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Gareth von Kallenbach (980 KP) rated District 9 (2009) in Movies
Aug 9, 2019
For months the Internet has been ablaze with movie propaganda about “District 9” the anticipated Science Fiction hit of the year. The exciting ad campaign and constant mumbling regarding the film made me wary, it is not unheard for films to lack the luster their advertisements display.
The story takes place twenty years after an alien space ship appears above Johannesburg, South Africa filled with bug-like aliens. These aliens, derogatorily called prawns, are placed in a quarantined slum called District 9. The film begins as a documentary following bumbling cross-species specialist Wikus Van De Merwe (Sharlto Copley) an employee of Multi-National United (MNU) a private company on a mission to evict the aliens to a new location, Distinct 10. Additionally, MNU is the primary company working to integrate the advanced alien weaponry with our own.
As the film progresses Wikus builds a relationship with an alien father and son while his relationship with MNU, the company he had long worked for, deteriorates. Throw in some Nigerian gangsters selling cat food and powerful alien technology and you have the making of science fiction gold.
One of the best elements of the film is the choice of location. The tension regarding South African history and politics is well worked into the film. In particular, the idea of standing up against oppression, even under impossible odds, is well paralleled.
The film provides nonstop entertainment and solidifies its place as a great science fiction film by providing introspection into the human race through interaction with aliens. “District 9” begs the audience to wonder what is more important the essence of humanity or being human.
One of the best science fiction films since “The Fifth Element”, “District 9 “ is both a thought provoking and engrossing film.
The story takes place twenty years after an alien space ship appears above Johannesburg, South Africa filled with bug-like aliens. These aliens, derogatorily called prawns, are placed in a quarantined slum called District 9. The film begins as a documentary following bumbling cross-species specialist Wikus Van De Merwe (Sharlto Copley) an employee of Multi-National United (MNU) a private company on a mission to evict the aliens to a new location, Distinct 10. Additionally, MNU is the primary company working to integrate the advanced alien weaponry with our own.
As the film progresses Wikus builds a relationship with an alien father and son while his relationship with MNU, the company he had long worked for, deteriorates. Throw in some Nigerian gangsters selling cat food and powerful alien technology and you have the making of science fiction gold.
One of the best elements of the film is the choice of location. The tension regarding South African history and politics is well worked into the film. In particular, the idea of standing up against oppression, even under impossible odds, is well paralleled.
The film provides nonstop entertainment and solidifies its place as a great science fiction film by providing introspection into the human race through interaction with aliens. “District 9” begs the audience to wonder what is more important the essence of humanity or being human.
One of the best science fiction films since “The Fifth Element”, “District 9 “ is both a thought provoking and engrossing film.
CarlaM (53 KP) rated Devil's Cry : Shade of Devil Book 2 in Books
Dec 6, 2019
I'd Follow This Devil Anywhere!
What a great Continuation of Sorin's story.
Gosh! I loved every minute of this book. Shayne has a true talent for making us fall In love with his main characters. Sorin Is no different! He is powerful, charismatic and Sexy with a very human side that makes him extremely endearing for a Vamp. You either want to bed him or be his best mate and frankly, when you see who he hangs out with you will be biting at the bit ... or the neck ...to join the gang!
The story continues with Sorin's quest to take Down Dracula, but straight of the bat several new threats make themselves known, the least of them the Witches who complicate matters For Sorin and add some great action scenes to this story.
The emotional and sexual build up in this book creates a lovely tension that sits nicely in between the action and all the story driven sequences and I found that I flitted from emotion to emotion. From feeling sad for his losses, Angry that he was wronged, Affection for his love Interests.... and a couple of spicy scenes that made me sit up a little straighter in my seat.
All In all I really enjoyed this book. It had a feeling of familiarity as it very much reminds me of a classic vampire tale.... but then it surprises you with some lovely new mysteries.
I really can't recommend this book enough!
And Can't wait to see were the next book takes me!
Gosh! I loved every minute of this book. Shayne has a true talent for making us fall In love with his main characters. Sorin Is no different! He is powerful, charismatic and Sexy with a very human side that makes him extremely endearing for a Vamp. You either want to bed him or be his best mate and frankly, when you see who he hangs out with you will be biting at the bit ... or the neck ...to join the gang!
The story continues with Sorin's quest to take Down Dracula, but straight of the bat several new threats make themselves known, the least of them the Witches who complicate matters For Sorin and add some great action scenes to this story.
The emotional and sexual build up in this book creates a lovely tension that sits nicely in between the action and all the story driven sequences and I found that I flitted from emotion to emotion. From feeling sad for his losses, Angry that he was wronged, Affection for his love Interests.... and a couple of spicy scenes that made me sit up a little straighter in my seat.
All In all I really enjoyed this book. It had a feeling of familiarity as it very much reminds me of a classic vampire tale.... but then it surprises you with some lovely new mysteries.
I really can't recommend this book enough!
And Can't wait to see were the next book takes me!
LeftSideCut (3776 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
Beautiful, disturbing, utterly bizarre
Whether you like Midsommar or not, you have to admit, it's quite a trip.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
Sarah (7800 KP) rated Black Christmas (2019) in Movies
Dec 19, 2019
Horrendous
There are a lot of films that are so bad they're good, but unfortunately Black Christmas is so bad it's terrible. There is nothing redeemable about this film at all. I came out of the cinema after watching this feeling frustrated, exasperated and bored as hell.
This is the worst example of a horror film I've seen in a long time. The scares arent scary and despite the fact that it's a 15 certificate there's no blood or gore either. There's no tension, no suspense - there is literally nothing in this film that makes it an even halfway decent horror. It starts off slowly and doesn't get any better, and the acting and script are truly awful. Even Imogen Poots who I've previously thought was good in other films is terrible in this too. 30 minutes into this film I would've happily walked out and not cared about the outcome. And the worst thing about this is the plot and the completely irrational actions of the characters. The men vs women plot is trying to be modern and relevant, but actually comes across as preachy and beyond stupid. And some of the actions and decisions by characters in this film had me nearly shouting at the screen in exasperation.
This film was only 100 minutes long but it felt more like 100 hours. I went to see this purely because I was intrigued as to whether it turns out exactly like the trailer, and sadly I wasn't wrong. Don't waste a couple of hours of your life watching this, just watch the 2 minute trailer instead - it sums up the entire thing and is actually a lot more exciting! This is without a doubt the worst film I've seen at the cinema all year.
This is the worst example of a horror film I've seen in a long time. The scares arent scary and despite the fact that it's a 15 certificate there's no blood or gore either. There's no tension, no suspense - there is literally nothing in this film that makes it an even halfway decent horror. It starts off slowly and doesn't get any better, and the acting and script are truly awful. Even Imogen Poots who I've previously thought was good in other films is terrible in this too. 30 minutes into this film I would've happily walked out and not cared about the outcome. And the worst thing about this is the plot and the completely irrational actions of the characters. The men vs women plot is trying to be modern and relevant, but actually comes across as preachy and beyond stupid. And some of the actions and decisions by characters in this film had me nearly shouting at the screen in exasperation.
This film was only 100 minutes long but it felt more like 100 hours. I went to see this purely because I was intrigued as to whether it turns out exactly like the trailer, and sadly I wasn't wrong. Don't waste a couple of hours of your life watching this, just watch the 2 minute trailer instead - it sums up the entire thing and is actually a lot more exciting! This is without a doubt the worst film I've seen at the cinema all year.
Hazel (2934 KP) rated This Little Piggy in Books
Jan 27, 2020
This is another book that has been on my "to be read" pile since 2015!! I really have no excuse!
Set in the North East of England in 1984 at the height of the miners' strike, this is a story that captivated me from the start.
A baby is dead under suspicious circumstances and Clare is tasked with reporting the story but as she does so, she becomes embroiled in the life of a young girl (Amy) who seems to have seen what happened but can what she is saying be trusted or is she just making things up? Clare has her own baggage both in her personal and working life and this is well depicted and explored making her believable but some of her choices questionable. The development of the relationship between Clare and Amy felt authentic for the time the book was set it ... I don't think you would have got away with this had this been set in a later time period.
The book is told from Clare's perspective and this was a refreshing change as it gave a different insight into a murder "investigation" from someone other than a Police Officer. The backdrop of the miners' strike and the run-down estate created additional tension and unease throughout. The pace of the book was good if a little slow in places and I did work out quite early on who the murderer was but found it interesting to see how the story developed and was surprised how long it took for others to work it out!
Overall, a pretty good read and I want to thank Legend Press and NetGalley for my copy in return for an honest review but also apologise to them for taking so long to get round to it.
Set in the North East of England in 1984 at the height of the miners' strike, this is a story that captivated me from the start.
A baby is dead under suspicious circumstances and Clare is tasked with reporting the story but as she does so, she becomes embroiled in the life of a young girl (Amy) who seems to have seen what happened but can what she is saying be trusted or is she just making things up? Clare has her own baggage both in her personal and working life and this is well depicted and explored making her believable but some of her choices questionable. The development of the relationship between Clare and Amy felt authentic for the time the book was set it ... I don't think you would have got away with this had this been set in a later time period.
The book is told from Clare's perspective and this was a refreshing change as it gave a different insight into a murder "investigation" from someone other than a Police Officer. The backdrop of the miners' strike and the run-down estate created additional tension and unease throughout. The pace of the book was good if a little slow in places and I did work out quite early on who the murderer was but found it interesting to see how the story developed and was surprised how long it took for others to work it out!
Overall, a pretty good read and I want to thank Legend Press and NetGalley for my copy in return for an honest review but also apologise to them for taking so long to get round to it.
Night Reader Reviews (683 KP) rated Insanitus in Books
Jan 9, 2020
Insanitus: Into the Darkness by William P. Thomson has a writing style that almost reminds me of H. P. Lovecraft. What might surprise unsuspecting readers is that this is a collection of three short stories.
What if vampires were real but not in the way society typically thinks of them? What if someone detached from themselves decides to commit suicide by means of the judicial system? What if a secret group of military scientists created something that appeared human but had no emotion and could be programmed? These are the horrors readers will find within these pages. This book makes readers question just what it is that makes someone or something human, and what happens when you take that factor away.
What I liked best is that this book is disturbing and creepy without being outright scary. The short stories build tension extremely well without dragging anything out. They were also creative and believable, making them all the more disturbing. What I didnt like was that the writing was very dry, almost so much so that it felt like reading a report or biography. This style almost made me judge the book too harshly at first and I wanted to set the book aside early.
Although the content is disturbing I see no reason why young adults couldnt handle reading this book. It may be more ideal for older audiences that won't be upset by the odd and bazaar. I rate this book 2 out of 4 as an interesting and creepy book. It introduces readers to believable concepts that are also extremely strange. The dry style is defiantly a major negative point but if readers can power through it they will be rewarded with a truly interesting read.
https://www.austinmacauley.com/book/insanitus
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
What if vampires were real but not in the way society typically thinks of them? What if someone detached from themselves decides to commit suicide by means of the judicial system? What if a secret group of military scientists created something that appeared human but had no emotion and could be programmed? These are the horrors readers will find within these pages. This book makes readers question just what it is that makes someone or something human, and what happens when you take that factor away.
What I liked best is that this book is disturbing and creepy without being outright scary. The short stories build tension extremely well without dragging anything out. They were also creative and believable, making them all the more disturbing. What I didnt like was that the writing was very dry, almost so much so that it felt like reading a report or biography. This style almost made me judge the book too harshly at first and I wanted to set the book aside early.
Although the content is disturbing I see no reason why young adults couldnt handle reading this book. It may be more ideal for older audiences that won't be upset by the odd and bazaar. I rate this book 2 out of 4 as an interesting and creepy book. It introduces readers to believable concepts that are also extremely strange. The dry style is defiantly a major negative point but if readers can power through it they will be rewarded with a truly interesting read.
https://www.austinmacauley.com/book/insanitus
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
JT (287 KP) rated The Invisible Man (2020) in Movies
Mar 1, 2020
Excellent tension (1 more)
Brilliant score
Suprise Thriller a Real Hit
What I love about cinema is that you can go in expecting one thing and come out experiencing another - which was exactly how I felt coming out of The Invisible Man.
The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.
When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.
It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].
At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.
The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.
When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.
It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].
At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.
The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
JT (287 KP) rated Chloe (2010) in Movies
Mar 10, 2020
As sexual thrillers go this is hardly up there with the best of them, in fact it boarder lines on B-movie soft porn. Director Atom Egoyan is no stranger to this type of erotic genre having previously helmed such films as Exotica and Where The Truth Lies. But this latest turn lacked something in the plot and it just seemed to fall at the last hurdle.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
Mark @ Carstairs Considers (2434 KP) rated Into the Fire in Books
Mar 17, 2020
Evan Heads Into the Fire for His Latest Client
As this book opens, Evan is planning to retire. He is going to take on one last case to help someone in trouble, but then he is out. Now, it’s just a matter of waiting for a phone call from his new client. That phone call comes from Max Merriweather. Max’s cousin Grant was just brutally killed, but he left Max with a mysterious envelop that should only be opened if Grant has died. The problem is, someone else knows that Max has the envelope, and now they are after Max. Evan uses his usual tricks to find out who is after Max, but will his final case be that simple?
Every time I open one of these books I am in awe once again at how well drawn the characters are. Evan and the people who populate his world come vividly to life and continue to grow, which includes Max and the people he brings into this story. But the book never forgets it is a thriller with plenty of action scenes and twists that kept me reading as quickly as I could. Everything comes together for a satisfying climax while setting up Evan’s next adventure. Yes, the book does include more language and violence than I typically read, but I expected that going in. I was surprised at some of the lighter scenes involving Evan’s neighbors. These scenes always break the tension of the story while helping us get to know Evan better, but we got some of the funniest scenes with the neighbors yet. If you aren’t already reading Gregg Hurwitz, you need to fix that. This book is nothing short of superb.
Every time I open one of these books I am in awe once again at how well drawn the characters are. Evan and the people who populate his world come vividly to life and continue to grow, which includes Max and the people he brings into this story. But the book never forgets it is a thriller with plenty of action scenes and twists that kept me reading as quickly as I could. Everything comes together for a satisfying climax while setting up Evan’s next adventure. Yes, the book does include more language and violence than I typically read, but I expected that going in. I was surprised at some of the lighter scenes involving Evan’s neighbors. These scenes always break the tension of the story while helping us get to know Evan better, but we got some of the funniest scenes with the neighbors yet. If you aren’t already reading Gregg Hurwitz, you need to fix that. This book is nothing short of superb.
Matthew Krueger (10051 KP) rated Day of the Dead (1985) in Movies
Apr 1, 2020
Bub The Zombie (1 more)
Capt. Rhodes
Night, Dawn and Day: The Perfect Trilogy
Day of the Dead- is the final movie in George's trilogy. It started with Night, than Dawn and now Day. The perfect trilogy about surival, surviving, surival of the finest and the livng dead. With great charcters, excellent villians and of course the zombies. In this one you have, Bub the zombie and the evil Capt. Rhodies. So thats a plus.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.