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Rachel King (13 KP) rated The Hunger Games in Books
Feb 11, 2019
Right away this book captures my attention with a quick introduction to Katniss's survival skills followed by the District 12 Hunger Games lottery, a grim holiday that nobody wants to celebrate, but is still mandatory. It does not take long for the reader to feel sympathetic towards Katniss and the hardship she struggles with everyday just to survive.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
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Verner Latskin (74 KP) rated Mr. Robot - Season 1 in TV
Jul 21, 2017
The Writing (6 more)
The Cinematography
The Direction
The Performances
Best Dream Sequence that David Lynch didn't create
The Music
Best plot twist since Fight Club (the one that isnt inspired by Fight Club)
Brilliant, breathtaking, addictive.
I love this show. I only watched it on a lark, expecting to make fun of it - a hacker drama on USA called "Mr. Robot"? This is gonna be hilarious, I thought. I was so incredibly wrong. By the end of the pilot, I was hooked harder than any show since Twin Peaks had hooked me.
It's maybe the most cinematic TV series ever made, more so than a lot of movies. The mysteries it creates are gripping and compelling, inviting intense theorizing and speculation. It pulls off the best twist I've ever seen on television, and does it by blinding you with one that is telegraphed and inspired by another famous plot twist. Rami Malik goes from that guy you've seen in a bunch of stuff to legend status in one scene. In fact, the entire cast is nothing short of amazing. It makes the audience into a part of the show like no show ever has. It's already one of my favorite series ever made. It's brilliant.
It's maybe the most cinematic TV series ever made, more so than a lot of movies. The mysteries it creates are gripping and compelling, inviting intense theorizing and speculation. It pulls off the best twist I've ever seen on television, and does it by blinding you with one that is telegraphed and inspired by another famous plot twist. Rami Malik goes from that guy you've seen in a bunch of stuff to legend status in one scene. In fact, the entire cast is nothing short of amazing. It makes the audience into a part of the show like no show ever has. It's already one of my favorite series ever made. It's brilliant.
For a book filled with sociological data, statistics, and charts on nearly every other page, I found this book to be surprisingly engrossing. To be sure, this book is by no means an easy read, and requires a certain amount of intellect to understand the plethora of data that Wright provides on every conceivable topic related to the image of Christianity - whether it be from the perspective of Christians or non-Christians.
Wright also uses the book to teach the reader not only the correct data about many of the misconceptions of the image of Christianity, but also how to respond to the blind faith that many have when quoting others' seemingly statistically-based beliefs. He gives examples of this in conversation and how to enlighten others all throughout the book. He describes how many people, when addressing topics in Christianity, will use embellished or misinterpreted statistics to draw attention to themselves as an author or preacher just like the fear-mongering of the news on television or newspaper. He also discusses how the power of personal prejudices and stereotypes can override the blatant evidence to the contrary for many people.
Without getting into all of the detailed statistical findings that Wright reveals, I can easily say that most claims about the image of Christianity are exaggerated or completely false. But don't take my word for it - read it for yourself.
Wright also uses the book to teach the reader not only the correct data about many of the misconceptions of the image of Christianity, but also how to respond to the blind faith that many have when quoting others' seemingly statistically-based beliefs. He gives examples of this in conversation and how to enlighten others all throughout the book. He describes how many people, when addressing topics in Christianity, will use embellished or misinterpreted statistics to draw attention to themselves as an author or preacher just like the fear-mongering of the news on television or newspaper. He also discusses how the power of personal prejudices and stereotypes can override the blatant evidence to the contrary for many people.
Without getting into all of the detailed statistical findings that Wright reveals, I can easily say that most claims about the image of Christianity are exaggerated or completely false. But don't take my word for it - read it for yourself.
graveyardgremlin (7194 KP) rated Disappearing Nightly (Esther Diamond, #1) in Books
Feb 15, 2019
First off, while this could technically be called an urban fantasy, it doesn't really have the atmosphere of one and I'd be more likely to call it a magical mystery. <u>Disappearing Nightly</u> is a charming, wonderfully intriguing tale featuring the logical off-Broadway actress Esther Diamond, who through no fault of her own stumbles into the world of magic, and the path of Dr. Maximillian Zadok.
The author crafted a well-done, swiftly plotted yarn that left me pleased as punch. The characters went beyond caricatures, which could have so easily happened with the amount of personalities featured, and each of their respective professions, in the more colorful world of NYC. Through a comedy of errors, rapid fire dialogue, which the author has a gift for, and hilarious interactions, this motley crew of an investigative team gets to the bottom of the mysterious disappearances that are happening in the community. I had no trouble visualizing events as they unfolded, with amusing results, and could easily see this as a television series. The romance was nicely weaved into the story without becoming overpowering, and surprise of all surprises, there was no bed-hopping! What a nice change of pace. Altogether, this was fine little read that I flew right through and am glad I have the sequel handy! So far, this just may be my favorite read of the year.
The author crafted a well-done, swiftly plotted yarn that left me pleased as punch. The characters went beyond caricatures, which could have so easily happened with the amount of personalities featured, and each of their respective professions, in the more colorful world of NYC. Through a comedy of errors, rapid fire dialogue, which the author has a gift for, and hilarious interactions, this motley crew of an investigative team gets to the bottom of the mysterious disappearances that are happening in the community. I had no trouble visualizing events as they unfolded, with amusing results, and could easily see this as a television series. The romance was nicely weaved into the story without becoming overpowering, and surprise of all surprises, there was no bed-hopping! What a nice change of pace. Altogether, this was fine little read that I flew right through and am glad I have the sequel handy! So far, this just may be my favorite read of the year.
Christine A. (965 KP) rated Hark! the Herald Angels Scream: An Anthology in Books
Jan 22, 2019
Anthology of Christmas or winter themed horror stories
I was provided with a complimentary copy of this book so I could give an honest review.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
Christine A. (965 KP) rated Thin Air in Books
Jan 22, 2019 (Updated Jan 22, 2019)
Stand-alone SciFi novel from the author of "Altered Carbon"
I was provided with a complimentary copy of this book so I could give an honest review.
I was excited to see Richard K. Morgan was coming out with a new book. I enjoyed both the book and television series of "Altered Carbon". I had a difficult time getting into the book and, if I did not have to finish it, I probably would have stopped about 100 pages in. However, right there is where I started enjoying the book so I am glad I continued.
Hakan Veil is an ex–corporate enforcer equipped with body tech that's enables him to be a killing machine. His former employers dumped him off on Mars and he wants to return to his home planet, Earth. He is given that chance in exchange for babysitting an investigator from Earth, Madison Madekwe. His killing skills and military-grade body tech come in handy as he tries to help unravel the mystery surrounding Madison's investigation.
Veil's interaction with his internal AI is amusing and a big part of why I enjoyed the novel.
Richard K. Morgan's "Thin Air" is his first Science Fiction book published, according to Goodreads, in eight years. While it is in the same universe as "Thirteen", it is a stand-alone novel and you do not need to read it first.
I was excited to see Richard K. Morgan was coming out with a new book. I enjoyed both the book and television series of "Altered Carbon". I had a difficult time getting into the book and, if I did not have to finish it, I probably would have stopped about 100 pages in. However, right there is where I started enjoying the book so I am glad I continued.
Hakan Veil is an ex–corporate enforcer equipped with body tech that's enables him to be a killing machine. His former employers dumped him off on Mars and he wants to return to his home planet, Earth. He is given that chance in exchange for babysitting an investigator from Earth, Madison Madekwe. His killing skills and military-grade body tech come in handy as he tries to help unravel the mystery surrounding Madison's investigation.
Veil's interaction with his internal AI is amusing and a big part of why I enjoyed the novel.
Richard K. Morgan's "Thin Air" is his first Science Fiction book published, according to Goodreads, in eight years. While it is in the same universe as "Thirteen", it is a stand-alone novel and you do not need to read it first.
LeftSideCut (3776 KP) rated Stranger Things - Season 3 in TV
Jul 9, 2019 (Updated Jul 9, 2019)
Bitchin'
Season 3 of Stranger Things (much like season 2), takes a little while to take off.
Not only that, but there's a good handful of different story threads running at once, in different locations, that at one point, I was starting to feel that it may not land as well as it had done in the past.
Turns out, I really had nothing to worry about.
The overall narrative may feel splayed at times, but by the end, it all feels pretty slick, as Hawkins once again finds itself siezed from an otherworldly threat.
The cast shine as expected, with the usual suspects now experiencing the ups and downs of being a teenager, and the adult characters, having to deal with said teenagers.
It makes for a nice comedic and emotional dynamic, whilst exploring some nice story arcs.
Billy gets more to do this season which I personally found awesome, and I really enjoyed the unexpected connection's he had with certain characters.
The effects are looking better than ever, especially in the breathtaking final episode, but the whole season has some really striking visuals throughout.
This third season continues to remind why Stranger Things is ahead of the pack when it comes to this kind of television.
I'm already (im)patiently waiting for season 4!
Not only that, but there's a good handful of different story threads running at once, in different locations, that at one point, I was starting to feel that it may not land as well as it had done in the past.
Turns out, I really had nothing to worry about.
The overall narrative may feel splayed at times, but by the end, it all feels pretty slick, as Hawkins once again finds itself siezed from an otherworldly threat.
The cast shine as expected, with the usual suspects now experiencing the ups and downs of being a teenager, and the adult characters, having to deal with said teenagers.
It makes for a nice comedic and emotional dynamic, whilst exploring some nice story arcs.
Billy gets more to do this season which I personally found awesome, and I really enjoyed the unexpected connection's he had with certain characters.
The effects are looking better than ever, especially in the breathtaking final episode, but the whole season has some really striking visuals throughout.
This third season continues to remind why Stranger Things is ahead of the pack when it comes to this kind of television.
I'm already (im)patiently waiting for season 4!
Flashcards Toddler Preschool
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Fun-filled interactive My Little Pony iReader that kids will love to read and play! Ruckus...