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Cyn Armistead (14 KP) rated Grave Secret (Harper Connelly, #4) in Books
Mar 1, 2018
I'd say that wraps it up for this series. No, I won't tell you why I'm saying that, or it'll ruin the book for you.
The Harper Connelly series hasn't ever been as strong as the Southern Vampire series, in my opinion, but it wasn't too bad in comparison to some of her earlier work, like the Aurora Teagarden and Shakespeare mysteries. She seemed to be experimenting with something darker this time around. I haven't looked at the Amazon rank or any other figures for the series, but it's my gut feeling that they never took off in comparison to the Sookie Stackhouse series, especially since True Blood has gotten so much attention with the television series. I have to wonder what that feels like for Ms. Harris, as this really was a decent concept with some promise, and it doesn't seem to have been given that much of a chance to blossom.
In any case, Harper and her brother are prickly characters and not very easy to relate to, and they don't get any easier in this book. They are back in their home town, and we get to now a lot more about their origins this time around. We finally get the whole story about their missing sister, and we meet the two little sisters who live with an aunt and uncle.
The portrayal of the devout blue-collar people with their working-man's faith is absolutely smack on. I came from those people, and I could taste the sweet tea and see the linoleum and the absolutely clean Formica dinette, feel the cracked chairs the characters sat on and look around at the carefully kept house. Harris did a great job with that town and those people, so much so that I'm sure she either came from a similar place or has spent plenty of time in one.
There isn't as much new magic/plot stuff as there are answers this time. The sexy gypsy boy-almost-man is back, to my delight. Harper's love interest is still a bit of a squick, but I suppose it makes sense for the characters. I have to wonder how many authors would stick with that kind of decision, knowing the backlash they'd get from their readers?
If you've read the other Harper Connelly books, read this one for closure. If you haven't, this isn't the place to start!
The Harper Connelly series hasn't ever been as strong as the Southern Vampire series, in my opinion, but it wasn't too bad in comparison to some of her earlier work, like the Aurora Teagarden and Shakespeare mysteries. She seemed to be experimenting with something darker this time around. I haven't looked at the Amazon rank or any other figures for the series, but it's my gut feeling that they never took off in comparison to the Sookie Stackhouse series, especially since True Blood has gotten so much attention with the television series. I have to wonder what that feels like for Ms. Harris, as this really was a decent concept with some promise, and it doesn't seem to have been given that much of a chance to blossom.
In any case, Harper and her brother are prickly characters and not very easy to relate to, and they don't get any easier in this book. They are back in their home town, and we get to now a lot more about their origins this time around. We finally get the whole story about their missing sister, and we meet the two little sisters who live with an aunt and uncle.
The portrayal of the devout blue-collar people with their working-man's faith is absolutely smack on. I came from those people, and I could taste the sweet tea and see the linoleum and the absolutely clean Formica dinette, feel the cracked chairs the characters sat on and look around at the carefully kept house. Harris did a great job with that town and those people, so much so that I'm sure she either came from a similar place or has spent plenty of time in one.
There isn't as much new magic/plot stuff as there are answers this time. The sexy gypsy boy-almost-man is back, to my delight. Harper's love interest is still a bit of a squick, but I suppose it makes sense for the characters. I have to wonder how many authors would stick with that kind of decision, knowing the backlash they'd get from their readers?
If you've read the other Harper Connelly books, read this one for closure. If you haven't, this isn't the place to start!
Gareth von Kallenbach (977 KP) rated A Wrinkle in Time (2018) in Movies
Jun 19, 2019
The classic children’s book A Wrinkle In Time has come to the big screen with a big-budget presentation under the direction of noted Director Ava DuVernay.
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
The story had been adapted prior in a 2003 television movie but this time out the scope is much larger as are the names associated with it.
The story follows a young girl named Meg (Storm Reid), who has withdrawn following the disappearance of her father (Chris Pine), four years earlier. Her brilliant adopted brother Charles Wallace (Deric McCabe) is very protective of Meg and wants to help ease the suffering she has endured over the loss of their father.
Enter the quirky Mrs. Whatsit (Reese Witherspon), who Charles Wallace has been talking to unbeknownst to his family who in turn seem taken aback by her arrival and strange nature. Charles Wallace soon introduces his sister and schoolmate Calvin (Levi Miller), to Mrs. Who (Mindy Kaling), who also shares some unusual quirks as well. With the arrival of the final piece in Mrs. Which (Oprah Winfrey), the children are whisked away to another planet on a search to find the missing father and help restore light to the universe from a dark threat that endangers the universe.
What follows is a series of adventures, quirky characters, and bright visuals as the children and mysterious strangers embark on a grand adventure.
The cast is very appealing but I would love to know if the three stars filmed their scenes at the same time as it did appear at times if they were added in post-production as they did not seem to have much direct interactions with one another. The film does tackle some deep and at times dark subject matter which may be a bit much for younger viewers. One would think that Quantum Entanglements and folding space would be subjects more likely found in Star Trek vs a family film but the film does have some good messages and themes which are essential for younger viewers to note.
The film moves at a deliberate pace and does not erupt into overblown action sequences so viewers expecting a rousing action/adventure will need to temper their expectations.
For those looking for a film with an empowering message aimed at younger viewers, than “A Wrinkle in Time”, may be just the thing for an enjoyable family outing to the local cinema.
http://sknr.net/2018/03/07/a-wrinkle-in-time/
Gareth von Kallenbach (977 KP) rated Sharknado: The 4th Awakens (2016) in Movies
Jun 19, 2019
In what is become an annual event for Sy the latest in the Sharknado series titles “Sharknado: The 4th Awakens”, delivers more of the cheesy one-liners, highly improbable situations, bad acting, celebrity cameos, and chintzy visual effects that have made the series a pop culture mainstay.
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
Gareth von Kallenbach (977 KP) rated Minions (2015) in Movies
Jun 19, 2019
Those lovable and mischief filled Minions are back and this time they have a new solo adventure that chronicles their history.
The film chronicles the minions through the ages as they have followed their compulsion to find a master to serve which always results in hilarious misfortune for the Masters.
After a recent setback, the Minion tribe takes refuge in an ice cave and builds their society over the passing years. Unfortunately, depression seeks in as the Minions are missing their basic drive and as such, an inspired member named Kevin decides he will venture out to find a new Master for them to follow.
Kevin is joined by Stuart and Bob and after a long trip; they find themselves in New York in 1968. Of course the city that never sleeps is an ideal place for them to get into all sorts of mischief and also allows them to view and underground television broadcast promoting a Villain Con in Orlando.
Inspired, the trio sets off and makes some dubious travel companions along the way, yet eventually arrive at their destination.
At the convention they encounter Scarlett Overkill (Sandra Bullock), and in a twist of fate, become her new apprentices. Kevin decides to call the tribe and tell them to head to London to start serving their new master, who is as unstable as she is evil.
Scarlett and her husband Herb (Jon Hamm, have devised a plan so cunning and diabolical that nothing can stop them from carrying it out, nothing that is save for the Minions.
The film takes a bit of time to get up to speed but is as charming and funny as you would wish for. The Minions generate plenty of laughs and there are tons of Pop Culture gags that fill the entire film.
For me the 3D animation was a nice touch and really added to the enjoyment of seeing the lovable characters in action and the new cast members did a great job adding to the lore of the Minions.
The film moves along at a steady pace and keeps the laughs coming throughout. With “Despicable Me 3” due in 2017, it is not out of the realm that we could see more solo minion outings in the future. This is a move that would bring plenty of smiles, as there is much to like about this film.
http://sknr.net/2015/07/07/minions/
The film chronicles the minions through the ages as they have followed their compulsion to find a master to serve which always results in hilarious misfortune for the Masters.
After a recent setback, the Minion tribe takes refuge in an ice cave and builds their society over the passing years. Unfortunately, depression seeks in as the Minions are missing their basic drive and as such, an inspired member named Kevin decides he will venture out to find a new Master for them to follow.
Kevin is joined by Stuart and Bob and after a long trip; they find themselves in New York in 1968. Of course the city that never sleeps is an ideal place for them to get into all sorts of mischief and also allows them to view and underground television broadcast promoting a Villain Con in Orlando.
Inspired, the trio sets off and makes some dubious travel companions along the way, yet eventually arrive at their destination.
At the convention they encounter Scarlett Overkill (Sandra Bullock), and in a twist of fate, become her new apprentices. Kevin decides to call the tribe and tell them to head to London to start serving their new master, who is as unstable as she is evil.
Scarlett and her husband Herb (Jon Hamm, have devised a plan so cunning and diabolical that nothing can stop them from carrying it out, nothing that is save for the Minions.
The film takes a bit of time to get up to speed but is as charming and funny as you would wish for. The Minions generate plenty of laughs and there are tons of Pop Culture gags that fill the entire film.
For me the 3D animation was a nice touch and really added to the enjoyment of seeing the lovable characters in action and the new cast members did a great job adding to the lore of the Minions.
The film moves along at a steady pace and keeps the laughs coming throughout. With “Despicable Me 3” due in 2017, it is not out of the realm that we could see more solo minion outings in the future. This is a move that would bring plenty of smiles, as there is much to like about this film.
http://sknr.net/2015/07/07/minions/
Hazel (1853 KP) rated 13 Days of Midnight in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Hazel (1853 KP) rated Trying to Float: Coming of Age in the Chelsea Hotel in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Written about a young girl by a young girl, <i>Trying To Float</i> is the amusing, witty story of Nicolaia Rips’ life thus far. About to graduate from LaGuardia High School for the Performing Arts in New York City, Nicolaia talks the reader through her life from birth, through preschool and elementary school, before coming to rest at the end of her middle school experiences.
As the strap line <i>Coming of Age in the Chelsea Hotel</i> indicates, Nicolaia has lived in the Chelsea Hotel in New York for her entire life. Her unconventional father and travel obsessed mother decided to settle there after the birth of their only child, resulting in an unusual upbringing surrounded by avant-garde writers, artists and musicians, as well as the plethora of drug addicts, alcoholics and eccentrics.
Although Nicolaia’s lifestyle caused her to be the worldliest wise of five year olds, she was completely alien to the knowledge of friendships, hard work and the generally accepted behaviour of children. This resulted in numerous, often awkward, situations throughout her schooling which, although must have been soul destroying at the time, Nicolaia writes in a highly amusing tone.
<i>Trying to Float</i> reminded me of a television programme aired on the BBC last year: <i>The Kennedys</i> – a story of the daughter of highly peculiar and embarrassing parents, who was constantly surrounded by a mass of oddball characters. I could not help but see similarities even though there is absolutely no correlation between the two stories.
While Nicolaia has based this book on a journal she kept during her childhood, there are many scenes that have been warped by exaggeration and imagination to add comedic effect. Due to this, her original writing has been worked over so much in order for it to flow like a story, that it is more fiction than biographical.
It is not completely clear who the target audience is. Naturally a story about a child’s experiences at school would relate more to young adults, however the coarse language used by the inhabitants of the hotel make it more appropriate for adults. Whatever your age and background, you are likely to relate to something in this gem of a book. Nicolaia makes light of her experiences, but deep down it is a very heart-wrenching story.
Written about a young girl by a young girl, <i>Trying To Float</i> is the amusing, witty story of Nicolaia Rips’ life thus far. About to graduate from LaGuardia High School for the Performing Arts in New York City, Nicolaia talks the reader through her life from birth, through preschool and elementary school, before coming to rest at the end of her middle school experiences.
As the strap line <i>Coming of Age in the Chelsea Hotel</i> indicates, Nicolaia has lived in the Chelsea Hotel in New York for her entire life. Her unconventional father and travel obsessed mother decided to settle there after the birth of their only child, resulting in an unusual upbringing surrounded by avant-garde writers, artists and musicians, as well as the plethora of drug addicts, alcoholics and eccentrics.
Although Nicolaia’s lifestyle caused her to be the worldliest wise of five year olds, she was completely alien to the knowledge of friendships, hard work and the generally accepted behaviour of children. This resulted in numerous, often awkward, situations throughout her schooling which, although must have been soul destroying at the time, Nicolaia writes in a highly amusing tone.
<i>Trying to Float</i> reminded me of a television programme aired on the BBC last year: <i>The Kennedys</i> – a story of the daughter of highly peculiar and embarrassing parents, who was constantly surrounded by a mass of oddball characters. I could not help but see similarities even though there is absolutely no correlation between the two stories.
While Nicolaia has based this book on a journal she kept during her childhood, there are many scenes that have been warped by exaggeration and imagination to add comedic effect. Due to this, her original writing has been worked over so much in order for it to flow like a story, that it is more fiction than biographical.
It is not completely clear who the target audience is. Naturally a story about a child’s experiences at school would relate more to young adults, however the coarse language used by the inhabitants of the hotel make it more appropriate for adults. Whatever your age and background, you are likely to relate to something in this gem of a book. Nicolaia makes light of her experiences, but deep down it is a very heart-wrenching story.
Matthew Krueger (10051 KP) rated Alan Wake in Video Games
Oct 31, 2019 (Updated Oct 31, 2019)
Flash The Darkness Demons
Contains spoilers, click to show
Alan Wake- is one of those games that is highly underrated. It is a great game. It mixs horror with suspense with thrills with adventure and action.
The Plot: The story follows best-selling thriller novelist Alan Wake as he tries to uncover the mystery behind his wife's disappearance during a vacation in the small fictional town of Bright Falls, Washington, all while experiencing events from the plot in his latest novel, which he cannot remember writing, coming to life.
In its pacing and structure, Alan Wake is similar to a thriller television series, with episodes that contain plot twists and cliffhangers. The game itself consists of six episodes, and the storyline is continued by two special episodes, titled "The Signal" and "The Writer", that were made available as downloadable content (DLC) within the same year of the game's release. Together, they make the first season of a possibly longer story. Additionally, a six-episode live-action web series called Bright Falls acts as a prequel to the game, and a number of related books also expand upon the Alan Wake story.
Lets talk about the game: Alan Wake is described by Remedy as "the mind of a psychological thriller" and "the body of a cinematic action game" put together. In interviews, the game's creators hold that the game does not belong squarely in the survival horror video game genre.
The player controls the eponymous protagonist Alan Wake. In the game, a "darkness" is taking over humans, animals and objects. These enemies, dubbed the "Taken", are murderous shadows that attack Wake, wielding weapons of their own, ranging from.
The Taken are protected by a shield of darkness, initially rendering them impervious to attack; they can only be injured with a firearm after exposure to light, which burns the darkness away. This puts significant emphasis on flashlights in conjunction with conventional weapons, such as a revolver or shotgun. Flashlight beams act as a reticle.
The player is often encouraged to take advantage of environmental light sources and placing, and to use other light-based weapons and accessories, such as flare guns, hand-held flares and flashbangs.
So this game mixs survival with fantasy with reality with horror with suspense and so much more.
I would highly reecordmend playing this game.
The Plot: The story follows best-selling thriller novelist Alan Wake as he tries to uncover the mystery behind his wife's disappearance during a vacation in the small fictional town of Bright Falls, Washington, all while experiencing events from the plot in his latest novel, which he cannot remember writing, coming to life.
In its pacing and structure, Alan Wake is similar to a thriller television series, with episodes that contain plot twists and cliffhangers. The game itself consists of six episodes, and the storyline is continued by two special episodes, titled "The Signal" and "The Writer", that were made available as downloadable content (DLC) within the same year of the game's release. Together, they make the first season of a possibly longer story. Additionally, a six-episode live-action web series called Bright Falls acts as a prequel to the game, and a number of related books also expand upon the Alan Wake story.
Lets talk about the game: Alan Wake is described by Remedy as "the mind of a psychological thriller" and "the body of a cinematic action game" put together. In interviews, the game's creators hold that the game does not belong squarely in the survival horror video game genre.
The player controls the eponymous protagonist Alan Wake. In the game, a "darkness" is taking over humans, animals and objects. These enemies, dubbed the "Taken", are murderous shadows that attack Wake, wielding weapons of their own, ranging from.
The Taken are protected by a shield of darkness, initially rendering them impervious to attack; they can only be injured with a firearm after exposure to light, which burns the darkness away. This puts significant emphasis on flashlights in conjunction with conventional weapons, such as a revolver or shotgun. Flashlight beams act as a reticle.
The player is often encouraged to take advantage of environmental light sources and placing, and to use other light-based weapons and accessories, such as flare guns, hand-held flares and flashbangs.
So this game mixs survival with fantasy with reality with horror with suspense and so much more.
I would highly reecordmend playing this game.
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
LeftSideCut (3778 KP) rated American Horror Story - Season 6 in TV
Jan 16, 2020
Season 6 of AHS, subtitled Roanoke, may very well be my favourite season to date, if not it comes a very close second to Asylum.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
Gareth von Kallenbach (977 KP) rated Poltergeist (2015) in Movies
Aug 6, 2019
I struggle with my view of this film. Mostly because I want to compare it to the 1982 horror classic it is a remake of. But rather than pick apart how it does or does not compare to the original I realize I must judge this film on its own merit. As such, I feel this film is just…ok. Not bad, not great, just ok.
That isn’t to say this film is not a good time. In fact, It is quite fun. I feel there are more laughs in this film than scares. Fun times indeed. Sam Rockwell and Rosemarie DeWitt play good spirited parents trying to make the best of their financial burden while moving into a new home. The three kids are the typical modern type. The older teenager concerned with her cell phone, the tech savvy son, Griffin, who seems to be sacred of everything and the “gifted” little daughter, Madison, who is innocent. The film starts lighthearted enough with jokes and everyday family squabbles. But that quickly changes as Madison starts to have conversations with her closet and the television. Yet, the only one who sees these freak events are scardy-cat Griffin, who won’t sleep in his room when there is a squirrel but doesn’t scream for his parents when he notices the electricity doing things it shouldn’t. But I digress.
And here is where the problems of this film arrive. Rather than create its own memorable scenes that sets it apart from the original, it is in such a hurry to give its own take on the classic scenes from the first film. As such, there is no real sense of rhythm to the pacing of this film that is a staple of good horror films with drawn out sense of suspense the help heighten the sense of dread. And so we are left without any real worry for our characters or us as the audience. We have a few jump scares before a long conclusion that feels more like “Classic” made for TV than big budget film.
In the end, we are left with a “popcorn” horror film that is fun but forgettable at best. Fans of the original will be disappointed. Parents who want to take their young teenage kids to their first horror film will appreciate the wholesome family feel.
That isn’t to say this film is not a good time. In fact, It is quite fun. I feel there are more laughs in this film than scares. Fun times indeed. Sam Rockwell and Rosemarie DeWitt play good spirited parents trying to make the best of their financial burden while moving into a new home. The three kids are the typical modern type. The older teenager concerned with her cell phone, the tech savvy son, Griffin, who seems to be sacred of everything and the “gifted” little daughter, Madison, who is innocent. The film starts lighthearted enough with jokes and everyday family squabbles. But that quickly changes as Madison starts to have conversations with her closet and the television. Yet, the only one who sees these freak events are scardy-cat Griffin, who won’t sleep in his room when there is a squirrel but doesn’t scream for his parents when he notices the electricity doing things it shouldn’t. But I digress.
And here is where the problems of this film arrive. Rather than create its own memorable scenes that sets it apart from the original, it is in such a hurry to give its own take on the classic scenes from the first film. As such, there is no real sense of rhythm to the pacing of this film that is a staple of good horror films with drawn out sense of suspense the help heighten the sense of dread. And so we are left without any real worry for our characters or us as the audience. We have a few jump scares before a long conclusion that feels more like “Classic” made for TV than big budget film.
In the end, we are left with a “popcorn” horror film that is fun but forgettable at best. Fans of the original will be disappointed. Parents who want to take their young teenage kids to their first horror film will appreciate the wholesome family feel.