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Gareth von Kallenbach (974 KP) rated Team America: World Police (2004) in Movies
Aug 14, 2019
With world tensions at an all time high with the very real threat of terrorism, the creators of South Park, Trey Parker and Matt Stone, have rushed to the rescue with a biting political and social satire named “Team America: World Police”.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
Andy K (10821 KP) rated Poltergeist (1982) in Movies
Oct 25, 2019
The TV People!
When the Freeling family moved into their suburban California home, little did they know what they were getting themselves into! Minor oddities began showing themselves like chairs stacking in the kitchen lights flashing or even being pulled across the kitchen floor. It felt like a "tickle". The situation quickly grows more severe as a tree outside the children's room plunges inside and tries to ingest son, Robbie. Simultaneously, a gateway of sorts opens in the children's room eventually pulling the entire contents into its closet vortex including youngest daughter, Carol Anne.
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Gareth von Kallenbach (974 KP) rated Bruno (2009) in Movies
Aug 9, 2019
Life is good for Austrian fashonista Bruno (Sacha Baron Cohen). As the star of the top Austrian fashion show, he is a fixture at all of the social events and is the flamboyant highpoint of any event he graces.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
Gareth von Kallenbach (974 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
Darren (1599 KP) rated Skinwalkers (2007) in Movies
Jul 25, 2019
Story: Skinwalkers starts as Varek (Behr) leads the hunt for a young boy for his werewolf pack, joined by Sonja (Malthe) he learns the location of Timothy (Knight) which takes him to small town to collect him.
Varek didn’t count on Timothy being under the watch of another prepared werewolf pack led by Jonas (Koteas) and his daughter-in-law Rachel (Mitra) who wasn’t ready to learn the truth that on Tim’s 13th birthday everything changes in the battle.
Thoughts on Skinwalkers
Characters – Varek is the leader of the werewolf pack that wants Timothy dead to stop the event he will cause, he hunts calmly through the film knowing how to get ahead of his enemies, though he is unaware of his connection to the child. Jonas has been protecting his nephew for years now, knowing what he means to the species, he has built the team his truss around him to make sure he is safe. Rachel is the mother of Timothy, she thinks he is just a normal kid and that she lives in a normal town, he must learn fast how to cope in this world filled with werewolves and protect her son. Sonja is the deadliest fighter on Varek side of the war, she enjoys hurting people and we see her take pleasure in this.
Performances – Jason Behr as the conflicted werewolf is good to watch, he shines on the bad boy side of this story, though when he must show the other side of the emotions we see him struggle at times. Elias Koteas is strong for his role which is one that we often see him in. Rhona Mitra does well in the reluctant heroes being the strong need to learn to battle mother figure in the film. everyone else in the film is fine without needing to be anything special, they fit their roles well to help the story flow.
Story – The story here follows two warring werewolf packs that know the importance of a child for both their existences, so basically something we have seen before only with a modern style to it. The fact the story does feel like an introduction to a much big world building idea is promising and while it isn’t the film’s fault we didn’t see the next chapter, it does show us how story telling can think ahead of time. If we are being honest this is a by the book storyline, it doesn’t bring us anything new to the werewolf mythology it just tries to keep it in the modern world.
Action/Fantasy/Horror – The action sequences are mixed bag because we have shoot-out which are routine and lack the peril for certain characters, while the fights show the effects that two werewolves fighting would have on each other. The fantasy world of werewolves living among humans is nicely done, showing two sides to them, though the horror does seem weak because we never feel terrified by what we are seeing.
Settings – The film uses the settings in a mix of quality and generic, the small town gets the big surprise with everyone being part of the protection, then we hit the road and its nothing we haven’t seen before.
Special Effects – The effects for the werewolves and wounds look nice, its just most are hidden from the full effect of the shock.
Scene of the Movie – Town stand off.
That Moment That Annoyed Me – There are a few blink and you miss it moments.
Final Thoughts –This is a by the book werewolf film, it has good moments, it has forgettable moments and ends up feeling like the pilot for a television show.
Overall: The werewolf genre done safely.
Varek didn’t count on Timothy being under the watch of another prepared werewolf pack led by Jonas (Koteas) and his daughter-in-law Rachel (Mitra) who wasn’t ready to learn the truth that on Tim’s 13th birthday everything changes in the battle.
Thoughts on Skinwalkers
Characters – Varek is the leader of the werewolf pack that wants Timothy dead to stop the event he will cause, he hunts calmly through the film knowing how to get ahead of his enemies, though he is unaware of his connection to the child. Jonas has been protecting his nephew for years now, knowing what he means to the species, he has built the team his truss around him to make sure he is safe. Rachel is the mother of Timothy, she thinks he is just a normal kid and that she lives in a normal town, he must learn fast how to cope in this world filled with werewolves and protect her son. Sonja is the deadliest fighter on Varek side of the war, she enjoys hurting people and we see her take pleasure in this.
Performances – Jason Behr as the conflicted werewolf is good to watch, he shines on the bad boy side of this story, though when he must show the other side of the emotions we see him struggle at times. Elias Koteas is strong for his role which is one that we often see him in. Rhona Mitra does well in the reluctant heroes being the strong need to learn to battle mother figure in the film. everyone else in the film is fine without needing to be anything special, they fit their roles well to help the story flow.
Story – The story here follows two warring werewolf packs that know the importance of a child for both their existences, so basically something we have seen before only with a modern style to it. The fact the story does feel like an introduction to a much big world building idea is promising and while it isn’t the film’s fault we didn’t see the next chapter, it does show us how story telling can think ahead of time. If we are being honest this is a by the book storyline, it doesn’t bring us anything new to the werewolf mythology it just tries to keep it in the modern world.
Action/Fantasy/Horror – The action sequences are mixed bag because we have shoot-out which are routine and lack the peril for certain characters, while the fights show the effects that two werewolves fighting would have on each other. The fantasy world of werewolves living among humans is nicely done, showing two sides to them, though the horror does seem weak because we never feel terrified by what we are seeing.
Settings – The film uses the settings in a mix of quality and generic, the small town gets the big surprise with everyone being part of the protection, then we hit the road and its nothing we haven’t seen before.
Special Effects – The effects for the werewolves and wounds look nice, its just most are hidden from the full effect of the shock.
Scene of the Movie – Town stand off.
That Moment That Annoyed Me – There are a few blink and you miss it moments.
Final Thoughts –This is a by the book werewolf film, it has good moments, it has forgettable moments and ends up feeling like the pilot for a television show.
Overall: The werewolf genre done safely.
Gareth von Kallenbach (974 KP) rated Phoenix Incident (2016) in Movies
Aug 6, 2019
Today’s selection, for your consideration, is another movie from the ‘found footage’ genre. I know I know. I’ve said it before and I’ll say it again … ‘The Blair Witch Project’ pretty much broke ground and played out that genre in the timespan of a single film. Hear me out though, cause the folks responsible for today’s selection tapped into the world of science fiction and ufos (and somewhat of a larger budget) to make this movie and the result is I believe a movie worthy enough to add to the selection of your Friday/Saturday night scary movie marathon. I’d even give it B-Movie/Cult Film status.
‘The Phoenix Incident’ is a documentary/sci-fi/thriller written and directed by Keith Arem and stars Yuri Lowenthal, Travis Willingham, Jamie Tisdale, Liam O’Brian, James C. Burns, Troy Baker, and Michael Adamthwaite. Based on the infamous ‘Phoenix Lights’ ufo incident which occurred on Thursday, March 13th 1997, the film merges the fictional disappearance of four local men and a military conspiracy with the factual account of thousands of people seeing what was described as a squadron or fleet of ufos seen traveling from the Nevada state line all the way to Phoenix, Arizona and later as far south as Mexico. The whole event was later attributed to a series of flares deployed as part of a trading exercise by A-10 Warthogs of U.S. National Guard (accounts vary by reports made by various media, law enforcement, and military outlets).
After overcoming a brief car accident outside of town and a brief but hostile encounter with a local religious fanatic, four of the five friends take off on their ATVs for an afternoon in the desert terrain surrounding Phoenix. As the friends are traversing the terrain and recording live video of their afternoon they suddenly spot a huge military presence consisting of warplanes, troop carriers, and attack helicopters racing into the desert at high speed. Intrigued and perhaps far too curious, the group of friends decide to try and follow the aircraft further into the desert as seen through their own camera footage. Darkness soon falls and the men become witnesses themselves to the mass UFO incident occurring over their town. Soon after though, their outing descends into absolute chaos as they become witnesses to something else. Something horrifying that will lead them into the unknown where their ultimate fate will become a mystery all its own. Included with the footage of the group are interviews with family and friends of the four missing men as well as interviews with law enforcement officials who each have different theories on what happened to the four friends. Intertwined with this footage is the account of the military exercises the men witnessed by an anonymous Air Force officer and his knowledge as to what REALLY happened to the four men that evening.
For a film made on less than a million dollars, I give this one major props. It’s definitely falls into the X-Files niche only without Mulder and Scully. I’m wondering if the filmmakers weren’t fans of ‘Unsolved Mysteries’ back in the day when Robert Stack hosted cause it has a similar bone-chilling aspect too it at some points. They didn’t CGI the hell out of the special effects either which I think is a real issue today in film and television. The acting ‘doesn’t look like acting’ either. The majority of ‘footage’ genuinely looks like a bunch of friends that start off spending the day goofing off and hanging out only to have their fun filled afternoon descend into utter hell.
I’ll give this one 3 out of 5 stars. Definitely worth the money for the digital download. Watch during sunset or at night to enhance the ‘thrill factor’ and checkout the bonus features included with the film as well. You’re liable to get caught up in it though and forget it’s fiction.
Or is it?
‘The Phoenix Incident’ is a documentary/sci-fi/thriller written and directed by Keith Arem and stars Yuri Lowenthal, Travis Willingham, Jamie Tisdale, Liam O’Brian, James C. Burns, Troy Baker, and Michael Adamthwaite. Based on the infamous ‘Phoenix Lights’ ufo incident which occurred on Thursday, March 13th 1997, the film merges the fictional disappearance of four local men and a military conspiracy with the factual account of thousands of people seeing what was described as a squadron or fleet of ufos seen traveling from the Nevada state line all the way to Phoenix, Arizona and later as far south as Mexico. The whole event was later attributed to a series of flares deployed as part of a trading exercise by A-10 Warthogs of U.S. National Guard (accounts vary by reports made by various media, law enforcement, and military outlets).
After overcoming a brief car accident outside of town and a brief but hostile encounter with a local religious fanatic, four of the five friends take off on their ATVs for an afternoon in the desert terrain surrounding Phoenix. As the friends are traversing the terrain and recording live video of their afternoon they suddenly spot a huge military presence consisting of warplanes, troop carriers, and attack helicopters racing into the desert at high speed. Intrigued and perhaps far too curious, the group of friends decide to try and follow the aircraft further into the desert as seen through their own camera footage. Darkness soon falls and the men become witnesses themselves to the mass UFO incident occurring over their town. Soon after though, their outing descends into absolute chaos as they become witnesses to something else. Something horrifying that will lead them into the unknown where their ultimate fate will become a mystery all its own. Included with the footage of the group are interviews with family and friends of the four missing men as well as interviews with law enforcement officials who each have different theories on what happened to the four friends. Intertwined with this footage is the account of the military exercises the men witnessed by an anonymous Air Force officer and his knowledge as to what REALLY happened to the four men that evening.
For a film made on less than a million dollars, I give this one major props. It’s definitely falls into the X-Files niche only without Mulder and Scully. I’m wondering if the filmmakers weren’t fans of ‘Unsolved Mysteries’ back in the day when Robert Stack hosted cause it has a similar bone-chilling aspect too it at some points. They didn’t CGI the hell out of the special effects either which I think is a real issue today in film and television. The acting ‘doesn’t look like acting’ either. The majority of ‘footage’ genuinely looks like a bunch of friends that start off spending the day goofing off and hanging out only to have their fun filled afternoon descend into utter hell.
I’ll give this one 3 out of 5 stars. Definitely worth the money for the digital download. Watch during sunset or at night to enhance the ‘thrill factor’ and checkout the bonus features included with the film as well. You’re liable to get caught up in it though and forget it’s fiction.
Or is it?
Gareth von Kallenbach (974 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
Gareth von Kallenbach (974 KP) rated The Wedding Ringer (2015) in Movies
Aug 6, 2019
When I first heard the title of this movie, I probably thought what 99% of the population thought… that sounds like The Wedding Singer. Without even knowing anything about the film I had this preconceived notion that it was about a jeweler for weddings who is the best jeweler in town! Sarcasm is so hard to convey, but picture the end of that last sentence dripping with it.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.
Charlie Cobra Reviews (1840 KP) rated The Seven Deadly Sins in TV
Jul 6, 2020
No Sins Deadlier - 8/10
The Seven Deadly Sins anime was created by A-1 Pictures and directed by Tensai Okamura. It was written by Shotaro Suga with Keigo Sasaki providing character designs and music by Hiroyuki Sawano. (Season1) The second season which is actually 4 television specials or episodes featured a story by Nakaba Suzuki. It was produced by A-1 Pictures and directed by Tomokazu Tokoro, Season 2 was also written by Yuniko Ayana and Yuichiro Kido, with character designs by Keigo Sasaki and music by Hiroyuki Sawano and Takafumi Wada. (Season2) Season 3 was an actual 24 episode season again with some changes to the creative team as well. Takeshi Furuta and Takao Yoshioka replaced Tensai Okamura and Shotaro Suga as director and series composer while most first season staff members to reprise their roles.
Once an active group of knights in the region of Britannia, "The Seven Deadly Sins" disbanded after supposedly plotting to overthrow the Liones Kingdom. Their defeat was believed to have been at the hands of the Holy Knights of Liones however persistent rumors continued that they were alive. Ten years later, the third princess, Elizabeth, begins her journey to find the "Seven Deadly Sins". She must get their help to save the Kingdom of Liones from the corrupt Holy Knights and those who plan to take over the kingdom.
This is a really great anime series. I can't believe it took me so long to get around to finishing it. They really left us hanging, waiting for season 2, and when Netflix released those 4 episodes as a whole season I was really confused. I was told by other fans of the series not to even watch them but to also not worry. A real season 2, or in this case season 3 was in the works and on the way. And not only were they right but a full length anime film released not long after. Anyways, sorry for getting off topic. The first thing I have to say when talking about this series is that there is a lot of "fan service". If you are not familiar with the term, in general fan service refers to scenes designed to excite or entice the viewer, usually of a racy or sexual nature. If that bothers you, this series is not for you. But if you can get past that there is a fantastical land of magic and knights with an epic tale of adventure waiting. At first I didn't like the character designs because to me the faces were very different from what I was use to at the time but then they grew on me and didn't seem to bother me as much. There are a lot of different looking characters, which I really enjoy seeing in anime, which was a plus to me. They also had a very interesting group dynamic since they were all based off of the seven deadly sins. There was good chemistry between the characters and a lot of camaraderie. I really enjoyed the enemies that they encountered in antagonist as well. Overall I give this series a 8/10.
If you liked this anime, after watching the entire series then watch the movie The Seven Deadly Sins Movie: Prisoners of the Sky.
Once an active group of knights in the region of Britannia, "The Seven Deadly Sins" disbanded after supposedly plotting to overthrow the Liones Kingdom. Their defeat was believed to have been at the hands of the Holy Knights of Liones however persistent rumors continued that they were alive. Ten years later, the third princess, Elizabeth, begins her journey to find the "Seven Deadly Sins". She must get their help to save the Kingdom of Liones from the corrupt Holy Knights and those who plan to take over the kingdom.
This is a really great anime series. I can't believe it took me so long to get around to finishing it. They really left us hanging, waiting for season 2, and when Netflix released those 4 episodes as a whole season I was really confused. I was told by other fans of the series not to even watch them but to also not worry. A real season 2, or in this case season 3 was in the works and on the way. And not only were they right but a full length anime film released not long after. Anyways, sorry for getting off topic. The first thing I have to say when talking about this series is that there is a lot of "fan service". If you are not familiar with the term, in general fan service refers to scenes designed to excite or entice the viewer, usually of a racy or sexual nature. If that bothers you, this series is not for you. But if you can get past that there is a fantastical land of magic and knights with an epic tale of adventure waiting. At first I didn't like the character designs because to me the faces were very different from what I was use to at the time but then they grew on me and didn't seem to bother me as much. There are a lot of different looking characters, which I really enjoy seeing in anime, which was a plus to me. They also had a very interesting group dynamic since they were all based off of the seven deadly sins. There was good chemistry between the characters and a lot of camaraderie. I really enjoyed the enemies that they encountered in antagonist as well. Overall I give this series a 8/10.
If you liked this anime, after watching the entire series then watch the movie The Seven Deadly Sins Movie: Prisoners of the Sky.