Search
Search results
My Yoga Guru: yoga exercises for fitness, well-being and relaxation
Health & Fitness and Sports
App
The App Store’s most popular Yoga app – newly updated, My Yoga Guru is now the most...
Coach Tuner - Guitar Acoustic and Electric Pro Tune for Beginners
Music and Utilities
App
Coach Tuner is a FREE chromatic instrument tuner that allows you to quickly tune your guitar using...
Sleeping Dogs Definitive Edition
8.9
Rate It
Video Game
Sleeping Dogs is an open-world action game set on the exotic island of Hong Kong with brutal martial...
A Square Meal
8.0
Rate It
Book
James Beard Foundation Book Award Winner From the author of the acclaimed 97 Orchard and her...
Great depression FDR food history
Hazel (2934 KP) rated A Plague of Traitors (Leine Basso #11) in Books
Aug 22, 2021
I have made no secret that I am a fan of D.V. Berkom's work and particularly of her books starring Leine Basso but you would think that after so many stories it would become stale. Well let me tell you that this is most certainly not the case. D.V. Berkom has a gift of creating plausible and exciting situations that keep me coming back every single time.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
LeftSideCut (3776 KP) rated Till Death (2021) in Movies
Oct 6, 2021
Contains spoilers, click to show
Till Death is a pretty middle-of-the-road thriller that somehow manages to both benefit and suffer from its no-nonsense approach to, well everything really. On the one hand, it's premise is an enticing one - after finding out about her affair, Emma's (Megan Fox) husband leads her out to a remote cabin under the false pretense of an anniversary getaway, handcuffs the two of them together by the wrists, and proceeds to shoot himself, leaving her attached to his dead body and fighting for her life when two hitmen come by to finish the job. This setup leads to a decent amount of tension, it's snowy setting exacerbating her survival conditions.
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
Hazel (2934 KP) rated The Apartment Upstairs in Books
Jul 24, 2022
Let me give you a piece of advice; if you have never read one of Lesley Kara's books, get yourself to your usual book supplier or library and put it right by picking yourself one (or more!) You will not regret it because each and every one is unique and enthralling and The Apartment Upstairs is no different.
This is yet another cracker by Lesley Kara.
Would you want to live in a house where a beloved family member was brutally murdered? I don't think I could but Scarlett is clearly stronger than I am. Not only has she moved back into her flat beneath where her Aunt Rebecca was murdered by her partner who then committed suicide, but she is having to organise the funeral and manage the debilitating condition, ME (Myalgic Encephalomyelitis).
Dee is the owner of the 'alternative' funeral directors Scarlett contacts to make arrangements for her aunt's funeral. Dee has struggles of her own; as well as her own personal circumstances, her best friend went missing almost 10 years ago and she is organising an event to keep her in the public consciousness.
Little do Scarlett and Dee realise but their lives are going to become intertwined in the most unexpected and shattering way.
There is creeping sense of tension and unease from the very beginning which continues throughout and which had me gripped desperate to know what was going to happen but I definitely didn't see that ending coming ... and what a great ending it is!
With strong characters, a good pace and an engaging and enthralling plot that had me guessing, this is a book that I devoured quickly and one which I have no hesitation in recommending to those who enjoy a character-driven, gripping thriller.
Thanks go to Random House UK, Transworld Publishers and NetGalley for enabling me to read The Apartment Upstairs and share my views.
This is yet another cracker by Lesley Kara.
Would you want to live in a house where a beloved family member was brutally murdered? I don't think I could but Scarlett is clearly stronger than I am. Not only has she moved back into her flat beneath where her Aunt Rebecca was murdered by her partner who then committed suicide, but she is having to organise the funeral and manage the debilitating condition, ME (Myalgic Encephalomyelitis).
Dee is the owner of the 'alternative' funeral directors Scarlett contacts to make arrangements for her aunt's funeral. Dee has struggles of her own; as well as her own personal circumstances, her best friend went missing almost 10 years ago and she is organising an event to keep her in the public consciousness.
Little do Scarlett and Dee realise but their lives are going to become intertwined in the most unexpected and shattering way.
There is creeping sense of tension and unease from the very beginning which continues throughout and which had me gripped desperate to know what was going to happen but I definitely didn't see that ending coming ... and what a great ending it is!
With strong characters, a good pace and an engaging and enthralling plot that had me guessing, this is a book that I devoured quickly and one which I have no hesitation in recommending to those who enjoy a character-driven, gripping thriller.
Thanks go to Random House UK, Transworld Publishers and NetGalley for enabling me to read The Apartment Upstairs and share my views.
Lee (2222 KP) rated It Comes At Night (2017) in Movies
Jul 14, 2017
Tension packed, slow burner
I headed into ‘It Comes At Night’ in a similar way to when I saw ‘Get Out‘ a few months back – having seen a lot of positive four or five star buzz about it on my news feeds, but without actually seeing the trailer. I skimmed a couple of reviews this time, just to get a rough idea of what I was in for, and one of the words which seemed to crop up on a number of them was ‘unsettling’. Well, that sold it for me! Get Out is my favourite movie of the year so far, and I felt that my enjoyment of seeing that had been greatly improved having not seen the trailer, and with no expectations. So, I went into ‘It Comes At Night’ hoping for a similar experience.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.
Haley Mathiot (9 KP) rated Once Dead, Twice Shy (Madison Avery, #1) in Books
Apr 27, 2018
Madison Avery doesn't believe in fate—until a combination of fate and free will brings her to live with her dad (which her mom thinks is a good thing for her since she can't stay out of trouble at home), gets her a pity-date ("you got your boss to get his son to ask me out? what?"), and kills her (at her junior prom. On her seventeenth birthday. of all the luck.). Now, after having claimed the amulet of the timekeeper who killed her (which is the only thing that keeps her looking like she's alive), she has to learn how to live with death. If that's even possible.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.