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See No Evil (2006)
See No Evil (2006)
2006 | Horror, Mystery
4
5.0 (8 Ratings)
Movie Rating
See No Evil is a whole big mixed bag of average. The first 20-25 minutes are abhorrently terrible. It manages to tick every mid-00s horror cliché in its opening scene. It introduces all of its eye rollingly awful characters with edgy freeze frames and name cards.
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.

Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.

There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
  
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ClareR (6054 KP) rated The Castaways in Books

Mar 7, 2021  
The Castaways
The Castaways
Lucy Clarke | 2021 | Contemporary, Fiction & Poetry, Mystery, Thriller
8
7.5 (2 Ratings)
Book Rating
The Castaways was a tense, riveting read - and not a great advert for one of those smaller passenger planes!
Lori and Erin, sisters, go on holiday to Fiji - a treat paid for by Lori. The night before their flight to a small island, the sisters have a terrible argument and Erin disappears. She doesn’t turn up at the airport for their connecting flight either. So Lori boards the plane and it disappears en route to the island.
Two years later, Erin is still trying to find out where the plane crashed and what exactly happened. She’s a journalist, so has some experience of researching information. When the pilot of the plane suddenly appears and is taken to hospital in Fiji, Erin knows that she has to go and speak to him. He’s the only one that knows what happened to her sister. Her employers pay for her to go, under the proviso that she’ll write an article about it.
What I really liked about this, is that the chapters alternated between Erin going to Fiji to see the pilot, and the flashbacks to Lori, the crash and it’s aftermath. If I’d had the book in front of me instead of just a stave (an instalment) to read each day, I probably would have read it in one sitting. Except that I have to go to work!
And for the record, it’s a good job that I have no intention of flying anywhere anytime soon, because the crash scene is frankly terrifying!
Many thanks to the Pigeonhole for helping me with my NetGalley reading (again!), and to Lucy Clarke for reading along with us.
  
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Mary Ellen Mark recommended Ikiru (1952) in Movies (curated)

 
Ikiru (1952)
Ikiru (1952)
1952 | Drama
10.0 (1 Ratings)
Movie Favorite

"This is a film about a man’s rebirth. It was made in 1952 and is set in Japan’s postwar rebuilding period. Kanji Watanabe is a man trapped in the dreary bureaucracy of his job and life. When his doctor tells him that he has terminal cancer and a short time to live, he decides to change his life. He first tries going out on the town drinking in nightclubs and spending time with a young woman. This is a beautifully seen relationship that soon ends in disappointment. It is not until several poor women come into his office to complain about the terrible conditions in their slum neighborhood that he realizes how he can give his life meaning. In his quiet way, he uses the bureaucratic system he knows so well against itself. In the end he is able to establish a playground for the children of the slum. His selfless action in the last days of his life makes him a hero. At his funeral, his workmates try to claim the creation of the playground as theirs, but when the community show up to pay their respects, there is no doubt who acted for the greater good. For me, one of the most powerful and moving images in the film is the flashback during his wake. In this flashback, we see Kanji from behind, sitting on a swing in the snow in the middle of the playground. This film is about how fleeting life is and how important it is to be personally creative and to live every moment like it is your last."

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