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Darren (1599 KP) rated A.M.I. (2019) in Movies
Oct 14, 2019
Characters – Cassie is a high school student that has been through a traumatic experience, being involved in a car crash that killed her mother, while others in her life have moved on, she still suffers daily, her boyfriend doesn’t give her time and always makes excuses, while her closest friends are more interested in her lifestyle and boyfriend than her. Cassie turns to an AI system on her phone, that starts guiding her on a killing spree against everyone that has done her wrong. Greg is Cassie’s father that has neglected her after her mother’s death drinking and trying to seduce younger women including one of Cassie’s friends. Liam is the asshole boyfriend that is more interested in a career in American football and sleeping around over being caring towards his own girlfriend, he is one of the most unsupportive people you will ever see in a film. Ruby and Sarah are the best friends that are not supportive in any way more interested in her boyfriend than her friendship.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Play The Blues On Harmonica
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Learn To Play The Blues on Harmonica with this fabulous collection of 168 tutorial video lessons. ...
Ivana A. | Diary of Difference (1171 KP) rated Codename Villanelle (Killing Eve #1) in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
Sarah (7800 KP) rated the PlayStation 4 version of NieR: Automata in Video Games
May 3, 2020 (Updated May 3, 2020)
Hugely enjoyable
I'm a big Final Fantasy fan and whilst Nier: Automata isn't quite the same size and scale RPG as the FF games, I really enjoyed playing this - even if it isn't perfect.
This game looks amazing. The world they've created here is bleak yet beautifully rendered. The characters are well styled (even if a little inappropriate, but that's to be expected from a Japanese game). The score and music is beautiful. Maybe overly dramatic at times but it really helps build tension and drama in the game. The gameplay itself is a cross between Final Fantasy and a Devil May Cry style game, with a variety of side quests, upgrades and levelling up available alongside a non-turn based open fighting system. For me I actually preferred this style of fighting to the FF games as it's more like a real battle rather than everyone taking turns. There is a lot of detail in this game too, but without going to quite the extremes FF games do. It never quite feels as huge and unmanageable.
The story is different and how the gameplay unfolds took me a while to get used to, especially when you get on to the second and third parts of the story. But when you get over the initial irritation you soon come to love the game play and how you discover all the different aspects to the story. Especially the rather sweet & emotional sides to the characters.
However there are some downsides. The fighting is very repetitive and despite various types of bosses, there is rarely any skill involved to defeating them - continuously shooting and hack and slash seems to be the standard. There's also a lot of grinding involved in this game and it can get a bit irritating. The machines also regenerate very quickly and it can get quite tiresome to run in & out of areas within a space of minutes and have to defeat the same baddies over and over.
Also, unless you're willing to dedicate a large portion of your life then it seems near impossible to get 100% completion. I'm at 72% and have done virtually all of the side quests and endings. Admittedly I havent quite finished yet but when I do I doubt I'll have anywhere near 90% - maxing out weapons and levelling up to level 99 to defeat an otherwise undefeatable machine just doesn't appeal.
Finally, the idea behind the 26 endings to this game is one I'm still undecided on. In a way it feels like a "choose your own ending" style thing like the old Goosebumps books, however it's not obvious how to get these endings (I looked them up). Maybe it's because I'm not a fan of wandering everywhere in an open world trying & hitting absolutely everything, it's a bit of a slog. But knowing where to find the endings for me made them a little more entertaining.
Overall this is a very enjoyable game and definitely an 8/8.5. If they had cut out some of the grinding and slogging commonly found in rpgs to make it more achievable to get 100%, I'd definitely rate it at least a 9.
This game looks amazing. The world they've created here is bleak yet beautifully rendered. The characters are well styled (even if a little inappropriate, but that's to be expected from a Japanese game). The score and music is beautiful. Maybe overly dramatic at times but it really helps build tension and drama in the game. The gameplay itself is a cross between Final Fantasy and a Devil May Cry style game, with a variety of side quests, upgrades and levelling up available alongside a non-turn based open fighting system. For me I actually preferred this style of fighting to the FF games as it's more like a real battle rather than everyone taking turns. There is a lot of detail in this game too, but without going to quite the extremes FF games do. It never quite feels as huge and unmanageable.
The story is different and how the gameplay unfolds took me a while to get used to, especially when you get on to the second and third parts of the story. But when you get over the initial irritation you soon come to love the game play and how you discover all the different aspects to the story. Especially the rather sweet & emotional sides to the characters.
However there are some downsides. The fighting is very repetitive and despite various types of bosses, there is rarely any skill involved to defeating them - continuously shooting and hack and slash seems to be the standard. There's also a lot of grinding involved in this game and it can get a bit irritating. The machines also regenerate very quickly and it can get quite tiresome to run in & out of areas within a space of minutes and have to defeat the same baddies over and over.
Also, unless you're willing to dedicate a large portion of your life then it seems near impossible to get 100% completion. I'm at 72% and have done virtually all of the side quests and endings. Admittedly I havent quite finished yet but when I do I doubt I'll have anywhere near 90% - maxing out weapons and levelling up to level 99 to defeat an otherwise undefeatable machine just doesn't appeal.
Finally, the idea behind the 26 endings to this game is one I'm still undecided on. In a way it feels like a "choose your own ending" style thing like the old Goosebumps books, however it's not obvious how to get these endings (I looked them up). Maybe it's because I'm not a fan of wandering everywhere in an open world trying & hitting absolutely everything, it's a bit of a slog. But knowing where to find the endings for me made them a little more entertaining.
Overall this is a very enjoyable game and definitely an 8/8.5. If they had cut out some of the grinding and slogging commonly found in rpgs to make it more achievable to get 100%, I'd definitely rate it at least a 9.
Thirteen Souls: Martial Arts Fighting Games
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*This app has no In-App Purchase. TouchArcade – “Thirteen Souls is an upcoming fighting game...
Total War Battles: SHOGUN
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BUILD, BATTLE AND AVENGE! Specifically developed for touchscreen platforms, Total War Battles™:...
Emma @ The Movies (1786 KP) rated Army of the Dead (2021) in Movies
Aug 22, 2021
I can't say that the name Zack Snyder held any pull to watching Army of the Dead. I'm still mad that I watched 8 hours of Justice League. But, I was sold on zombies and the poster, so I gave it a go.
Zombies have taken Las Vegas and the only option to end the danger is to raise the city to the ground. As the countdown to the cities destruction begins, a group of mercenaries are recruited to enter the quarantined zone for a wealthy businessman. Their retrieval mission will end with them getting out of the city safely, or the zombies getting them... whichever comes first.
A heist film with zombies and plenty of action? Three of my favourite things in one. The heist part is solid, it had time constraints to add tension, and the added peril of flesh eating monsters brought a bit of the unknown to each scene in the quarantine zone.
However... the idea doesn't pan out so well in production.
I enjoy Dave Bautista's acting career. Drax is a legend, and his dramatic yet comedic role in My Spy is great. Army of the Dead is a whole new ball game. Scott has the potential to be a really good lead, there's backstory, moments of action that Bautista is made for... but there's that script. There are so many points that diverge from what's happening that he ends up with something that hovers around average.
The humour between Vanderohe (Omari Hardwick) and Dieter (Matthias Schweighöfer) was fun. It wasn't quite a double act but it did cut through some of the more serious (and clunky) sections. My other call out is Tig Notaro. I loved the attitude she brings to her role, that's the level of sass I aspire to. It wasn't until after my viewing that I realised she had been CGId into the film as a last minute replacement. For the majority of the time I didn't notice, it's just one group shot as they enter Vegas that sticks out like a sore thumb. And with it being so early in proceedings, I was worried that it would be foreshadowing for what was to come.
Thankfully though, the effects were pretty good apart from that (and that tiger). The creatures were impressive and I was pleased to see that they still had the consistency of who the zombie population would be while they were inside the walls. Some of the action sequences may have been a little over the top, but it is a zombie action film so you've got to give it leeway.
I enjoyed Army of the Dead while I was watching it. But it's one of those films that changes when you think about it deeper. The main issue for me is that... this film doesn't need to happen... and a close second is that they attempt to give it a twist that comes to nothing, and because of that, ultimately felt bizarre. I don't think I'd mind watching it again, but I'm not feeling the urge to rush to Netflix.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/army-of-dead-movie-review.html
Zombies have taken Las Vegas and the only option to end the danger is to raise the city to the ground. As the countdown to the cities destruction begins, a group of mercenaries are recruited to enter the quarantined zone for a wealthy businessman. Their retrieval mission will end with them getting out of the city safely, or the zombies getting them... whichever comes first.
A heist film with zombies and plenty of action? Three of my favourite things in one. The heist part is solid, it had time constraints to add tension, and the added peril of flesh eating monsters brought a bit of the unknown to each scene in the quarantine zone.
However... the idea doesn't pan out so well in production.
I enjoy Dave Bautista's acting career. Drax is a legend, and his dramatic yet comedic role in My Spy is great. Army of the Dead is a whole new ball game. Scott has the potential to be a really good lead, there's backstory, moments of action that Bautista is made for... but there's that script. There are so many points that diverge from what's happening that he ends up with something that hovers around average.
The humour between Vanderohe (Omari Hardwick) and Dieter (Matthias Schweighöfer) was fun. It wasn't quite a double act but it did cut through some of the more serious (and clunky) sections. My other call out is Tig Notaro. I loved the attitude she brings to her role, that's the level of sass I aspire to. It wasn't until after my viewing that I realised she had been CGId into the film as a last minute replacement. For the majority of the time I didn't notice, it's just one group shot as they enter Vegas that sticks out like a sore thumb. And with it being so early in proceedings, I was worried that it would be foreshadowing for what was to come.
Thankfully though, the effects were pretty good apart from that (and that tiger). The creatures were impressive and I was pleased to see that they still had the consistency of who the zombie population would be while they were inside the walls. Some of the action sequences may have been a little over the top, but it is a zombie action film so you've got to give it leeway.
I enjoyed Army of the Dead while I was watching it. But it's one of those films that changes when you think about it deeper. The main issue for me is that... this film doesn't need to happen... and a close second is that they attempt to give it a twist that comes to nothing, and because of that, ultimately felt bizarre. I don't think I'd mind watching it again, but I'm not feeling the urge to rush to Netflix.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/army-of-dead-movie-review.html
Kristy H (1252 KP) rated Gone for Good in Books
Aug 26, 2021
An excellent mystery where a cold case intersects with a new murder
In the 1990s, the Lovelorn Killer killed seven women and disappeared. The last known victim was Katherine Duffy, the wife of a police officer, who was killed on Halloween. After twenty years, many wonder if he's gone for good. But a group of amateur online sleuths, known as the Grave Diggers, don't think that. They take on cold cases and investigate them. One of these Diggers is Grace Harper, a grocery store worker. Grace is sure the Lovelorn Killer is out there, blending into the same neighborhoods he hunted in. Detective Annalisa Vega's father--also a cop--was partnered with Katie Duffy's husband back in the day. Her murder was a defining moment in Annalisa's life. When Annalisa is called to the scene of Grace's murder and realizes she was killed in a similar manner to the Lovelorn Killer, she wonders if the killer is back. Investigating will mean dredging up Annalisa's childhood memories and giving everything she has to catch a murderer.
"With each passing year, the Lovelorn Killer recedes into history and people shrug at the mention of his name. Looks like he's gone for good."
This is an excellent mystery--honestly no surprise when it's by Schaffhausen. I love her Ellery/Reed series, and I'm excited that there's a new series from her. This is a dark read and Annalisa's personal ties to the case and investigation only strengthen this book. It's wonderful reading a story with a strong female detective (and a female boss). Annalisa is a new detective, struggling with the fact that she must work with her ex-husband, Nick Carelli, the established detective on the force. But she doesn't let that, or anything, stop her. Schaffhausen is so good at writing a police procedural; she writes about the processes and force dynamics so well. You feel a part of the investigation and Annalisa's police family superbly. Same with the city of Chicago. She captures the city perfectly. As someone with Chicago ties, this book is so Chicago. I cannot wait for my parents, who grew up in the Chicago suburbs, to read it.
Told from Annalisa's perspective and interspersed with excerpts from Grace's journal, GONE FOR GOOD is tense and crackling with suspense. It's a fast moving read that keeps you guessing from the very beginning, which opens with Grace's death. Yet Grace always feels like another living character in the book, and she's integral to the plot. This is truly a dark read, with a lot of death and murder, and a "bad guy" who is quite bad. I'm always impressed at how Schaffhausen can write stories that permeate with evil and tension.
Overall, I loved everything about this book. The unification of old and new cases and way the Internet sleuths added to the cases. How Annalisa's personal life intertwined with the investigation. GOOD is well-written and keeps you guessing until the very end. I'm looking forward to the next book in the series. 4.5 stars.
I received a copy of this book from Minotaur Books and Netgalley in return for an unbiased review.
"With each passing year, the Lovelorn Killer recedes into history and people shrug at the mention of his name. Looks like he's gone for good."
This is an excellent mystery--honestly no surprise when it's by Schaffhausen. I love her Ellery/Reed series, and I'm excited that there's a new series from her. This is a dark read and Annalisa's personal ties to the case and investigation only strengthen this book. It's wonderful reading a story with a strong female detective (and a female boss). Annalisa is a new detective, struggling with the fact that she must work with her ex-husband, Nick Carelli, the established detective on the force. But she doesn't let that, or anything, stop her. Schaffhausen is so good at writing a police procedural; she writes about the processes and force dynamics so well. You feel a part of the investigation and Annalisa's police family superbly. Same with the city of Chicago. She captures the city perfectly. As someone with Chicago ties, this book is so Chicago. I cannot wait for my parents, who grew up in the Chicago suburbs, to read it.
Told from Annalisa's perspective and interspersed with excerpts from Grace's journal, GONE FOR GOOD is tense and crackling with suspense. It's a fast moving read that keeps you guessing from the very beginning, which opens with Grace's death. Yet Grace always feels like another living character in the book, and she's integral to the plot. This is truly a dark read, with a lot of death and murder, and a "bad guy" who is quite bad. I'm always impressed at how Schaffhausen can write stories that permeate with evil and tension.
Overall, I loved everything about this book. The unification of old and new cases and way the Internet sleuths added to the cases. How Annalisa's personal life intertwined with the investigation. GOOD is well-written and keeps you guessing until the very end. I'm looking forward to the next book in the series. 4.5 stars.
I received a copy of this book from Minotaur Books and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated Nope (2022) in Movies
Jul 26, 2022
Original...Tense...and Entertaining
Producer/Writer/Director Jordan Peele has managed to accomplish something with his latest horror film - he has managed to make a completely original film both in concept and in execution.
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)