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Phil Leader (619 KP) rated The Jigsaw and the Fan in Books
Nov 15, 2019
When Albert Carter, staunch shop steward at Jebson's glue factory and upholder of worker's rights, dies and sees the light at the end of a tunnel it seems there's a problem. The next world is on strike and before Albert can even find out if he is heading up or down he is banished back to Earth as a ghost to wait until the strike is resolved.
Finding himself stuck in Marlston Manor a stately home owned by a Lord, he soon rails at what he sees as the injustice of the common working man having to pay to have a look around and decides that as a ghost, perhaps he can teach a lesson the to aristocratic owner by scaring everyone away. A battle of wits ensues, with the other resident ghosts and the mortal staff pitted against Albert's scheme. But Albert has a terrible secret. He knows he is right and so won't be denied his opportunity to settle the social injustice he perceives. But little does he realise he is just a pawn in a the latest match of a long game being played by adversarial guardian angels.
The whole of this book is a blast from beginning to end. Bint makes good use of all the characters and situations, pushing everything to the maximum for farcical effect. And it works, there are so many good chuckles throughout the book and a smile will not be far from the reader's face. He also manages to weave in a neat thread of social satire, always perceptible but never unsubtle, taking in allusions to the miner's strikes of the 1980s as well as every class war that has ever been fought, seemingly at the whims of the guardian angels. But as they say, who watches the watchers?
This is a whole load of fun and if you want something a bit lighter to make you smile, this book is perfect.
Finding himself stuck in Marlston Manor a stately home owned by a Lord, he soon rails at what he sees as the injustice of the common working man having to pay to have a look around and decides that as a ghost, perhaps he can teach a lesson the to aristocratic owner by scaring everyone away. A battle of wits ensues, with the other resident ghosts and the mortal staff pitted against Albert's scheme. But Albert has a terrible secret. He knows he is right and so won't be denied his opportunity to settle the social injustice he perceives. But little does he realise he is just a pawn in a the latest match of a long game being played by adversarial guardian angels.
The whole of this book is a blast from beginning to end. Bint makes good use of all the characters and situations, pushing everything to the maximum for farcical effect. And it works, there are so many good chuckles throughout the book and a smile will not be far from the reader's face. He also manages to weave in a neat thread of social satire, always perceptible but never unsubtle, taking in allusions to the miner's strikes of the 1980s as well as every class war that has ever been fought, seemingly at the whims of the guardian angels. But as they say, who watches the watchers?
This is a whole load of fun and if you want something a bit lighter to make you smile, this book is perfect.
Phil Leader (619 KP) rated Witch's Legacy (Supernatural Evolvement #0.5) in Books
Nov 28, 2019
The first book in a new series by outstanding young adult author Katrina Cope is something of a big deal. Both her previous series are particular favourites of both mine and my teenage children. Set in the same universe as her Afterlife series, this tells the story of an ancient feud between witches and shapeshifters.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
KalJ95 (25 KP) rated the PlayStation 4 version of Vampyr in Video Games
Jan 6, 2020 (Updated Jan 6, 2020)
Narrative is often surprising and gripping. (1 more)
I would play a sequel.
Graphics are terrible. (2 more)
Atrocious controls.
An absolute bore most of the time.
No bite, no good.
I saw Vampyr advertised a long time ago at several game conferences, with the promise of a complete Vampire experience, never seen before in video games. Already, I was salivating. Vampyr looked fantastic in its early stages. Combat looked fluid and balanced, the protagonist looked interesting enough to keep the story flowing, and Gothic London looked bloody beautiful. Where did it all go wrong?
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
JT (287 KP) rated Hereafter (2010) in Movies
Mar 10, 2020
It’s an interesting film that will leave you asking yourself one question, “did Clint Eastwood really direct it?” And the answer, yes, he did. It’s not that the film is particularly bad but then it’s not really that good either, and you wonder if while his latest film J. Edgar was in pre-production he got bored and decided to fill the void.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Tim McGuire (301 KP) rated Brahms: The Boy II (2020) in Movies
Mar 14, 2020
401. Brahms: The Boy II. What little kid doesn't want a creepy doll? Mom, Liza, and son, Jude are hanging out at home one night and they get attacked and robbed in their home in a very PG undramatic scene. Jude suffers from PTSD and doesn't say a word afterwards, and Liza gets the nightmares, so hubby Sean and Liza decide the best thing to do is get away from it all and vacation at a completely secluded guesthouse of a completely empty creepy mansion! Fun! Oh, and there's a creepy groundskeeper walking around with a shotgun and a big ol mean dog! Nice! Out of the many activities that they can do on this vacation like, looking at the woods, admiring the woods, or exploring the woods, they decide to take a walk in the woods. And this is when Jude discovers a hand sticking up out of the dirt, and he uncovers...a dirty old extremely creepy looking doll, and he obvi falls in love, and names it Brahms, well, that is the name Brahms told him to call him. Mom and Dad are like, eww gross, but it makes him happy, let's take it home clean it up! Within a short time, Jude starts turning around, while Liza thinks the doll is alive causing mischief, cause it can't be Jude doing these things. What to do, what to do... Internet investigation montage scene to recap Part I, give a little more backstory of course. It's not a great movie, honestly it felt they were going to go one way with it, felt rushed then went with a different route, it wasn't a terrible way to go, just felt they changed gears all of sudden. I liked it, i do like bad horror movies, add a creepy doll, makes it better. I personally now want a Chucky Vs. Chucky movie! Filmbufftim on FB
Sarah (7800 KP) rated Dolittle (2020) in Movies
Feb 26, 2020 (Updated Feb 26, 2020)
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
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