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The Star (Charleston Condors #1)
8.0
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Tight end Landry Banks knows the score when he signs with the Charleston Condors in a rebuilding...
Contemporary MM Sports Romance Best Friend's Little Brother Bisexual Awakening
Terminal Threat (A Leine Basso Thriller #13)
8.0
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A former assassin makes a new start in a small town on the coast of Italy, but puts herself squarely...
Mark @ Carstairs Considers (2478 KP) rated Yosemite in Books
Apr 12, 2024
Hiding in the Wilderness of Yosemite
Jack Prester’s latest assignment is to take three CPA’s into the wilderness around Yosemite and hide them from the assassins after them so they can be witnesses at an upcoming trial. Jack’s dad thinks it is doomed to fail, and with a new baby, the stakes for Jack are high. But his agrees, with his parents and Ev staying nearby to provide support if needed. Will he be able to keep everyone alive for two weeks?
It's been almost ten years since I read the previous book in the series, but I quickly slipped back into his world, and it was wonderful connecting with the characters again. Because we get the story from multiple points of view, we get to see the tourist spots as well as the area Jack is traveling. This also allows the tension to rise as we keep reading. This isn’t a high-octane thriller with tons of action, but it was impossible to put down since I had to know how it would turn out. I did feel like a couple of minor things weren’t tied up with a nice bow, but I’m being nitpicky here. On the whole, I loved getting to spend time with Jack again, and I can’t wait to crack open the next in the series.
It's been almost ten years since I read the previous book in the series, but I quickly slipped back into his world, and it was wonderful connecting with the characters again. Because we get the story from multiple points of view, we get to see the tourist spots as well as the area Jack is traveling. This also allows the tension to rise as we keep reading. This isn’t a high-octane thriller with tons of action, but it was impossible to put down since I had to know how it would turn out. I did feel like a couple of minor things weren’t tied up with a nice bow, but I’m being nitpicky here. On the whole, I loved getting to spend time with Jack again, and I can’t wait to crack open the next in the series.
ClareR (6062 KP) rated The Hurricane Wars in Books
Jan 19, 2024
I think I came at this book from a completely different angle than all the 1-3 star reviews I’ve seen, because I thoroughly enjoyed it! The world building was perfectly done - I believed in these places, customs and conflicts. The magic element was exciting, and Talasyn’s journey to learning how to control and use her magic was fascinating.
And then there’s Talasyn’s love interest. Alaric uses a magic that’s the opposite to Talasyn’s - dark to her light. When their magic accidentally merges during a battle and creates a new, immensely powerful magic, Alarics interest is piqued. Talasyn hates Alaric and his kingdom - or does she?
There’s a lot of sexual tension going on in this book, and Alaric and Talasyn have a rather combative relationship. There was a part of me that just wanted them to sort it out, but there’s a lot of water under the bridge between these two, so it’s understandable.
So, I’m looking forward to the next book for a lot of reasons: there’s the “will they/ won’t they; whether Alarics father will ruin everything or not; whether the continents will survive the ensuing natural disaster; whether Talasyn will harness her powers in time; what’s going to happen to Talasyn’s friends?!
So many questions and I’m just going to have to wait!
And then there’s Talasyn’s love interest. Alaric uses a magic that’s the opposite to Talasyn’s - dark to her light. When their magic accidentally merges during a battle and creates a new, immensely powerful magic, Alarics interest is piqued. Talasyn hates Alaric and his kingdom - or does she?
There’s a lot of sexual tension going on in this book, and Alaric and Talasyn have a rather combative relationship. There was a part of me that just wanted them to sort it out, but there’s a lot of water under the bridge between these two, so it’s understandable.
So, I’m looking forward to the next book for a lot of reasons: there’s the “will they/ won’t they; whether Alarics father will ruin everything or not; whether the continents will survive the ensuing natural disaster; whether Talasyn will harness her powers in time; what’s going to happen to Talasyn’s friends?!
So many questions and I’m just going to have to wait!
Hunt In The Night (Blood and Bonds #3)
10.0
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Book three in the Blood and Bonds series Hunting killers is Mason’s job. But falling for a...
Mark @ Carstairs Considers (2478 KP) rated Murder on Mistletoe Lane in Books
Dec 19, 2023 (Updated Dec 19, 2023)
Stella and Lyndy’s First Christmas Together Involves Murder
It’s late December 1905, and Stella and Lyndy are excited to spend their first Christmas together. Stella is a little confused by the house guests her in-laws have invited and the tension just below the surface their presence creates. But when a servant is killed, run down on the side of the road, she can’t help but investigate. Can she figure out what happened?
This is another strong entry in the series. I was glad that Stella and Lyndy were home since it meant that the supporting characters were back. I loved watching those relationships and characters grow more complex yet again here. There is a lot happening in this book, and the plots weave in and out of each other before reaching the logical climax. I did have a niggle with the climax, but it was a small one. The tone is a little somber, but it is in keeping with the rest of the series. On the other hand, all the scenes involving Christmas put me in the Christmas spirit, even if not everything was familiar. As always, the multiple view points of the narration were put to fantastic use. Those who enjoy historical mysteries will be glad they picked this one up.
This is another strong entry in the series. I was glad that Stella and Lyndy were home since it meant that the supporting characters were back. I loved watching those relationships and characters grow more complex yet again here. There is a lot happening in this book, and the plots weave in and out of each other before reaching the logical climax. I did have a niggle with the climax, but it was a small one. The tone is a little somber, but it is in keeping with the rest of the series. On the other hand, all the scenes involving Christmas put me in the Christmas spirit, even if not everything was familiar. As always, the multiple view points of the narration were put to fantastic use. Those who enjoy historical mysteries will be glad they picked this one up.
Death and The Poet (The Publius Ovidius Mysteries #2)
Book
14 AD. When Dokimos the vegetable seller is found bludgeoned to death in the Black Sea town of...
Historical Mystery
Lee (2222 KP) rated Get Out (2017) in Movies
Jul 26, 2017
Amazingly, I managed to head into Get Out having not even seen the trailer. It had been appearing more and more frequently on my news feeds recently, usually accompanied by a lot of positive buzz, and usually featuring an image of lead character Chris, wide eyed and terrified, with a tear running down his cheek (note that I’ve continued this trend with my review!). Described as a racial satire/horror it just didn’t really feature high on my watch list, but I booked a ticket to go see it, wanting to see what all the buzz was about. I’m kind of glad that I went in relatively blind as to what to expect though, as I was absolutely blown away by it.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Bob Mann (459 KP) rated 47 Meters Down (2017) in Movies
Sep 29, 2021
Down Down, Deeper and Down.
It’s summer again; it’s a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed….. (Go on, how deep? Have a guess. Go on, go on, go on …)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.