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Scott Tostik (389 KP) rated Joker (2019) in Movies
Dec 2, 2019
So dark... So twisted... So.... Right
So. A Sunday Night... Nothing happening... Just me and a stepkid.... Lets watch Joker.
This movie grabbed me from the begining and never let me go.
Phoenix put in the performance of a lifetime as Arthur Fleck, a depressed, somewhat BiPolar Clown who does board spinning work and birthday parties for a shit company in shitty Gotham City.
After being beaten by a group of teenagers he begins to snap... And slowly over the course of almost 2 hours. His descent into madness begins.
Without unveiling too much... As I'm certain anyone worth a proverbial fuck has already seen this film.... Phoenix's acting prowess is stretched to the limit in fulfilling a Joker character that makes you feel something other than disdain and hatred. Speaking for myself, this was without a doubt the best Joker preformed for film since Jack donned the makeup for Tim Burton.
Don't get me wrong... Heath Ledgers Joker was phenomenal.... But I felt no sorrow for him. I felt no pain emanating from the screen like I did every time he was in a frame...
Phoenix floored me with the painful portrayal of a man pushed to the edge by his surroundings. The key to this happened a mere 3 minutes before the film ended. When Jokers police car is smashed into by the ambulance and he is removed from the car by his new followers...
Phoenix awakens, stands on the hood of the police car, and with the blood that is running from his nose and mouth, he repaints the smile of his clown makeup and proceeds to do his little dance on the car hood.
The look of insanity that crosses his eyes made my skin crawl.... With anticipation hoping they never cast anyone else in this role ever again.
Joaquin Phoenix... You are now to be known as Arthur Fleck aka.... Joker.
This movie grabbed me from the begining and never let me go.
Phoenix put in the performance of a lifetime as Arthur Fleck, a depressed, somewhat BiPolar Clown who does board spinning work and birthday parties for a shit company in shitty Gotham City.
After being beaten by a group of teenagers he begins to snap... And slowly over the course of almost 2 hours. His descent into madness begins.
Without unveiling too much... As I'm certain anyone worth a proverbial fuck has already seen this film.... Phoenix's acting prowess is stretched to the limit in fulfilling a Joker character that makes you feel something other than disdain and hatred. Speaking for myself, this was without a doubt the best Joker preformed for film since Jack donned the makeup for Tim Burton.
Don't get me wrong... Heath Ledgers Joker was phenomenal.... But I felt no sorrow for him. I felt no pain emanating from the screen like I did every time he was in a frame...
Phoenix floored me with the painful portrayal of a man pushed to the edge by his surroundings. The key to this happened a mere 3 minutes before the film ended. When Jokers police car is smashed into by the ambulance and he is removed from the car by his new followers...
Phoenix awakens, stands on the hood of the police car, and with the blood that is running from his nose and mouth, he repaints the smile of his clown makeup and proceeds to do his little dance on the car hood.
The look of insanity that crosses his eyes made my skin crawl.... With anticipation hoping they never cast anyone else in this role ever again.
Joaquin Phoenix... You are now to be known as Arthur Fleck aka.... Joker.
ClareR (5841 KP) rated The Temple House Vanishing in Books
Feb 27, 2020
The Temple House Vanishing is set in an elite Convent School (Roman Catholic, all girls, lots of masses, praying and rampant oestrogen). The nuns run a tight ship - or so they think. Mr Lavelle is a young, bohemian-type character, and a fair few of the girls are in love with him. Particularly Victoria.
Louisa joins the school late as a scholarship student, and is generally looked down on by the fee-paying girls, but she and Victoria become good friends. Everything seems to be improving for Louisa. Until, that is, she disappears along with Mr Lavelle. Everyone assumes that they have run away together, and the staff and students are of no help. They close ranks. No-one wants to be involved.
Until, that is, a journalist becomes involved with retelling the story on its 25th anniversary. She manages to speak to the Head Girl at the time, and after many persistent emails, with Victoria. And this time, Victoria talks about what happened.
I liked this very much. I liked the atmosphere of the school - even though it wasn't particularly nice it was described well, especially the way the girls ganged up together to pick on whoever they assumed was the weakest link. I especially liked the journalists chapters, particularly when it became clear that she had something of a vested interest in finding out what happened to Louisa - Louisa had been her babysitter when she was a child.
This isn't a 'hold on to your hat' story. There's no-one to save - whatever happened, happened 25 years ago. It's all about WHAT happened and WHO was involved. And in the end, it's all rather sad.
I really enjoyed this, particularly the way the story unfolded. I think the teenagers emotions were described as well as the adults, and it was easy to empathise with them when necessary, and despair at their teenaged reactions and angst.
This book is well worth a read.
Many thanks to The Pigeonhole for serialising this book!
Louisa joins the school late as a scholarship student, and is generally looked down on by the fee-paying girls, but she and Victoria become good friends. Everything seems to be improving for Louisa. Until, that is, she disappears along with Mr Lavelle. Everyone assumes that they have run away together, and the staff and students are of no help. They close ranks. No-one wants to be involved.
Until, that is, a journalist becomes involved with retelling the story on its 25th anniversary. She manages to speak to the Head Girl at the time, and after many persistent emails, with Victoria. And this time, Victoria talks about what happened.
I liked this very much. I liked the atmosphere of the school - even though it wasn't particularly nice it was described well, especially the way the girls ganged up together to pick on whoever they assumed was the weakest link. I especially liked the journalists chapters, particularly when it became clear that she had something of a vested interest in finding out what happened to Louisa - Louisa had been her babysitter when she was a child.
This isn't a 'hold on to your hat' story. There's no-one to save - whatever happened, happened 25 years ago. It's all about WHAT happened and WHO was involved. And in the end, it's all rather sad.
I really enjoyed this, particularly the way the story unfolded. I think the teenagers emotions were described as well as the adults, and it was easy to empathise with them when necessary, and despair at their teenaged reactions and angst.
This book is well worth a read.
Many thanks to The Pigeonhole for serialising this book!
English Writing Skills Pro
Education and Productivity
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When Alex Cooper was fifteen years old, life was pretty ordinary in her sleepy suburban town and...
Smarter Faster Better: The Secrets of Being Productive
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In the international bestseller The Power of Habit, Pulitzer Prize-winning journalist Charles Duhigg...
LeftSideCut (3776 KP) rated Wrong Turn (2021) in Movies
Mar 6, 2021
Well now, I watched this reboot of the semi popular Wrong Turn series with absolutely no knowledge of what was going to happen, expecting it to be more of the same, and was gobsmacked when it turned out to be a genuinely excellent slice of modern horror.
Firstly, the usual body count teenagers are all very well written. There's enough character building to care when they start to die, their reactions to said deaths are believable and human, and they are a set of protagonists who want to survive, not just cannon fodder. Lead actress Charlotte Vega has a huge part in this positive.
The regular set of cannibals are nowhere to be seen, and the antagonists this time around are a secluded community of mountain hunters known as The Foundation. They live off the natural earth and become entangled with the main characters after one of their ranks is killed in self defence. The narrative explores these two groups, and how both make decisions based on assumption of character and class. It's an interesting notion that elevates this movie beyond your standard slasher.
The leader of The Foundation, named Venable, is a genuinely imposing character. He has some great monologues, and actor Bill Sage really leans into the role. I'm hoping a sequel gets made just to see more of this dude as well as Charlotte Vega.
The gore on display is pretty damn impactful, only showing what it needs to, but making sure it sticks in your head. The whole runtime boasts some gorgeous cinematography as well, the filming location of the Ohio trail providing some breathtaking scenery.
I don't know what else to say. I was expecting the same old shit, and was instead presented with a great looking, well paced, and powerful horror feature that had me glued to the screen until the credits finished (the credit scene is a fantastic way to end things by the way so be sure to stick around.)
Well played Wrong Turn, well played.
Firstly, the usual body count teenagers are all very well written. There's enough character building to care when they start to die, their reactions to said deaths are believable and human, and they are a set of protagonists who want to survive, not just cannon fodder. Lead actress Charlotte Vega has a huge part in this positive.
The regular set of cannibals are nowhere to be seen, and the antagonists this time around are a secluded community of mountain hunters known as The Foundation. They live off the natural earth and become entangled with the main characters after one of their ranks is killed in self defence. The narrative explores these two groups, and how both make decisions based on assumption of character and class. It's an interesting notion that elevates this movie beyond your standard slasher.
The leader of The Foundation, named Venable, is a genuinely imposing character. He has some great monologues, and actor Bill Sage really leans into the role. I'm hoping a sequel gets made just to see more of this dude as well as Charlotte Vega.
The gore on display is pretty damn impactful, only showing what it needs to, but making sure it sticks in your head. The whole runtime boasts some gorgeous cinematography as well, the filming location of the Ohio trail providing some breathtaking scenery.
I don't know what else to say. I was expecting the same old shit, and was instead presented with a great looking, well paced, and powerful horror feature that had me glued to the screen until the credits finished (the credit scene is a fantastic way to end things by the way so be sure to stick around.)
Well played Wrong Turn, well played.
Rick Astley recommended Live at Carnegie Hall by Bill Withers in Music (curated)
LeftSideCut (3776 KP) rated Aquaslash (2019) in Movies
Dec 2, 2020
The premise of Aquaslash is painfully simple, but immediately appeals to anyone that has even a passing interest in slasher flicks - A mystery assailant inserts giant blades into a water slide tunnel, at a busy water park. That's it. That's the film.
Well, unfortunately that's not all of it...
The film opens with a standard but interest-peaking POV scene from the killer, chopping up a couple of horny teenagers at the aformentioned water park, before we get a title card. And then (the unfortunate part) we get a whole hour of goofy teen drama - remember the tsunami of sex comedies that released in the wake of American Pie? Imagine one of the shittier ones, but with no funny bits, and that's the kind of stuff we're getting here.
The script is occasionally humourous, but mostly flat and the acting from everyone involved is a little wonky (except the token jaded old dude, that guy is great)
It's not the most boring thing I've ever sat through, but it's damn close, as countless red herrings are thrown at the audience. The eventual killer reveal by the way, manages to be predictable, and somehow make no sense whatsoever. It's weird.
Thank the lord then for the last 15 minutes, that is just ridiculous and gory enough to make it all worth the slog. When everything eventually kicks off, it's actually pretty entertaining. The gore is all practically done, looks half decent, and the execution is pretty fresh. It's just a shame that the set up is such a drag - If there was more of this then Aquaslash would be miles better.
Honestly, it might be worth just fast forwarding to the good bit with this one, but if you do insist on watching the whole thing, it's not the absolute worst thing ever, and it mercifully clocks in at 75 minutes, which makes the whole ordeal that little more bearable.
Well, unfortunately that's not all of it...
The film opens with a standard but interest-peaking POV scene from the killer, chopping up a couple of horny teenagers at the aformentioned water park, before we get a title card. And then (the unfortunate part) we get a whole hour of goofy teen drama - remember the tsunami of sex comedies that released in the wake of American Pie? Imagine one of the shittier ones, but with no funny bits, and that's the kind of stuff we're getting here.
The script is occasionally humourous, but mostly flat and the acting from everyone involved is a little wonky (except the token jaded old dude, that guy is great)
It's not the most boring thing I've ever sat through, but it's damn close, as countless red herrings are thrown at the audience. The eventual killer reveal by the way, manages to be predictable, and somehow make no sense whatsoever. It's weird.
Thank the lord then for the last 15 minutes, that is just ridiculous and gory enough to make it all worth the slog. When everything eventually kicks off, it's actually pretty entertaining. The gore is all practically done, looks half decent, and the execution is pretty fresh. It's just a shame that the set up is such a drag - If there was more of this then Aquaslash would be miles better.
Honestly, it might be worth just fast forwarding to the good bit with this one, but if you do insist on watching the whole thing, it's not the absolute worst thing ever, and it mercifully clocks in at 75 minutes, which makes the whole ordeal that little more bearable.
The Memory House
9.0
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From the New York Times bestselling author of The Wedding Dress comes a new captivating novel of two...
LeftSideCut (3776 KP) rated Scream (2022) in Movies
Jan 16, 2022
Creepy telephone calls, a will-they-won't-they romance between Gale Weathers and Deputy Dewey, a killer that falls over a lot, on-the-nose meta dialogue, and copious amounts of stabbing and blood, can only mean one thing - Scream is back and dammit, it feels good.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.