Kristy H (1252 KP) rated The Familiar Dark in Books
Apr 9, 2020
"It had happened now, finally. The disaster I'd been anticipating from the second Junie was born. And I had never even seen it coming."
The title of the book simply doesn't cover it. This is a dark story. Engel captures the small town of Barren Springs perfectly. Our story is told completely from Eve's perspective, which I loved, and things unwind and unfurl as she figures things out. As mentioned, this is a dark tale, as Junie and Izzy's deaths are terrible. Eve's grief just pours off the pages. She is quickly pulled back to the horrors of her childhood and all that she endured. We see immediately that she's going to seek vengenance for what happened to Junie--no matter what. In any fashion, in any way.
I felt as if I almost became one with Eve as I read this book. She is riveting. As a mom, this book broke my heart, and the novel was a testament to a mother's love. It's oddly tender despite its horrifying and sad moments, and I defy you not to love Eve, despite her flaws. The book shows how her childhood formed her, and her brother Cal, whom is really the only person Eve has left after Junie's death.
I could rave on and on, but I don't want to risk spoiling anything. This book isn't for the faint of heart and it's not exactly an uplifting read, but as mentioned, it still resonates as a read about the power of family and love, despite its tense, uncomfortable moments. I am wowed by Engel's writing and can't wait to see what she comes up with next.
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Gareth von Kallenbach (980 KP) rated Coco (2017) in Movies
Jul 11, 2019
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
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