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The Midwife of Auschwitz
8.0
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Auschwitz, 1943: As I held the tiny baby in my arms, my fingers traced the black tattoo etched...
Merissa (12194 KP) rated Outlaw Witch (Enchanted Bargains #1) in Books
Nov 14, 2023
OUTLAW WITCH is the first book in the Enchanted Bargains series and it's a slow-burn, action-packed urban fantasy why choose story.
The FMC, Silver, is living on the outskirts of town, where no one really wants to be, with her found family. She has a terrible sense of direction which is how she meets Zeph, the first of the MMCs. Roscoe, the second MMC, "rescues" her from a fire. They both want her to help their friend, Fabian, who is under a blood curse and the third MMC. Throw in someone who knows who she was and it's non-stop.
I loved the set-up of this book, showing the different groups, as well as the different personalities. I would have preferred to know more about Zeph and Roscoe, as well as Rook, Ember, etc. but I guess you can't have everything in one book. I also want to see more of Silver's magic. It didn't feel as though she actually used much of it here. Hopefully, there will be more in the next book.
The ending is a doozy. Cliffhanger Alert!!! It will definitely leave you wanting more. A great start to a new series, and one I look forward to continuing. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 14, 2023
The FMC, Silver, is living on the outskirts of town, where no one really wants to be, with her found family. She has a terrible sense of direction which is how she meets Zeph, the first of the MMCs. Roscoe, the second MMC, "rescues" her from a fire. They both want her to help their friend, Fabian, who is under a blood curse and the third MMC. Throw in someone who knows who she was and it's non-stop.
I loved the set-up of this book, showing the different groups, as well as the different personalities. I would have preferred to know more about Zeph and Roscoe, as well as Rook, Ember, etc. but I guess you can't have everything in one book. I also want to see more of Silver's magic. It didn't feel as though she actually used much of it here. Hopefully, there will be more in the next book.
The ending is a doozy. Cliffhanger Alert!!! It will definitely leave you wanting more. A great start to a new series, and one I look forward to continuing. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 14, 2023
![The German Wife [Audiobook]](/uploads/profile_image/8ae/029a04d2-94e9-4a45-b8f5-a8fb3b5768ae.jpg?m=1641746893)
The German Wife [Audiobook]
8.0
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Germany, 1939: Annaliese is a doctor’s wife, living in an elegant grey stone house with ivy...
The Island
7.0
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It was just supposed to be a family vacation. A terrible accident changed everything. You...
Merissa (12194 KP) rated The Scent of a Storm in Books
Dec 8, 2021 (Updated Jul 9, 2023)
THE SCENT OF A STORM is the second book by this author I have read and gave me the same authentic feel I got from the first. This is based upon real events that made it into the history books.
One thing that seems easy to forget is not everyone in Germany thought Hitler was doing the right thing; not everyone belonged to the SS. This book paints the picture of what it was like for those who tried to live as best they could before they were unwillingly drawn into the middle of events that would change their lives forever.
The hardships told in this book sound like fiction; terrible, horrible fiction, which makes it even harder to understand when you realise circumstances like those mentioned were 'normal'.
Whilst the whole book is brilliantly written, I preferred it when Annie and Werner were young, even though the conditions were heartbreaking. When it changed to the more recent time, I felt like I'd lost something. That is the way of war, I guess. I just wanted more than I received.
For anyone with an interest in the history of WWII, especially if you are interested in the German perspective, then this is definitely one for your bookshelves. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 8, 2021
One thing that seems easy to forget is not everyone in Germany thought Hitler was doing the right thing; not everyone belonged to the SS. This book paints the picture of what it was like for those who tried to live as best they could before they were unwillingly drawn into the middle of events that would change their lives forever.
The hardships told in this book sound like fiction; terrible, horrible fiction, which makes it even harder to understand when you realise circumstances like those mentioned were 'normal'.
Whilst the whole book is brilliantly written, I preferred it when Annie and Werner were young, even though the conditions were heartbreaking. When it changed to the more recent time, I felt like I'd lost something. That is the way of war, I guess. I just wanted more than I received.
For anyone with an interest in the history of WWII, especially if you are interested in the German perspective, then this is definitely one for your bookshelves. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 8, 2021
If I Were A Weapon (All These Gifts #1)
8.0
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See the future. Set things on fire. Fall in love? A superpowered sci-fi romance. When dying alien...
Science Fiction FF Romance
Lyndsey Gollogly (2893 KP) rated The Bourbon Kings (The Bourbon Kings, #1) in Books
Jan 29, 2024
18 of 220
Book
Reread
The Bourbon Kings (Book1)
By J.R. ward
⭐️⭐️⭐️⭐️
For generations, the Bradford family has worn the mantle of kings of the bourbon capital of the world. Their sustained wealth has afforded them prestige and privilege - as well as a hard-won division of class on their sprawling estate, Easterly. Upstairs, a dynasty that by all appearances plays by the rules of good fortune and good taste. Downstairs, the staff who work tirelessly to maintain the impeccable Bradford facade. And never the twain shall meet.
For Lizzie King, Easterly's head gardener, crossing that divide nearly ruined her life. Falling in love with Tulane, the prodigal son of the bourbon dynasty, was nothing that she intended or wanted - and their bitter breakup only served to prove her instincts were right. Now, after two years of staying away, Tulane is finally coming home again, and he is bringing the past with him. No one will be left unmarked: not Tulane's beautiful and ruthless wife; not his older brother, whose bitterness and bad blood know no bounds; and especially not the iron-fisted Bradford patriarch, a man with few morals, fewer scruples, and many, many terrible secrets. As family tensions - professional and intimately private - ignite, Easterly and all its inhabitants are thrown into the grips of an irrevocable transformation, and only the cunning will survive.
This is a reread for me and one of my favourites! This gives me Dallas crossed with Jilly Coopers Riders vibes. So much drama and the characters are so much fun!
Book
Reread
The Bourbon Kings (Book1)
By J.R. ward
⭐️⭐️⭐️⭐️
For generations, the Bradford family has worn the mantle of kings of the bourbon capital of the world. Their sustained wealth has afforded them prestige and privilege - as well as a hard-won division of class on their sprawling estate, Easterly. Upstairs, a dynasty that by all appearances plays by the rules of good fortune and good taste. Downstairs, the staff who work tirelessly to maintain the impeccable Bradford facade. And never the twain shall meet.
For Lizzie King, Easterly's head gardener, crossing that divide nearly ruined her life. Falling in love with Tulane, the prodigal son of the bourbon dynasty, was nothing that she intended or wanted - and their bitter breakup only served to prove her instincts were right. Now, after two years of staying away, Tulane is finally coming home again, and he is bringing the past with him. No one will be left unmarked: not Tulane's beautiful and ruthless wife; not his older brother, whose bitterness and bad blood know no bounds; and especially not the iron-fisted Bradford patriarch, a man with few morals, fewer scruples, and many, many terrible secrets. As family tensions - professional and intimately private - ignite, Easterly and all its inhabitants are thrown into the grips of an irrevocable transformation, and only the cunning will survive.
This is a reread for me and one of my favourites! This gives me Dallas crossed with Jilly Coopers Riders vibes. So much drama and the characters are so much fun!
Hazel (1853 KP) rated The Storyteller in Books
May 30, 2017
An Ethical Question
Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Goddess in the Stacks (553 KP) rated Beasts Made of Night in Books
Apr 19, 2018
Terrible characters (3 more)
Lack of explanation of terms
Stupid cliffhanger
Confusing geography
So this Nigerian-influenced fantasy made enough of a splash when it was released in October that I JUST got it in my hands from the library. That long wait....was not actually justified, sadly. The cover is GORGEOUS and the concept is really, really cool - the execution is lacking. I can tell that the author had the world pretty fleshed out in his mind, from the geography to the vocabulary - but he didn't actually pass that knowledge on to the reader. Kos is a walled city, but I'm not sure whether the Palace is within the walls or not? In one scene our protagonist LEAPS out of the castle and runs back the city - but in another scene he mentions that looking out the castle wall, Kos fits behind his fingernail. Kos is made up of several neighborhood plus a market - it's not small. So either his fingernail is HUGE or Kos is a pretty decent distance away. But it's written as if it only takes him about ten minutes to run there? Not to mention that he cracked a rib in the room that he leaped from (which is never mentioned again).
Oh and he winds up landing in an ivy maze out of nowhere - he couldn't see it from the palace? Let's see....the King regularly bombards neighborhoods with catapults in what's called a "baptism" but the people haven't revolted against this, for some reason. They talk about something called a "kanselo" but never define it. I -think- it's like an organized group or coalition, but I'm really not entirely sure.
The male protagonist treats every woman his age as a potential love interest, debating whether to give them his heart-stone, or whether people will think he's already given one girl or another his heart-stone - but never stops to ask if the girls are interested in HIM that way. Because of COURSE they would be, right? He's the Sky-Fist! The Lightbringer! The one whose tattoos never fade! (Eating sin-beasts causes a black tattoo to appear on your skin - on most sin-eaters these fade eventually.) Also he's just DUMB. He recalls that the sin-eater who ate his mother's sin had a certain tattoo, and when he runs across her years later, it takes him three or four encounters before realizing it's the same sin-eater. (The tattoo is a spider. Covering her FACE. It hasn't faded.) He makes stupid decisions - after nightmares of one love-interest being attacked by sin-beasts, he LEAVES HER SURROUNDED BY THEM to go run out into the city. He has at least FIVE love interests in this book. And only ONE of them seems interested in him in return.
I really wanted to like this book. The concept of sin-eating is great. But the main character and all the one-dimensional characters that surrounded him, along with the confusing geography, just turned me off. And I'm not even getting into the "ending." Yeah. Definitely throwing quotes on that because that was not an ending. The book just stops.
Skip this. It was a terrible book wrapped in a deceptively pretty package.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Oh and he winds up landing in an ivy maze out of nowhere - he couldn't see it from the palace? Let's see....the King regularly bombards neighborhoods with catapults in what's called a "baptism" but the people haven't revolted against this, for some reason. They talk about something called a "kanselo" but never define it. I -think- it's like an organized group or coalition, but I'm really not entirely sure.
The male protagonist treats every woman his age as a potential love interest, debating whether to give them his heart-stone, or whether people will think he's already given one girl or another his heart-stone - but never stops to ask if the girls are interested in HIM that way. Because of COURSE they would be, right? He's the Sky-Fist! The Lightbringer! The one whose tattoos never fade! (Eating sin-beasts causes a black tattoo to appear on your skin - on most sin-eaters these fade eventually.) Also he's just DUMB. He recalls that the sin-eater who ate his mother's sin had a certain tattoo, and when he runs across her years later, it takes him three or four encounters before realizing it's the same sin-eater. (The tattoo is a spider. Covering her FACE. It hasn't faded.) He makes stupid decisions - after nightmares of one love-interest being attacked by sin-beasts, he LEAVES HER SURROUNDED BY THEM to go run out into the city. He has at least FIVE love interests in this book. And only ONE of them seems interested in him in return.
I really wanted to like this book. The concept of sin-eating is great. But the main character and all the one-dimensional characters that surrounded him, along with the confusing geography, just turned me off. And I'm not even getting into the "ending." Yeah. Definitely throwing quotes on that because that was not an ending. The book just stops.
Skip this. It was a terrible book wrapped in a deceptively pretty package.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Movie Metropolis (309 KP) rated Alice Through the Looking Glass (2016) in Movies
Jun 10, 2019
Curiously Terrible
Disney is set for a bumper year of takings. 2016 is dominated by the House of Mouse in all of their guises, whether Marvel, Pixar or Disney itself. We’ve already had the fantastic live-action remake of The Jungle Book and now Alice returns to Wonderland in Through the Looking Glass.
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/