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Darren (1599 KP) rated Poltergeist (1982) in Movies
Nov 26, 2019
Verdict: Classic Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Gareth von Kallenbach (980 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
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Charlie Cobra Reviews (1840 KP) rated Doom Patrol in TV
Jul 4, 2020
Not Your Average Superhero Show - 7/10
Doom Patrol Is a 2019 action/sci-fi, comedy/drama superhero TV series based on the DC comic created by writers Arnold Drake and Bob Haney and artist Bruno Premiani. It was developed by Jeremy Carver, and produced by DC Entertainment and Warner Bros. Television for DC Universe. Doom Patrol is a spin-off of Titans, a superhero TV series also on DC Universe. Starring Brendan Fraser, Timothy Dalton, Alan Tudyk, Matt Bomer and April Bowlby.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
MelanieTheresa (997 KP) Nov 26, 2019