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Isabel Smith (34 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 23, 2018
The music is back, the dinosaurs are back, the chaos is back!
Jurassic Park is one of my all time favorite movie series. There are so many iconic moments in the original movie and I love that this latest addition to the series makes some of those moments come alive for both long-time fans and a new generation of fans. Jurassic World: Fallen Kingdom brings fans all of the music and action they've fallen in love with over the years and mixes into that a whole new conundrum. With an active volcano threatening to wipe out all of the dinosaurs that have been abandoned on Isla Nublar, the world must decide if they want to step in and rescue the dinosaurs or let nature run its course.
Jeff Goldblum returns to the franchise as the famous mathematician, Dr. Ian Malcolm, and if you've seen any of the original movies you can probably guess where he stands on the matter. Chris Pratt and Dallas Bryce Howard also resume their former roles, Owen Grady and Claire Dearing respectively. The pair disagrees on what the outcome for the dinosaurs should be, but they team up nonetheless and their romantic tension provides a lot of comic relief throughout the movie.
Overall, Jurassic World: Fallen Kingdom does a wonderful job of blending the old with the new (in terms of themes, characters, etc). A number of well-placed twists keeps the audience in suspense. There are heart-wrenching moments that make you want to cry, celebratory moments that make you want to cheer, action-filled moments that make your heart rate skyrocket, and plain old funny moments that make you laugh. What more can you ask for in movie? Flock to a nearby theater, hold onto your butts, and watch it today!
Jeff Goldblum returns to the franchise as the famous mathematician, Dr. Ian Malcolm, and if you've seen any of the original movies you can probably guess where he stands on the matter. Chris Pratt and Dallas Bryce Howard also resume their former roles, Owen Grady and Claire Dearing respectively. The pair disagrees on what the outcome for the dinosaurs should be, but they team up nonetheless and their romantic tension provides a lot of comic relief throughout the movie.
Overall, Jurassic World: Fallen Kingdom does a wonderful job of blending the old with the new (in terms of themes, characters, etc). A number of well-placed twists keeps the audience in suspense. There are heart-wrenching moments that make you want to cry, celebratory moments that make you want to cheer, action-filled moments that make your heart rate skyrocket, and plain old funny moments that make you laugh. What more can you ask for in movie? Flock to a nearby theater, hold onto your butts, and watch it today!
Kristin (149 KP) rated Kill Ratio in Books
Dec 7, 2018
Disclaimer: I received a copy in exchange for an honest review.
It's actually happened: the zombie apocalypse is among us. Caused by a virus spreading exponentially through the population, it looks like there's no end in sight. Chad Halverson, however, is going to do his best to make it out alive. See, he knows exactly how this all started, and the government--his own co-workers, in fact--want him dead for that knowledge. Meanwhile, the President and his council are holed up in Mount Weather, ready to make some chilling decisions that will affect the entire world. Who will win, who will lose, and will we ever be the same again?
I thought this was a captivating book. The characters are intriguing; the story is one that could eventually happen, what in this day of germ warfare and other craziness; and the general tone of the book is depressing but hopeful at the same time. Jumping back and forth between Chad's group and those at Mount Weather was a very neat concept, as you could see what was REALLY going on in the world versus what the government fat-cats could see and were debating about. That group in itself was great; I felt like that's exactly what would happen in a situation like this, and the ongoing tension and escalating tempers were just perfect.
I would recommend this book to anyone who likes a good zombie story, but also for those who want to know just what the government would do in this situation. I believe it's depicted quite accurately; will you?
4 stars
P.S. I may have shortened my boyfriend's life by showing him the cover upon first waking up. =)
It's actually happened: the zombie apocalypse is among us. Caused by a virus spreading exponentially through the population, it looks like there's no end in sight. Chad Halverson, however, is going to do his best to make it out alive. See, he knows exactly how this all started, and the government--his own co-workers, in fact--want him dead for that knowledge. Meanwhile, the President and his council are holed up in Mount Weather, ready to make some chilling decisions that will affect the entire world. Who will win, who will lose, and will we ever be the same again?
I thought this was a captivating book. The characters are intriguing; the story is one that could eventually happen, what in this day of germ warfare and other craziness; and the general tone of the book is depressing but hopeful at the same time. Jumping back and forth between Chad's group and those at Mount Weather was a very neat concept, as you could see what was REALLY going on in the world versus what the government fat-cats could see and were debating about. That group in itself was great; I felt like that's exactly what would happen in a situation like this, and the ongoing tension and escalating tempers were just perfect.
I would recommend this book to anyone who likes a good zombie story, but also for those who want to know just what the government would do in this situation. I believe it's depicted quite accurately; will you?
4 stars
P.S. I may have shortened my boyfriend's life by showing him the cover upon first waking up. =)
KarenRC (6 KP) rated The Box: Puppets and Puppeteers in Books
Jul 23, 2018
I don’t even know where to start… Wow!
First off, the little recap of the story from the first book at the start is brilliant. I was lucky enough to read the books back to back, but if you didn’t, this meant that you could go in without having to be trying to remember what was going on!
It continues straight on from book one and very soon you are drawn into what I can only describe as one of the best pieces of descriptive writing that I have ever had the pleasure of reading. Every part of The Diamond Ball is utterly sublime. I don’t want to spoil the experience for anyone else so all I will say is that it felt like I was there and I would give anything to see it on-screen one day.
The story has moved away a little from the rest of the students and is now focused on Axel, ‘The Box’ and how they plan to destroy The Academy. They are still being vague with Axel about their plans, but maintain that he is the lynchpin of it all. He was already conflicted as to whether to trust them, but after the events at The Diamond Ball are his allegiances being pulled in another direction entirely?
We also go back 4 years to follow the fate of another ex-student and how they had tried to escape The Academy, but what is their connection to ‘The Box’ and how will their experiences with them influence Axel in the present day?
The writing is again perfectly paced with the tension building brilliantly and all the characters a pleasure to read about. I literally cannot wait for the next book!
First off, the little recap of the story from the first book at the start is brilliant. I was lucky enough to read the books back to back, but if you didn’t, this meant that you could go in without having to be trying to remember what was going on!
It continues straight on from book one and very soon you are drawn into what I can only describe as one of the best pieces of descriptive writing that I have ever had the pleasure of reading. Every part of The Diamond Ball is utterly sublime. I don’t want to spoil the experience for anyone else so all I will say is that it felt like I was there and I would give anything to see it on-screen one day.
The story has moved away a little from the rest of the students and is now focused on Axel, ‘The Box’ and how they plan to destroy The Academy. They are still being vague with Axel about their plans, but maintain that he is the lynchpin of it all. He was already conflicted as to whether to trust them, but after the events at The Diamond Ball are his allegiances being pulled in another direction entirely?
We also go back 4 years to follow the fate of another ex-student and how they had tried to escape The Academy, but what is their connection to ‘The Box’ and how will their experiences with them influence Axel in the present day?
The writing is again perfectly paced with the tension building brilliantly and all the characters a pleasure to read about. I literally cannot wait for the next book!
Teeny (11 KP) rated Hereditary (2018) in Movies
Jul 3, 2018
The trailer lies
Pay attention for this one folks. The prize is in the details.
I will try to avoid spoilers but I recommend going in having seen nothing except maybe the trailer.
This film is a mystery horror. It's not in your face, it's suggestive. Every shot is thought out and significant, I'm sure I missed a hundred things. The whole time I was nervously trying to understand all the little clues that seemed out of place. But still my theories were so wrong. It may be that no theory us fans come up with is wrong or right. Not knowing is better.
The mystery and horror is only half of Hereditary in my opinion. I felt empathy for Toni Collette's character more than I felt fear. If you don't think you could handle depictions of grief then you should skip this one. My stomach still feels tense. Toni deserves every award for her performance.
I imagine a few people might call out a couple of moments as goofy or amateurish, but I feel like I need those moments. At one point very near the end the whole cinema laughed and the tension in the whole room released, and we'd been scared for a long time by that point.
By far the most beautifully crafted element of this film was the sound editing. The perfectly timed score builds and releases, playing with your adrenal response.
I will watch this movie a hundred times and enjoy it each time. It will stay with me, and I'm going to spook my mother with it to pay her back for that time we watched the Blair witch when I was a teenager and she shrieked every time I went near a corner.
I will try to avoid spoilers but I recommend going in having seen nothing except maybe the trailer.
This film is a mystery horror. It's not in your face, it's suggestive. Every shot is thought out and significant, I'm sure I missed a hundred things. The whole time I was nervously trying to understand all the little clues that seemed out of place. But still my theories were so wrong. It may be that no theory us fans come up with is wrong or right. Not knowing is better.
The mystery and horror is only half of Hereditary in my opinion. I felt empathy for Toni Collette's character more than I felt fear. If you don't think you could handle depictions of grief then you should skip this one. My stomach still feels tense. Toni deserves every award for her performance.
I imagine a few people might call out a couple of moments as goofy or amateurish, but I feel like I need those moments. At one point very near the end the whole cinema laughed and the tension in the whole room released, and we'd been scared for a long time by that point.
By far the most beautifully crafted element of this film was the sound editing. The perfectly timed score builds and releases, playing with your adrenal response.
I will watch this movie a hundred times and enjoy it each time. It will stay with me, and I'm going to spook my mother with it to pay her back for that time we watched the Blair witch when I was a teenager and she shrieked every time I went near a corner.
Ross (3284 KP) rated Justice League (2017) in Movies
Aug 7, 2018
A rushed DC version of Infinity Wars
This film just missed the mark on so many different aspects. It had high ambitions but just let itself down pretty much everywhere. It felt like a panicked, rushed answer to Infinity Wars, but without taking the time to embed the characters and storyline first. I thought with hits like The Flash and Arrow TV series the DC world may have been fighting back against Marvel's dominance, but I guess for every "Arrow" there is a "Legends of Tomorrow" cheese-fest.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
ClareR (5906 KP) rated The Liar's Room in Books
Aug 10, 2018
A one-sitting read!
Set in one room (pretty much!), this tells the story of a counsellor, Susannah, and a patient, Adam. What begins as an innocent counselling session, ends up revealing a series of lies that have been hidden for many years.
This was such an exciting - when I read the synopsis that explained that almost all of the book took place in one room, I had flashbacks to my A level French lessons and 'Huis Clos' (a play by Jean-Paul Sartre). Whether that's a good thing or not, I'm not altogether sure. Reading that play was a slog! Luckily, it wasn't the same (huge sigh of relief here!), and if I had been reading the actual book instead of the daily 'stave' from The Pigeonhole, I think I would have charged through this book in an afternoon.
We were taken out of the room via some peripheral characters (Ruth, the dentist who works in the same offices as Susannah and Emily, Susannah's daughter) and some necessary flashback scenes. These flashbacks are a really important device, and they added some real tension to the story.
Adam, the character who has (supposedly) come for counselling, is a really menacing character, although there were times that I felt sorry for him - he seemed very much like a lost little boy.
Ultimately, I felt that this was a story that told of how it wasn't such a good idea to keep secrets: they can build up and become increasingly damaging. Susannah didn't have much of a choice in what she did though, as she wanted to protect her daughter.
A really good thriller, and many thanks to The Pigeonhole, the author and the publisher.
This was such an exciting - when I read the synopsis that explained that almost all of the book took place in one room, I had flashbacks to my A level French lessons and 'Huis Clos' (a play by Jean-Paul Sartre). Whether that's a good thing or not, I'm not altogether sure. Reading that play was a slog! Luckily, it wasn't the same (huge sigh of relief here!), and if I had been reading the actual book instead of the daily 'stave' from The Pigeonhole, I think I would have charged through this book in an afternoon.
We were taken out of the room via some peripheral characters (Ruth, the dentist who works in the same offices as Susannah and Emily, Susannah's daughter) and some necessary flashback scenes. These flashbacks are a really important device, and they added some real tension to the story.
Adam, the character who has (supposedly) come for counselling, is a really menacing character, although there were times that I felt sorry for him - he seemed very much like a lost little boy.
Ultimately, I felt that this was a story that told of how it wasn't such a good idea to keep secrets: they can build up and become increasingly damaging. Susannah didn't have much of a choice in what she did though, as she wanted to protect her daughter.
A really good thriller, and many thanks to The Pigeonhole, the author and the publisher.
Hazel (2934 KP) rated It Was Her in Books
Aug 11, 2018
Highly recommended
Having read the first in this series "His First Lie" (previously named "The Two O'Clock Boy") and thoroughly enjoyed it, I was excited to get my hands on this second outing for the team of DI Ray Drake and DS Flick Crowley and I certainly wasn't disappointed.
I know that sometimes you can dip into a series out of order but not this one. I strongly suggest you read "His First Lie" before "It Was Her" otherwise you could become a little lost as this book builds on the events of that one. In addition, you might feel differently about the characters, especially Ray, without the back story that is so important in understanding his thought processes and actions.
What we have in "It Was Her" is not just your run-of-the-mill crime thriller, it is so much more than that and I can't even begin to describe how much I became totally immersed in the story. I won't go into detailing the plot as it's clearly set out in the blurb but I will say that it is complex, dark, gritty and edgy with suspense and tension but amongst all that, is quite a sad story and the ending ... well, I didn't see that coming until it was on top of me and it left me having to take a few deep breaths and a few minutes to take it all in.
So, would I recommend this book? Absolutely. Would I recommend this author? Without a doubt. Do I want to read the next instalment? Hell yes!!
My thanks go to the publisher, Little, Brown Book Group UK, and NetGalley for my e-copy in return for an honest review.
I know that sometimes you can dip into a series out of order but not this one. I strongly suggest you read "His First Lie" before "It Was Her" otherwise you could become a little lost as this book builds on the events of that one. In addition, you might feel differently about the characters, especially Ray, without the back story that is so important in understanding his thought processes and actions.
What we have in "It Was Her" is not just your run-of-the-mill crime thriller, it is so much more than that and I can't even begin to describe how much I became totally immersed in the story. I won't go into detailing the plot as it's clearly set out in the blurb but I will say that it is complex, dark, gritty and edgy with suspense and tension but amongst all that, is quite a sad story and the ending ... well, I didn't see that coming until it was on top of me and it left me having to take a few deep breaths and a few minutes to take it all in.
So, would I recommend this book? Absolutely. Would I recommend this author? Without a doubt. Do I want to read the next instalment? Hell yes!!
My thanks go to the publisher, Little, Brown Book Group UK, and NetGalley for my e-copy in return for an honest review.
Steve Fearon (84 KP) rated Halloween (1978) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
John Carpenter's Slasher still stands tallest
Contains spoilers, click to show
That theme song starts.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
Steve Fearon (84 KP) rated The Conjuring 2 (2016) in Movies
Sep 12, 2018
James Wan's style is all over the film (1 more)
Well made high budget horror
You get exactly what you ask for
First off, if you liked the first conjuring, you will like the second one.
James Wan's classy approach to horror, complete with clever camera movements, tension building sustained shots and a patient approach to scares are still consistent throughout the movie, and there is simply no doubt that this is one of his movies.
The plot continues to follow the controversial Warren's investigations into paranormal events, with the excellent Patrick Wilson and Vera Farmiga perfectly capturing the cooky and over the top personalities of the Warrens, and adding a bit of light-heartedness to what is otherwise a fairly grim and unrelenting plot-line.
This time the story is set in England and revolves around the story of the Enfield Haunting, a very famous "real story" about a family experiencing a poltergeist in the 70's.
Obviously Wan and Co take this story and ramp it up to 11, introducing new characters and making it much more of a spectacle, and it is largely an enjoyable rollercoaster, with just enough jump scares to keep you on the edge of your seat, but without getting tiring.
Horror Reddits and Forums constantly argue about whether the conjuring 1 or 2 is the stronger film, and I choose not to enter that particular argument, other than to say that one is probably as good as the other, similar in tone and presentation as they are.
Some will argue that these films are not particularly original. and they may have a point.
Still there is no doubt that James Wan delivers on high quality, well made horror, and that is something for us all to enjoy.
James Wan's classy approach to horror, complete with clever camera movements, tension building sustained shots and a patient approach to scares are still consistent throughout the movie, and there is simply no doubt that this is one of his movies.
The plot continues to follow the controversial Warren's investigations into paranormal events, with the excellent Patrick Wilson and Vera Farmiga perfectly capturing the cooky and over the top personalities of the Warrens, and adding a bit of light-heartedness to what is otherwise a fairly grim and unrelenting plot-line.
This time the story is set in England and revolves around the story of the Enfield Haunting, a very famous "real story" about a family experiencing a poltergeist in the 70's.
Obviously Wan and Co take this story and ramp it up to 11, introducing new characters and making it much more of a spectacle, and it is largely an enjoyable rollercoaster, with just enough jump scares to keep you on the edge of your seat, but without getting tiring.
Horror Reddits and Forums constantly argue about whether the conjuring 1 or 2 is the stronger film, and I choose not to enter that particular argument, other than to say that one is probably as good as the other, similar in tone and presentation as they are.
Some will argue that these films are not particularly original. and they may have a point.
Still there is no doubt that James Wan delivers on high quality, well made horror, and that is something for us all to enjoy.
Micky Barnard (542 KP) rated Artemis in Books
Oct 6, 2018
Lunar escapades
The opportunity for an early read of ARTEMIS was an easy decision considering my love for The Martian. The similarities in context are there in terms of genre and setting. ARTEMIS is set on the moon and the moon of the future is a large city, corrupt and problematic, but home for many.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.