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Andy K (10823 KP) rated Days of Heaven (1978) in Movies
Jul 7, 2019
Gorgeous sprawling vistas
While I am still a Terrence Malick novice, I truly appreciate the small amount of his films I have seen. Having recently watched The Tree of Life which I found amazing I thought I would look up a few more to see what I was missing.
In or around 1916 middle America, an expansive wheat farm is worked for harvesting by hoards of day laborers. The landowner takes a fancy to one of his prettiest workers and asks her to stay on along with her brother and little sister. Little does the man know the other man is indeed her beau instead of her brother. A love triangle develops after she marries the rich man that slowly builds in tension until the poor couple's relationship is uncovered.
Peril comes to the farm in the form of locusts which threaten the crops and a subsequent fire which could destroy the fields completely.
I have found when I watch a Malick film, an very important supporting character is the landscape, atmosphere and world of nature around their human counterparts. In this film, the majestic fields are supplemented with shots of animals in the fields, vast sky and cloud formations and even unseen plants fighting to break through the soil.
I think these elements add much to deepen the immersion of the audience into the story Malick is telling and helps you accept the world around them quickly.
Richard Gere, Brooke Adams and the handsome Sam Shepard (they all looked so young) were beautifully photographed and played their parts well as we believed their emotions completely.
A truly magnificent film!
In or around 1916 middle America, an expansive wheat farm is worked for harvesting by hoards of day laborers. The landowner takes a fancy to one of his prettiest workers and asks her to stay on along with her brother and little sister. Little does the man know the other man is indeed her beau instead of her brother. A love triangle develops after she marries the rich man that slowly builds in tension until the poor couple's relationship is uncovered.
Peril comes to the farm in the form of locusts which threaten the crops and a subsequent fire which could destroy the fields completely.
I have found when I watch a Malick film, an very important supporting character is the landscape, atmosphere and world of nature around their human counterparts. In this film, the majestic fields are supplemented with shots of animals in the fields, vast sky and cloud formations and even unseen plants fighting to break through the soil.
I think these elements add much to deepen the immersion of the audience into the story Malick is telling and helps you accept the world around them quickly.
Richard Gere, Brooke Adams and the handsome Sam Shepard (they all looked so young) were beautifully photographed and played their parts well as we believed their emotions completely.
A truly magnificent film!
Andrew Kennedy (199 KP) rated Cube (1997) in Movies
Jul 8, 2019
The puzzles (1 more)
Original concept
Before Saw and Hostel conjured up the term "torture porn" and it was rammed home with each sequel, a little Canadian film called Cube came out to little fanfare in 1997.
Made for a mere $400,000 dollars and with a lot of the special effects provided by local Canadian companies for free.
It is a simple yet ingenious premise, six strangers awaken in series of cube like rooms no recollection of how they got there or even why they are there. It also seems some of the rooms contain traps.
The tense and almost claustrophobic surroundings force both friendships and mistrust in equal measure.
The characters are well rounded and deliver believable performances of people trapped against their will, for the most part. There is a one point I disliked that felt too preachy but I did like the character.
The other thing I enjoyed was the forced interaction between the main protagonists because while there are traps this isn't some Saw film, the traps are present but just to provide the threat of one false move. I would even argue that at times the traps don't provide much of a threat but the "silent cube" really rings every drop of tension out of that scene.
The most interesting thing I found was that some people criticized the ending. Yes by the end not everything is explained, there is a lot of questions left unanswered and this is a good thing.
Why must we have everything explained? Leave thinking and wondering. Director Vincenzo Natali did film a longer ending and it was the first thing he cut.
Made for a mere $400,000 dollars and with a lot of the special effects provided by local Canadian companies for free.
It is a simple yet ingenious premise, six strangers awaken in series of cube like rooms no recollection of how they got there or even why they are there. It also seems some of the rooms contain traps.
The tense and almost claustrophobic surroundings force both friendships and mistrust in equal measure.
The characters are well rounded and deliver believable performances of people trapped against their will, for the most part. There is a one point I disliked that felt too preachy but I did like the character.
The other thing I enjoyed was the forced interaction between the main protagonists because while there are traps this isn't some Saw film, the traps are present but just to provide the threat of one false move. I would even argue that at times the traps don't provide much of a threat but the "silent cube" really rings every drop of tension out of that scene.
The most interesting thing I found was that some people criticized the ending. Yes by the end not everything is explained, there is a lot of questions left unanswered and this is a good thing.
Why must we have everything explained? Leave thinking and wondering. Director Vincenzo Natali did film a longer ending and it was the first thing he cut.
Lyndsey Gollogly (2893 KP) rated World Without End in Books
Feb 4, 2020
Contains spoilers, click to show
World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroads of new ideas—about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race—the Black Death.
Back to Kingsbridge., Following the lives of the children from pillars of the earth. I loved this book so much even more than the first! Ken Follett has a way of dragging you into this world and just making you believe it's now and you seeing it all unfold. Caris is inspirational watching her fight her way through to be exactly who he wants be and letting noone stand in her way despite what they try and do! Gwenda has fought for absolutely everything in her life, her man , her work her children. Ralph is just absolutely vile never have I read about a character I despise more! Well philmore comes bloody close. So many lives to follow and lose yourself in. Highly recommended these books are just brilliant!!
Kingsbridge survives the plague so what's next??
The cathedral is still the centre of it all
Back to Kingsbridge., Following the lives of the children from pillars of the earth. I loved this book so much even more than the first! Ken Follett has a way of dragging you into this world and just making you believe it's now and you seeing it all unfold. Caris is inspirational watching her fight her way through to be exactly who he wants be and letting noone stand in her way despite what they try and do! Gwenda has fought for absolutely everything in her life, her man , her work her children. Ralph is just absolutely vile never have I read about a character I despise more! Well philmore comes bloody close. So many lives to follow and lose yourself in. Highly recommended these books are just brilliant!!
Kingsbridge survives the plague so what's next??
The cathedral is still the centre of it all
JT (287 KP) rated Greta (2019) in Movies
Mar 10, 2020
Psychological thrillers come without much surprise these days. After the initial character introductions and back stories have bee laid out, the tension is ramped up until a climactic ending, which often falls flat – unless there is a clever twist.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
JT (287 KP) rated The Mule (2018) in Movies
Mar 10, 2020
With the internet flower business putting him into foreclosure, Earl Stone (Eastwood) must find alternative ways to make money. A man who was more dedicated to things growing in the ground than the family he neglected until it was too late he turns up at his granddaughter’s birthday party and doesn’t get a warm welcome.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
Gareth von Kallenbach (980 KP) rated The Hunt (2020) in Movies
Mar 11, 2020
The new film “The Hunt” has arrived after being delayed due to world events and controversy over the films content and themes.
The film involves a group of people who wake up gagged in a field and soon find themselves being hunted by a group of unknown individuals.
After a bloody and brutal initial encounter; the remaining individuals head out into the surrounding area and soon becomes a situation with far more questions than answers.
One of the Hunted is Crystal (Betty Gilpin) deduces that things are much more complex then they seem and things take a turn in a new direction.
At this point in the film I was thinking that it was lacking any real tension or suspense as the characters were not overly developed and it made investing in their outcome difficult. The film then changes direction and looks at events of the past and also explains more about the Hunters and their motivations which is somewhat unexpected.
The film is a very difficult one to review as people will expect it to be an Action/Suspense film based on the trailers. That is really just a small part of the story which is actually closer to a Dark Comedy with heavy political overtones.
Those overtones are likely to be very controversial and may put people off from seeing the film. During my post-screening comments I said that I am going to need some time to wrap my head around this film as to if I liked it or not. It is easy to dismiss it as propaganda but it is an interesting hybrid that regardless of where you stand; does make you think.
The film involves a group of people who wake up gagged in a field and soon find themselves being hunted by a group of unknown individuals.
After a bloody and brutal initial encounter; the remaining individuals head out into the surrounding area and soon becomes a situation with far more questions than answers.
One of the Hunted is Crystal (Betty Gilpin) deduces that things are much more complex then they seem and things take a turn in a new direction.
At this point in the film I was thinking that it was lacking any real tension or suspense as the characters were not overly developed and it made investing in their outcome difficult. The film then changes direction and looks at events of the past and also explains more about the Hunters and their motivations which is somewhat unexpected.
The film is a very difficult one to review as people will expect it to be an Action/Suspense film based on the trailers. That is really just a small part of the story which is actually closer to a Dark Comedy with heavy political overtones.
Those overtones are likely to be very controversial and may put people off from seeing the film. During my post-screening comments I said that I am going to need some time to wrap my head around this film as to if I liked it or not. It is easy to dismiss it as propaganda but it is an interesting hybrid that regardless of where you stand; does make you think.
Gareth von Kallenbach (980 KP) rated Midnight Special (2016) in Movies
Aug 6, 2019
As children, we often fantasize about what it would be like to possess superpowers or some trait that sets us further apart from our peers. We imagine ourselves as being able to become invisible, fly, or command animals. The film Midnight Special introduces us to a young boy who is blessed with a special gift that no one can quite comprehend. A religious cult seeks the boy as their savior. The government wants to use him as a weapon. His father wants to protect him.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
LeftSideCut (3776 KP) rated Aliens (1986) in Movies
Feb 13, 2020
An absolute screamer of a sequel
Aliens may very well be the best sequel of all time, if not it's certainly up there!
The original Alien is about as perfect as sci-fi horror can get, so it was a smart move on James Cameron's part to not recycle that again, and take Alien in a different direction.
The slow burning, claustrophobic high tension of the original is replaced here with all out war.
The simple idea of multiple Xenomorphs is effective and terrifying, and packs the runtime of Aliens with top tier action.
Sigourney Weaver returns as Ellen Ripley, and whilst she was a tough yet vulnerable survivor first time around, here we get to see her vulnerability crumble away. By the time the final act kicks in and Ripley is decked out in a mech...she just a badass from here on out.
She's is joined by a group of gun toting, 80s as fuck mercenaries, including the likes of Michael Biehn (fresh from the recently released, first Terminator movie), Bill Paxton, Al Matthews, Jenette Goldstein, and of course Lance Henriksen as Android, Bishop. It's a fantastic cast, who all end up mattering one way or another, even the ones who don't last very long.
The Xenomorphs themselves look as horrifying as ever, still practically achieved, and have an urgent sense of visceral danger whenever they're on screen.
Aliens is also the debut if the Alien Queen, a classic staple of the series since.
No matter how much time goes by, Aliens never fails to be entertaining, and still looks great. It's James Cameron at the top of his game.
The original Alien is about as perfect as sci-fi horror can get, so it was a smart move on James Cameron's part to not recycle that again, and take Alien in a different direction.
The slow burning, claustrophobic high tension of the original is replaced here with all out war.
The simple idea of multiple Xenomorphs is effective and terrifying, and packs the runtime of Aliens with top tier action.
Sigourney Weaver returns as Ellen Ripley, and whilst she was a tough yet vulnerable survivor first time around, here we get to see her vulnerability crumble away. By the time the final act kicks in and Ripley is decked out in a mech...she just a badass from here on out.
She's is joined by a group of gun toting, 80s as fuck mercenaries, including the likes of Michael Biehn (fresh from the recently released, first Terminator movie), Bill Paxton, Al Matthews, Jenette Goldstein, and of course Lance Henriksen as Android, Bishop. It's a fantastic cast, who all end up mattering one way or another, even the ones who don't last very long.
The Xenomorphs themselves look as horrifying as ever, still practically achieved, and have an urgent sense of visceral danger whenever they're on screen.
Aliens is also the debut if the Alien Queen, a classic staple of the series since.
No matter how much time goes by, Aliens never fails to be entertaining, and still looks great. It's James Cameron at the top of his game.
The Open Championship 2015: The Official Story
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