around people. This story is flat out weird to follow, mostly because we have two different stories that might well be connected, they are separate enough to leave us with different ideas for each family to deal with. The story doesn’t seem to give us enough answers about the dress itself and with on fleeting images of the store it came from, which only ends up leaving us feel like we could have had more from the story.
Comedy/Horror – The comedy in the film comes from just how outside the box the idea is, while the horror comes from seeing how the dress acts and what it causes to people’s lives.
Settings – The film tries to keep the locations down to everyday ones, be it the two homes, the store or the employment locations, it shows how the weird events of the characters lives happen without anything needing to come from outside the box.
Special Effects – The effects are used well through the film as they show different levels of damage being caused.
Scene of the Movie – The fight.
That Moment That Annoyed Me – Not enough behind the mystery of the dress.
Final Thoughts – This is a horror that can be described with one key world, weird, it is filled with strange moments that only leave us with more questions than answers.
Overall: Very Strange.
Story: In Fabric starts as we meet divorced mother Sheila (Jean-Baptiste) who is seeing her son Vince (Ayeh) prepare for college with his muse Gwen (Christie) slowly taking over the house, Sheila is looking for love in the personal ads with her needing to by a brand-new dress.
Soon after wearing the dress for the first time, Sheila notices strange things happening around the house as the tensions between Shelia and Gwen continue to rise. Shelia’s life gets turned upside down, which only escalates the more she investigates the original model of the dress.
Thoughts on In Fabric
Characters – Sheila is a divorced single mother who works as a banker, she is trying to move on with her life, as her son is about to be moving on with his life, she is gets a new dress, which only starts to increase the troubles in her life. Gwen is the older woman dating Sheila’s teenage son, she is slowly taking over the house being very disturbing with the tension filled interaction with Sheila. Reg is on a stage-do which sees him get the dress to wear, he is preparing for his own wedding, starting to see his own life spiral out of control, with Babs being the wife-to-be that is still preparing the wedding.
Performances – Marianne Jean-Baptiste is great for her part of the film, this is mainly because the film is split into two stories with eh dress, Marianne has the first one and shows the struggles she would be experiencing. When it comes to the rest of the cast, it does feel too late into the movie to get truly invested in the second set of actors story.
Story – The story here follows two different people that come in contact with a mysterious dress that has its own abilities to ruin their lives, we are left to guess just what is causing the pain to happen and why this dress is acting the same way around people. This story is flat out weird to follow, mostly because we have two different stories that might well be connected, they are separate enough to leave us with different ideas for each family to deal with. The story doesn’t seem to give us enough answers about the dress itself and with on fleeting images of the store it came from, which only ends up leaving us feel like we could have had more from the story.
Comedy/Horror – The comedy in the film comes from just how outside the box the idea is, while the horror comes from seeing how the dress acts and what it causes to people’s lives.
Settings – The film tries to keep the locations down to everyday ones, be it the two homes, the store or the employment locations, it shows how the weird events of the characters lives happen without anything needing to come from outside the box.
Special Effects – The effects are used well through the film as they show different levels of damage being caused.
Scene of the Movie – The fight.
That Moment That Annoyed Me – Not enough behind the mystery of the dress.
Final Thoughts – This is a horror that can be described with one key world, weird, it is filled with strange moments that only leave us with more questions than answers.
Overall: Very Strange.
Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
