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Ravage (Ravaged World Trilogy #2)
Ravage (Ravaged World Trilogy #2)
Iain Rob Wright | 2015 | Horror
8
8.5 (2 Ratings)
Book Rating
I just love a good horror book every now and then as it enables me to put all believability aside and just go along for the ride ... this one did the job and is another great story from Iain Rob Wright. Despite it being the second in the series ("Sea Sick" being the first), it can easily be read as a standalone.

I don't read an awful lot of zombie apocalypse books so don't have anything to compare this one with which, I think, is probably a good thing as I had no expectations but I was a lover of The Walking Dead and I do think this is similar in it's plot, i.e. a band of survivors coming up against hordes of the living dead and various miscreants in society where no one is safe and anyone can meet their end at any time regardless of their importance.

There is your usual set of characters in this book from the nice to the downright nasty some of which are more developed than others which I think is out of necessity as there are many of them. The various settings are perfect and "normal", the writing is set at a good pace and is easy to read. There are, as you would expect, many scenes of peril and death with a good smattering of blood and gore (not always due to the zombies) but also more tender moments that provided some relief and softness in what would otherwise be a bleak read.

I felt the addition of "The Path of Infection" at the end was excellent and provided an explanation as to how the virus spread from when it came ashore to reaching one of the main characters, Nick, and it makes you think just how easily this could happen in the real world with any virus or infection such as flu, Ebola, etc.

Overall, a thoroughly enjoyable read and now I'm off to read "Savage", the last in the series.
  
The Shadow Reader (The Shadow Reader, #1)
The Shadow Reader (The Shadow Reader, #1)
Sandy Williams | 2011 | Romance, Science Fiction/Fantasy
7
7.0 (1 Ratings)
Book Rating
This starts with McKenzie doing in a test in a lecture hall at Uni, only she's interrupted mid test by her friend and love interest, Kyol--sword-master of the current Fae King. The rebels have found her and she's in danger. They run from the room but get attacked by the rebels as they try to escape. In the end, McKenzie fall into the rebels trap and ends up their captive. McKenzie keeps attempting to escape and though half of the rebels want her dead, the leader, Aren, wants her kept alive.

What follows is a complicated twisty tale of right and wrong, of realising that what you thought was the truth for so long has been twisted and put in a new light so you'll go along with it. Truths are revealed that you agree with.

There is an element of love-triangle going on in this. She's had a "thing" with Kyol for ten years: touches and kisses that are prohibited under the King's ruling of no relationships between humans and Fae. And then there's Aren. The rebel leader who steals her away and tries to convince her that the Court is using her for their own gains and not for the good of the people.

In truth I think I was more Team Aren. We got to see more of his relationship progression with McKenzie. They go from not trusting or liking each other particularly to that tender, sweet touches, stage of falling for each other. Don't get me wrong, I like Kyol. But I think because we missed the start of their relationship growth all those years ago that I don't feel as strong of a connection between them.

By the end of this I was urging our group to win the fight. And now I'm very interested in what's going to happen next with this ragtag group.
  
Venom: The Last Dance (2024)
Venom: The Last Dance (2024)
2024 |
7
6.0 (2 Ratings)
Movie Rating
A Chaotic Farewell with Flashes of Brilliance
Venom: Last Dance marks the end of Eddie Brock’s wild, symbiotic saga, and while it doesn’t entirely stick the landing, it’s a fittingly chaotic swan song for the antihero. With Tom Hardy once again embracing the absurdity of his dual role, the film offers plenty of the franchise’s trademark blend of humor, action, and madness—but it’s also weighed down by an uneven plot and overambitious storytelling.

One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.

Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.

The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.

Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.