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Darren (1599 KP) rated Poltergeist (1982) in Movies
Nov 26, 2019
Verdict: Classic Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Story: Poltergeist starts as the Freeling family Steve (Nelson), Diane (Williams), Dana (Dunne), Robbie (Robins) and Carol (O’Rourke) who have moved into a new build, that Steve’s company has built. Robbie is struggling to deal with the strange shapes around the house at night, and Carol has started her sleepwalking again, talking to the static on the television.
The family soon find out they have a poltergeist that Diane sees as something friendly only for the events to become must more sinister, targeting the youngest members of the house, the family must figure out how to save their family, where they only learn more troublesome truths about the house, turning to Dr Lesh (Straight) to study what is going on.
Thoughts on Poltergeist
Characters – Steve is the real estate agent that has been selling the house on the new land, he moved his own family into one to show just how confident he is in the neighbourhood and does what ever concerned father would do once the haunting start. Diane is the wife and mother, she plays with the ghosts first thinking it is a harmless haunting, but when things get serious, she won’t leave the house until she gets her daughter back. Dr Lesh is the one that is hired to study the hauntings, she sets up the tests to figure out what is happening and prepares the family for the test they will be facing. Dana is the oldest daughter in the family, she is dealing with being a teenager with ease and must look after Robbie while the rest of the family deal with the hauntings.
Performances – Craig T Nelson and JoBeth Williams as the parents are both great through, they show the concern and worries they might not find their daughter. Beatrice Straight does bring the confident figure to life, while also showing the fear she sees in the house. The child stars are strong too through the film.
Story – The story here follows a family that’s new dream home turns into a nightmare when it turns out it is haunted by vengeful spirits forcing them to confront the spirits before losing their family. This is the original haunted house to a new level story, it spins what was designed before with an old house with history being haunted, to a brand-new house being the events of the hauntings, one that wouldn’t be filled with murder or history. This does help the events of the story seem scarier and gives it an original side too because it shows that anybody could be the ones getting haunted.
Horror – The horror in the film is hauntings, we start with friendly ones which seem harmless and soon become deadly as the children are being targeted, the final act will bring the most horror to the whole film.
Settings – The film uses the brand-new house build for the main setting, this helps because it changes everything we should know about haunting houses.
Special Effects – The effects are great considering this came out in 1982, they don’t look terribly like certain horror films since this.
Scene of the Movie – The last night in the house.
That Moment That Annoyed Me – The builder’s mentality to a teenage schoolgirl.
Final Thoughts – This is a horror film that has stood the test of time and will be remembered as one of the best of the 80’s.
Overall: Brilliant Horror
Gareth von Kallenbach (971 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
Charlie Cobra Reviews (1840 KP) rated Doom Patrol in TV
Jul 4, 2020
Not Your Average Superhero Show - 7/10
Doom Patrol Is a 2019 action/sci-fi, comedy/drama superhero TV series based on the DC comic created by writers Arnold Drake and Bob Haney and artist Bruno Premiani. It was developed by Jeremy Carver, and produced by DC Entertainment and Warner Bros. Television for DC Universe. Doom Patrol is a spin-off of Titans, a superhero TV series also on DC Universe. Starring Brendan Fraser, Timothy Dalton, Alan Tudyk, Matt Bomer and April Bowlby.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Gareth von Kallenbach (971 KP) rated Cruella (2021) in Movies
May 26, 2021
Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Darren (1599 KP) rated You're Not You (2014) in Movies
Jun 25, 2019
Story: You’re Not You starts on Kate’s (Swank) 35th birthday, a classic pianist that notice something isn’t right with her body, 18 months later Kate is in need of care, even with her husband Evan (Duhamel) needing to work, while finding a new carer to help with ALS care.
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
Chrissy Bush (42 KP) rated A Court of Frost and Starlight: Court of Thorns and Roses in Books
Aug 25, 2022
Super shorr (2 more)
No action
Feels like a Christmas special
The war is over but the aftermath is just starting. With everyone needing to heal and Winter Solstice around the corner, everyone is busy rebuilding their cities and trying to get past all the brutality the war wrought on the people. Feyre and her family are trying to help everyone while also trying to overcome her hat they went through. Buying each other gifts and giving each other support is one of the biggest ways Feyre is helping make the world a better place. Feyre even learns that creating has helped her through some tough times and tries to plan to help others with their tough times. Nothing like Winter Solstice to help bring people together and help them move past the awful things they had to endure.
Review
A Court of Frost and Starlight by Sarah J Maas is like a Christmas special in the middle of a television show. There isn’t any dark and cruel things happening. It was a nice reprieve from the story line, showing how much we all need our friends and families after going through such dark and trying times. It is the shortest of the series this far, but it is also the most touching. Not because anyone is declaring their love or doing cute things, but because of the lessons or ideals behind what is going on.
I will say that even though I’m not into what I deem as filler, it was a nice turn of events. Since every book before this was jam packed with action suspense and strategic planning, seeing our main characters do something like supporting one another, trying to heal and find ways to make the world more peaceful, was nice. I really enjoyed Feyre’s parts as each chapter seemed to focus on one character or another. Not because she is my favorite and I loved seeing her grow as a person, but because she is keeping her promise on making the world a better place. In a way they all are in their own ways but Feyre definitely did something she has not only promised to do, but something that will in turn make their world a more beautiful place to live.
There wasn’t a lot of conflict in A Court of Frost and Starlight, but what can one expect in this particular book. Because it was a Christmas Special in a way, it was very docile compared to what it could have been. Romance did seem to be an underlying concept as I would only assume after everything they went through, but to me it left me not really wanting to continue the series. And not just because I don’t have the last book. The reason I say this is because I felt it wrapped up the series.
What I mean by that is that even in the parts that had me wanting more, just to gather information, I was still left feeling content with it at the end. It just felt right to leave it like that. With all this being said, I would rate this novel three out of five stars. It was good but not my cup of tea so to speak. I tend to not care about books without conflict. It seems the world is going to be better just from this book and in my opinion was a great way to end a series.
Review
A Court of Frost and Starlight by Sarah J Maas is like a Christmas special in the middle of a television show. There isn’t any dark and cruel things happening. It was a nice reprieve from the story line, showing how much we all need our friends and families after going through such dark and trying times. It is the shortest of the series this far, but it is also the most touching. Not because anyone is declaring their love or doing cute things, but because of the lessons or ideals behind what is going on.
I will say that even though I’m not into what I deem as filler, it was a nice turn of events. Since every book before this was jam packed with action suspense and strategic planning, seeing our main characters do something like supporting one another, trying to heal and find ways to make the world more peaceful, was nice. I really enjoyed Feyre’s parts as each chapter seemed to focus on one character or another. Not because she is my favorite and I loved seeing her grow as a person, but because she is keeping her promise on making the world a better place. In a way they all are in their own ways but Feyre definitely did something she has not only promised to do, but something that will in turn make their world a more beautiful place to live.
There wasn’t a lot of conflict in A Court of Frost and Starlight, but what can one expect in this particular book. Because it was a Christmas Special in a way, it was very docile compared to what it could have been. Romance did seem to be an underlying concept as I would only assume after everything they went through, but to me it left me not really wanting to continue the series. And not just because I don’t have the last book. The reason I say this is because I felt it wrapped up the series.
What I mean by that is that even in the parts that had me wanting more, just to gather information, I was still left feeling content with it at the end. It just felt right to leave it like that. With all this being said, I would rate this novel three out of five stars. It was good but not my cup of tea so to speak. I tend to not care about books without conflict. It seems the world is going to be better just from this book and in my opinion was a great way to end a series.
Jamie (131 KP) rated The Ready-Made Thief in Books
Aug 15, 2017
Narrative flow (2 more)
Wonderful ode to Duchamp
Intense story premise makes it hard to put down
Plot felt a little weak with many aspects that are just plain illogical (1 more)
Science conspiracy was quite frankly boring
A love letter to Marcel Duchamp
Well this book is certainly interesting, so much so that I still don’t fully know what to make of it. The Readymade Thief is a love letter to Marcel Duchamp, a French-American artist that became famous in the early twentieth century for his influence on conceptual art. He is most famous for his readymades, manufactured pieces that he turned into art. His stance on what constituted art is an idea that could be applied to the novel.
“An ordinary object elevated to the dignity of a work of art by the mere choice of an artist.”
It’s art if the artist says that it is art. There are connections if that’s what you want to see. Duchamp’s life and work are threaded throughout the story, even some very small references that are easy to miss, and this was actually pretty awesome. The study of Duchamp’s work I think made for an interesting aspect of the story, and I liked the ideas about the fanatical secret society and the dark sort of humor to the plot.
I have to commend Augustus Rose for his skill in creating a narrative flow that was so easy to take in. For the first half of the book Lee appears lost, like she’s treading water. It had a dream-like feel to it as Lee drifts in and out of different events. As the story goes on and the mystery starts to unravel Lee finds herself completely immersed. This steady shift in tone is reflected beautifully in both the pacing and the prose, from a drug-fueled haze to cold sobriety.
So why do I feel so undecided about this book? The devil is in the plot itself, which to me felt like it had too many holes and not well developed enough at points. Most of the Crystal Castle plot feels like it was thrown out of the window and I found it underwhelming. Then there was Tomi, the hacker. If there is one thing that is difficult to write about hackers and the deep web. I won’t go into many details about it due to spoilers, but there were a lot of pieces of this portion of the plot that was just plain illogical and almost pointless. I even checked with a friend of mine that is a student in cyber security to be sure. Frankly the deep web is almost romanticized in the book when it really shouldn’t be.
Also while I know that convenience was important for creating the dreamy flow that I mentioned earlier, a lot of things seemed a little bit too convenient to be believable a lot of the time. A good portion of the plot was easy to predict, but I was still compelled to read because I wanted to know more of the why than the what.
This book was a pretty cool read overall if you can get over the hangups that I had. It is the type of book that will leave you feeling confused right along with the main character throughout the entire book. All in all it was a mixed bag of mostly good things. It’s definitely an experience and worth the read in the very least to appreciate the tone and the feel of the writing which was really great. It’s the type of story I could easily see adapted to a television drama that I would watch in a heartbeat.
“An ordinary object elevated to the dignity of a work of art by the mere choice of an artist.”
It’s art if the artist says that it is art. There are connections if that’s what you want to see. Duchamp’s life and work are threaded throughout the story, even some very small references that are easy to miss, and this was actually pretty awesome. The study of Duchamp’s work I think made for an interesting aspect of the story, and I liked the ideas about the fanatical secret society and the dark sort of humor to the plot.
I have to commend Augustus Rose for his skill in creating a narrative flow that was so easy to take in. For the first half of the book Lee appears lost, like she’s treading water. It had a dream-like feel to it as Lee drifts in and out of different events. As the story goes on and the mystery starts to unravel Lee finds herself completely immersed. This steady shift in tone is reflected beautifully in both the pacing and the prose, from a drug-fueled haze to cold sobriety.
So why do I feel so undecided about this book? The devil is in the plot itself, which to me felt like it had too many holes and not well developed enough at points. Most of the Crystal Castle plot feels like it was thrown out of the window and I found it underwhelming. Then there was Tomi, the hacker. If there is one thing that is difficult to write about hackers and the deep web. I won’t go into many details about it due to spoilers, but there were a lot of pieces of this portion of the plot that was just plain illogical and almost pointless. I even checked with a friend of mine that is a student in cyber security to be sure. Frankly the deep web is almost romanticized in the book when it really shouldn’t be.
Also while I know that convenience was important for creating the dreamy flow that I mentioned earlier, a lot of things seemed a little bit too convenient to be believable a lot of the time. A good portion of the plot was easy to predict, but I was still compelled to read because I wanted to know more of the why than the what.
This book was a pretty cool read overall if you can get over the hangups that I had. It is the type of book that will leave you feeling confused right along with the main character throughout the entire book. All in all it was a mixed bag of mostly good things. It’s definitely an experience and worth the read in the very least to appreciate the tone and the feel of the writing which was really great. It’s the type of story I could easily see adapted to a television drama that I would watch in a heartbeat.
Darren (1599 KP) rated *batteries not included (1987) in Movies
Jun 20, 2019
Story: *batteries not included starts by introducing us to Frank (Cronyn), Faye (Tandy) Harry (Noble), Marisa (Pena) and Mason (Boutsikaris) who all are the remaining residents living in the middle of a building site, constantly being hounded by Carlos (Carmine) trying to force them to move out to the building can be demolished.
The lives of these residents takes a surprise turn when robotic aliens enter the apartment fixing the damaged caused within as the resident try to communicate with them. The Aliens become part guardians of the residents who continue to fight to keep their homes.
*batteries not included is a charming comedy fantasy that we get to see the serious side of the human life where people are forced relocated. I think this point comes through strong with each side be it the residents the rich or the thugs to remove the characters it all comes off great. We also get to see the unknown with the robots appearing in the story. overall this story is easy to follow and truly enjoyable throughout.
Actor Review
Hume Cronyn: Frank Riley is the café owner and husband to Faye, he does everything he can to look after her and run a business but it is his wish that comes true when the aliens arrive. We see Frank start to have to make the difficult decision about caring for Faye in her condition. Hume is good in this role leading the film.
Jessica Tandy: Faye Riley is the wife of Frank who is suffering with dementia, she spends nearly every moment of her waking day waiting for her son to return and making friends with her condition. Jessica is great in this role where we get to see the most laughs from her character.
Frank McRae: Harry Noble is the former fighter that now is a mute living in the building watching television most of his time. He finds a way to communicate with the aliens that the others can’t. Frank is good in this role where we get to see the stronger character with a heart of gold.
Elizabeth Pena: Marisa Esteval is a pregnant resident of the home who has been getting harassed by the people trying to get her out but she is strong independent woman. Elizabeth is good in this role going through her own struggles in the story.
Support Cast: *batteries not included has a supporting cast that is mostly just Carlos who is trying to chase them out and artist Mason living in the building, we don’t really have a need for a big cast to make this enjoyable.
Director Review: Matthew Robbins – Matthew gives us a truly enjoyable touching and charming fantasy film.
Comedy: *batteries not included has good laughs throughout mixing slapstick with jokes well.
Family: *batteries not included is one I do think the family can all enjoy.
Fantasy: *batteries not included throws us into a world where aliens can be friendly and not a threat.
Sci-Fi: *batteries not included uses the alien side of the story for the science fiction side of the story.
Settings: *batteries not included keeps most of the settings inside the building showing us how these unlikely residents could become friends.
Special Effects: *batteries not included has special effects which still look good today when it comes to the robots.
Suggestion: *batteries not included is one I do think people will enjoy. (Watch)
Best Part: Robots.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: Five ordinary people needed a miracle. Then one night, Faye Riley left the window open.
Overall: Truly enjoyable fantasy comedy.
https://moviesreview101.com/2016/08/24/batteries-not-included-1987/
The lives of these residents takes a surprise turn when robotic aliens enter the apartment fixing the damaged caused within as the resident try to communicate with them. The Aliens become part guardians of the residents who continue to fight to keep their homes.
*batteries not included is a charming comedy fantasy that we get to see the serious side of the human life where people are forced relocated. I think this point comes through strong with each side be it the residents the rich or the thugs to remove the characters it all comes off great. We also get to see the unknown with the robots appearing in the story. overall this story is easy to follow and truly enjoyable throughout.
Actor Review
Hume Cronyn: Frank Riley is the café owner and husband to Faye, he does everything he can to look after her and run a business but it is his wish that comes true when the aliens arrive. We see Frank start to have to make the difficult decision about caring for Faye in her condition. Hume is good in this role leading the film.
Jessica Tandy: Faye Riley is the wife of Frank who is suffering with dementia, she spends nearly every moment of her waking day waiting for her son to return and making friends with her condition. Jessica is great in this role where we get to see the most laughs from her character.
Frank McRae: Harry Noble is the former fighter that now is a mute living in the building watching television most of his time. He finds a way to communicate with the aliens that the others can’t. Frank is good in this role where we get to see the stronger character with a heart of gold.
Elizabeth Pena: Marisa Esteval is a pregnant resident of the home who has been getting harassed by the people trying to get her out but she is strong independent woman. Elizabeth is good in this role going through her own struggles in the story.
Support Cast: *batteries not included has a supporting cast that is mostly just Carlos who is trying to chase them out and artist Mason living in the building, we don’t really have a need for a big cast to make this enjoyable.
Director Review: Matthew Robbins – Matthew gives us a truly enjoyable touching and charming fantasy film.
Comedy: *batteries not included has good laughs throughout mixing slapstick with jokes well.
Family: *batteries not included is one I do think the family can all enjoy.
Fantasy: *batteries not included throws us into a world where aliens can be friendly and not a threat.
Sci-Fi: *batteries not included uses the alien side of the story for the science fiction side of the story.
Settings: *batteries not included keeps most of the settings inside the building showing us how these unlikely residents could become friends.
Special Effects: *batteries not included has special effects which still look good today when it comes to the robots.
Suggestion: *batteries not included is one I do think people will enjoy. (Watch)
Best Part: Robots.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: Five ordinary people needed a miracle. Then one night, Faye Riley left the window open.
Overall: Truly enjoyable fantasy comedy.
https://moviesreview101.com/2016/08/24/batteries-not-included-1987/
Darren (1599 KP) rated American Assassin (2017) in Movies
Jun 20, 2019
Story: American Assassin starts as normal American Mitch Rapp (O’Brien) sees his fiancée gunned down by terrorists and himself left for dead, 18 months later he has trained himself to eliminate the men responsible but little does he know that CIA agent Irene Kennedy (Lathan) has been watching his action.
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
Kayleigh (12 KP) rated The Hunger Games in Books
Jan 2, 2019
I finished this book for the second time around 15 minutes ago, and I’m still missing being part of its world. Yes, it’s that good. Actually, I read the whole book just today. The first time I read it, just before the film came out, I’d followed a friend’s recommendation to read the books first, and devoured all three in as many days. I then had to give up my Kindle for a few days so that my friend could read it, and she was just as enamoured. I know my American cousins loved it too. Safe to say, it was very popular in my circle of friends! I have heard a couple of dismissive comments saying it’s a rip-off of Battle Royale, but I haven’t read that yet, so I’ll reserve judgement.
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
MelanieTheresa (997 KP) Nov 26, 2019