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Gareth von Kallenbach (980 KP) rated Funny People (2009) in Movies
Aug 9, 2019
We all have our favorite Adam Sandler movies. There are the fans of The Wedding Singer and 50 First Dates and there’s the loyal camp who can quote Happy Gilmore or Big Daddy verbatim. You hear the name Adam Sandler’s and you think goofy, lovable guy. Dependably funny and quotable, from the mid-90’s on, he was the go-to comedian when we looked for an easy laugh. Of late, with the growing list of popular movies under his belt, when you think goofy, lovable funny guy, another name comes up: Seth Rogan. In “Funny People” you get them both.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Baby Night Light HD
Lifestyle and Entertainment
App
Baby Nightlight is a magical app that lights up in the dark and gives off soft and comforting light...
Three Graves Full
Jon Gray and Jamie Mason
Book
Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...
Kristy H (1252 KP) rated We Are All the Same in the Dark in Books
Sep 24, 2020
Stunning, shocking thriller filled with dark twists
Ten years ago, Trumanell Branson disappeared, along with her no-good daddy. But it's beautiful Trumanell her Texas town remembers and mourns. And, despite no arrests, they blame her brother, Wyatt, who lives alone on the old Branson homestead, hated by the entire town. When Wyatt, a trucker, finds a girl in a field of dandelions, he thinks it's a sign. As for the town cop, Odette--who has a long history with Wyatt--she fears the discovery of this girl will only turn the town against Wyatt fully and permanently. But when she goes to retrieve her, she feels drawn to the girl. Odette is haunted by Trumanell's disappearance, and now, the arrival of this mystery girl. As she digs into the past and the present, she uncovers shocking secrets about her town and the night that forever changed it.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
Zoo Craft: Build & Design
Games and Entertainment
App
New zoo games! Trip to the zoo with kids! Build zoo, care about animals, become a zoo tycoon! Theme...
Call Buddy - Call Recorder
Business
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Call Buddy Unlimited brings you unlimited iPhone call recording at the most attractive price in the...
Kristy H (1252 KP) rated Then She Was Gone in Books
Apr 24, 2018 (Updated Apr 24, 2018)
Excellent psychological thriller - hard to put down!
It's been ten years since Laurel Mack's beloved youngest daughter, Ellie, disappeared. She was fifteen and adored by her parents and boyfriend. Intelligent, bright, and excited about her future, Ellie was just about to sit for her exams when she vanished. In the years since her daughter's disappearance, Laurel's marriage has fallen apart, and her relationship with her two remaining children is strained. She is resigned to her lonely life until she randomly meets Floyd one day in a coffee shop. The two begin to date, bringing some joy and excitement back into Laurel's solitary life. She also meets Floyd's daughters; the youngest, Poppy, reminds Laurel so much of Ellie sometimes that she can barely stand it. As Laurel tentatively allows herself to feel happy again, she also cannot help but to again question Ellie's disappearance. What really happened to her daughter? And why does she feel so strangely drawn to this young girl who looks so very much like her long-lost daughter?
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Sassy Brit (97 KP) rated The Widows in Books
Jun 5, 2019
The Widows by Jess Montgomery is inspired by the true story of Ohio’s first female sheriff. The plot delves into how two women fought greed and violence while overcoming the loss of a loved one.
The author noted, “This is a darker and deeper style of writing, much more than my other stories. For example, I examine the Pinkerton men and the violence they used. I read multiple books that talked about how these men would shoot up the striking camps. I put in this book quote by one of the Pinkerton men, ‘A real war, and then, rule of law won’t matter. Those miners who resist, why, we’ll put ‘em down like rabid dogs.’”
The protagonists Lily and Marvena are based on the real-life historical figures of Maude Collins, the first female sheriff in Ohio, and Mother Jones, the famous activist and labor organizer. Sheriff Daniel Ross, the husband of Lily is murdered and no one knows by whom. Those powerful in the town want to pin it on a coal miner, Marvena’s brother. She has something in common with Lily since she also lost her husband, but to a coal mining accident. Because the mine owners think she will be easy to control, Lily is appointed sheriff pending the next election. But having a mind of her own and a sense of justice she partners with Marvena to find the elusive murderer and Marvena’s missing daughter.
“I wrote both Lily and Marvena as tough. Lily is sensitive but is also a protector who wants to support her community. She keeps her emotions close to her heart. Marvena is fierce and persistent, but also has a tender streak. Although both women were wary of each other at first, they have a common goal to find out what happened. They end up with a strong friendship and recognize that each is balancing their own demons.”
Readers might be curious as to what is real and what is fiction. Montgomery commented, “In real life Collins had five children, and the person who killed her husband was known. I decided it would be interesting to have Lily take the sheriff position to find out who killed her husband. The similarity is that both women lost their husbands in the line of duty, both were appointed sheriff, and both were elected. The differences: Lily is eight years younger than Maude during that time period and she had only had two children.”
Historical facts are intertwined in this novel that also has strong female characters and an intriguing mystery. Readers get a glimpse into the 1920s-coal mining town in Appalachian Ohio as the author examines women’s rights, prohibition, and the life of a coal miner.
The author noted, “This is a darker and deeper style of writing, much more than my other stories. For example, I examine the Pinkerton men and the violence they used. I read multiple books that talked about how these men would shoot up the striking camps. I put in this book quote by one of the Pinkerton men, ‘A real war, and then, rule of law won’t matter. Those miners who resist, why, we’ll put ‘em down like rabid dogs.’”
The protagonists Lily and Marvena are based on the real-life historical figures of Maude Collins, the first female sheriff in Ohio, and Mother Jones, the famous activist and labor organizer. Sheriff Daniel Ross, the husband of Lily is murdered and no one knows by whom. Those powerful in the town want to pin it on a coal miner, Marvena’s brother. She has something in common with Lily since she also lost her husband, but to a coal mining accident. Because the mine owners think she will be easy to control, Lily is appointed sheriff pending the next election. But having a mind of her own and a sense of justice she partners with Marvena to find the elusive murderer and Marvena’s missing daughter.
“I wrote both Lily and Marvena as tough. Lily is sensitive but is also a protector who wants to support her community. She keeps her emotions close to her heart. Marvena is fierce and persistent, but also has a tender streak. Although both women were wary of each other at first, they have a common goal to find out what happened. They end up with a strong friendship and recognize that each is balancing their own demons.”
Readers might be curious as to what is real and what is fiction. Montgomery commented, “In real life Collins had five children, and the person who killed her husband was known. I decided it would be interesting to have Lily take the sheriff position to find out who killed her husband. The similarity is that both women lost their husbands in the line of duty, both were appointed sheriff, and both were elected. The differences: Lily is eight years younger than Maude during that time period and she had only had two children.”
Historical facts are intertwined in this novel that also has strong female characters and an intriguing mystery. Readers get a glimpse into the 1920s-coal mining town in Appalachian Ohio as the author examines women’s rights, prohibition, and the life of a coal miner.
Gareth von Kallenbach (980 KP) rated Bad Times at the El Royale (2018) in Movies
Jul 2, 2019
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
We Need to Talk About ... Kevin Bridges
Book
This is the comic autobiography of 2014. A comedian's autobiography? I wonder if he's ever used...