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Hazel (2934 KP) rated Find You First in Books
Feb 7, 2021
I haven't read anything by Linwood Barclay for some years and I really don't know why but I had a word with myself and got stuck into this with relish.
What we have here is an exciting thriller that had me hooked. The pace is unrelenting, the characters are just excellent ... even the horrid ones ... and the story is captivating. There are a number of threads to the story and to go into them all would ruin it so I will say nothing apart from you needing to keep your wits about you, but in a good way.
There is tension, twists and nail-biting moments and, yes, you have to suspend reality at times but if you can't do that in fiction, when can you?
All in all, a really enjoyable read and my thanks go to HQ (an imprint of HarperCollins UK) and NetGalley for my copy in return for an honest, unbiased and unedited review.
What we have here is an exciting thriller that had me hooked. The pace is unrelenting, the characters are just excellent ... even the horrid ones ... and the story is captivating. There are a number of threads to the story and to go into them all would ruin it so I will say nothing apart from you needing to keep your wits about you, but in a good way.
There is tension, twists and nail-biting moments and, yes, you have to suspend reality at times but if you can't do that in fiction, when can you?
All in all, a really enjoyable read and my thanks go to HQ (an imprint of HarperCollins UK) and NetGalley for my copy in return for an honest, unbiased and unedited review.
Awix (3310 KP) rated A Week Away (2021) in Movies
Mar 28, 2021
Fiercely innocuous Netflix family musical. Too cool for school (NB he's not actually that cool) bad-boy (NB nor is he that bad either) is given a choice between Juvie and going to church camp for a week. Cue lots of cute romance, gentle comedy, dancing and singing about the grace of God, and, wouldn't you know it, religious conversion.
A ruthlessly cynical grab at the juicy faith-based-movie market by Netflix. This one is better than most, I suppose: the songs aren't painful to listen to and everyone is clearly trying their hardest. But its determination to be completely non-threatening and wholesome renders it bland to the point of absurdity - the sentiments expressed are mostly inoffensive (although the subtext is inevitably authoritarian, as with most movies about finding God), but it's almost totally lacking in drama, grit, tension and any genuine sense of threat. Passable entertainment if you want to watch something totally unchallenging. But why would you?
A ruthlessly cynical grab at the juicy faith-based-movie market by Netflix. This one is better than most, I suppose: the songs aren't painful to listen to and everyone is clearly trying their hardest. But its determination to be completely non-threatening and wholesome renders it bland to the point of absurdity - the sentiments expressed are mostly inoffensive (although the subtext is inevitably authoritarian, as with most movies about finding God), but it's almost totally lacking in drama, grit, tension and any genuine sense of threat. Passable entertainment if you want to watch something totally unchallenging. But why would you?
Kirk Bage (1775 KP) rated The Old Guard (2020) in Movies
Feb 18, 2021
Speaking of scripting problems… a fun game to play when watching this Netflix exclusive flop is to count how many lazy, generic lines are said in all the right places. Even better, try pausing it before a character is obviously about to give a pithy reply to someone and guess what they will say. You will be right most of the time. This game is far more fun than actually watching this ploddingly predictable tale, that is a half decent idea ruined at every turn by inept film-making. Any tension is consistently drained by the awful directing and editing, and every time someone speaks my sphincter tightened in embarrassment for the actors. Charlize Theron tries, bless her, but ultimately her earnest expression just makes her look constipated – I guess if you were that old you would be! Almost nothing here to recommend that you can’t find in dozens of other places done far better.
CHILLFILTR (46 KP) rated Rêveries by Rob Simonsen in Music
Sep 2, 2019
Rob Simonsen began playing the piano at a young age by picking out melodies he heard in his parents’ record collection, and soon started composing for himself. “I daydreamed a lot when I was young,” he remembers. “I’d sit at the piano, and it was very much about escape: letting my mind wander, exploring.”
Simonsen’s deep habit of daydreaming is at last gratifyingly indulged on his long-awaited solo debut RÊVERIES, announced today for a September 6th release date on Sony Music Masterworks. On latest single Coeur, the acoustic piano takes the spotlight, but Simonson also develops an echoed 16-note pulse, as well as hints of a chamber-pop orchestra, away the distance. The result is a delicious tension between unctuous and stoic: opposing forces that, together, lead us gently towards catharsis. Coeur is the introspective and delicately-balanced debut single from Rob Simonsen, featuring a gorgeous combination of electronic minimalism and classical music composition.
Simonsen’s deep habit of daydreaming is at last gratifyingly indulged on his long-awaited solo debut RÊVERIES, announced today for a September 6th release date on Sony Music Masterworks. On latest single Coeur, the acoustic piano takes the spotlight, but Simonson also develops an echoed 16-note pulse, as well as hints of a chamber-pop orchestra, away the distance. The result is a delicious tension between unctuous and stoic: opposing forces that, together, lead us gently towards catharsis. Coeur is the introspective and delicately-balanced debut single from Rob Simonsen, featuring a gorgeous combination of electronic minimalism and classical music composition.
Newborn Twins Baby Care - Kids Games & New Baby
Games and Entertainment
App
Grown from a woman to mother is full with excitement, tension, pay out, fatigue, joy and fun,not to...
Bob Mann (459 KP) rated Litte Fires Everywhere in TV
Aug 23, 2020
The ensemble cast: outstanding (1 more)
An intelligent and often uncomfortable script
Gripping study of racism in small-town america
Flighty artist Mia (Kelly Washington) moves into the picture-perfect community of Shaker Heights Ohio with her daughter Pearl (Lexi Underwood) and is welcomed by busybody mum Elena (Reese Witherspoon). But as racial tensions, teenage passions and secrets from the past emerge, a pressure-cooker of tension builds.
This is an outstanding drama in the mould of Big Little Lies, and equally supported by an outstanding cast. Kerry Washington is Emmy nominated and justly so. But equally impressive is the young cast, particularly Lexi Underwood as Pearl and Megan Stott, who has a magnetic screen presence as Izzy and who I would predict great things for.
It’s a script that buzzes with uncomfortable racial tensions in these days of Black Lives Matters, and is gripping to the end.
I just hope that - unlike Westworld - they call it a day with this one perfect series.
Watch it!!
This is an outstanding drama in the mould of Big Little Lies, and equally supported by an outstanding cast. Kerry Washington is Emmy nominated and justly so. But equally impressive is the young cast, particularly Lexi Underwood as Pearl and Megan Stott, who has a magnetic screen presence as Izzy and who I would predict great things for.
It’s a script that buzzes with uncomfortable racial tensions in these days of Black Lives Matters, and is gripping to the end.
I just hope that - unlike Westworld - they call it a day with this one perfect series.
Watch it!!
The Divided Self
Book
The Divided Self, R.D. Laing's groundbreaking exploration of the nature of madness, illuminated the...
The Perfect Nanny
8.0
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Book
She has the keys to their apartment. She knows everything. She has embedded herself so deeply in...
fiction thriller
Out of the Silence
10.0
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Book
Star investigative reporter Ralph Buchanan’s glory days are behind him. His newspaper has banished...
